<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-1472111324583476283</id><updated>2012-03-10T18:29:57.209Z</updated><category term='Leon Ford'/><category term='Ernst Lubitsch'/><category term='Toa Fraser'/><category term='2009'/><category term='John Michael McDonagh'/><category term='John Landis'/><category term='Justin Molotnikov'/><category term='Brian Clemens'/><category term='Frank Capra'/><category term='David Rudkin'/><category term='Nuri Bilge Ceylan'/><category term='Dominik Graf'/><category term='Vincent Patar'/><category term='1989'/><category term='Neil McKay'/><category term='1997'/><category term='Lawrence Gordon Clark'/><category term='Angelin Preljocaj'/><category term='William Seiter'/><category term='Sam Mendes'/><category term='Charles Crichton'/><category term='Abbas Kiarostami'/><category term='Alberto Cavalcanti'/><category term='Guillermo Ríos'/><category term='Ian Fordyce'/><category term='Christopher Di Nunzio'/><category term='Beiderbecke'/><category term='Alastair Reid'/><category term='1998'/><category term='Tony Ayres'/><category term='Steve Box'/><category term='vaktin'/><category term='Fritz Lang'/><category term='thriller73'/><category term='Nicolas Roeg'/><category term='René Clair'/><category term='Charles Chaplin'/><category term='Pablo Larraín'/><category term='Lucinda Coxon'/><category term='Jack Thorne'/><category term='1931'/><category term='Stephen Poliakoff'/><category term='Cate Shortland'/><category term='2008'/><category term='Paul Seed'/><category term='Alfonso Cuarón'/><category term='Joseph L. 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Lucas'/><category term='James Kent'/><category term='Joe Wright'/><category term='1943'/><category term='Roy Del Ruth'/><category term='Euros Lyn'/><category term='Tarr Béla'/><category term='Lars von Trier'/><category term='1986'/><category term='Wheeler and Woolsey'/><category term='Aleksei Fedorchenko'/><category term='Alice Bell'/><category term='Christoph Hochhäusler'/><category term='Elijah Moshinsky'/><category term='David Blair'/><category term='1992'/><category term='1987'/><category term='Jessica Hobbs'/><category term='Alan Bennett'/><category term='Nick Whitfield'/><category term='David Lean'/><category term='Eric Rohmer'/><category term='Aaron Katz'/><category term='1971'/><category term='1942'/><category term='David Miller'/><category term='This Is England'/><category term='Herman G. Weinberg'/><category term='Bob Rafelson'/><category term='Mel Brooks'/><category term='Emir Kusturica'/><category term='1993'/><category term='Julian Jarrold'/><category term='John Dahl'/><category term='Cormac McCarthy'/><category term='1988'/><category term='Martín Carranza'/><category term='Theo Angelopoulos'/><category term='Darren Aronofsky'/><category term='Terrence Malick'/><category term='1970'/><category term='1936'/><category term='1966'/><category term='Jonathan Levine'/><category term='Catherine Morshead'/><category term='Ragnar Bragason'/><category term='1941'/><category term='Joe Cornish'/><category term='Jesper Ganslandt'/><category term='Charles Barton'/><category term='1981'/><category term='Jesse Armstrong'/><category term='Kevin Macdonald'/><category term='Robert Young'/><category term='Hugo Blick'/><category term='Brian Parker'/><category term='1963'/><category term='David Greene'/><category term='Pål Sletaune'/><category term='Brian Welsh'/><category term='Laurel and Hardy'/><category term='Alexander Payne'/><category term='Rian Johnson'/><category term='Kevin Chenault'/><category term='Andrei Tarkovsky'/><category term='Tony Basgallop'/><category term='John Hughes'/><category term='Júlio Bressane'/><category term='Nick Park'/><category term='Russell Rouse'/><category term='Harold Ramis'/><category term='Andrew Stanton'/><category term='Robert Hamer'/><category term='Clarence Brown'/><category term='Reynir Lyngdal'/><category term='1980'/><category term='Paul Feig'/><category term='Lothar Mendes'/><category term='2001'/><category term='Michele Soavi'/><category term='Ben Wheatley'/><category term='1957'/><category term='Simon Kaijser'/><category term='1991'/><category term='Guy Jenkin'/><category term='Shane Meadows'/><category term='Val Guest'/><category term='Mark Blitch'/><category term='1974'/><category term='1945'/><category term='David Mackenzie'/><category term='Athina Rachel Tsangari'/><category term='Banksy'/><category term='Dave Fleischer'/><category term='Abe Sylvia'/><category term='Tony Roche'/><category term='Alan Butterworth'/><category term='Tommy Lee Jones'/><category term='Andrew Parkinson'/><category term='James Strong'/><category term='Danny Boyle'/><category term='1990'/><category term='Abi Morgan'/><category term='Anthony Asquith'/><category term='Kris Mrksa'/><category term='1962'/><category term='Martin Scorsese'/><category term='John Carpenter'/><category term='1973'/><category term='Tony Marchant'/><category term='Emil Larsson'/><category term='Chris Chibnall'/><category term='1976'/><category term='John Sichel'/><category term='Mika Kaurismäki'/><category term='screenone'/><category term='Lynne Ramsay'/><category term='2011'/><category term='Jonas Gardell'/><category term='PlayforToday'/><category term='Bradley Rust Gray'/><category term='Charles Dickens'/><category term='Jeremy Paul'/><category term='Woody Allen'/><category term='Diarmuid Lawrence'/><category term='Bill Hays'/><category term='2003'/><category term='Jon Hewitt'/><category term='Ingmar Bergman'/><category term='Hong Sang-soo'/><category term='Dearbhla Walsh'/><category term='1951'/><category term='1984'/><category term='2012'/><category term='BlackMirror'/><category term='Malcolm Bradbury'/><category term='Dennis Potter'/><category term='Sharon Lockhart'/><category term='Leo McCarey'/><category term='Miranda July'/><category term='Gareth Carrivick'/><category term='Naruse Mikio'/><category term='Abbott and Costello'/><category term='1975'/><category term='Brendan Cowell'/><category term='Dean DeBlois'/><category term='1952'/><category term='John Schlesinger'/><category term='Jez Butterworth'/><category term='1948'/><category term='Gregor Jordan'/><category term='Paddy Considine'/><category term='Henry Hathaway'/><category term='Norman McLeod'/><category term='Robert Connolly'/><category term='1999'/><category term='Lucía Puenzo'/><category term='Terence Feely'/><category term='2010'/><category term='Martin Jern'/><category term='2005'/><category term='Russell Lewis'/><category term='Ermanno Olmi'/><category term='1954'/><category term='Frank W. Smith'/><category term='1982'/><category term='Peter Duffell'/><category term='Michael Wynne'/><category term='Christian Petzold'/><category term='Asghar Farhadi'/><category term='Marx Bros.'/><category term='Arthur Askey'/><category term='Peter Greenaway'/><category term='Emily Ballou'/><category term='Per-Olav Sørensen'/><category term='Kanak Huq'/><category term='Shaun O&apos;Riordan'/><title type='text'>An Evening Illuminated</title><subtitle type='html'>Capsule reviews gleaned from a life in the dark</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://artemisnt.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><link rel='next' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default?start-index=101&amp;max-results=100'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>258</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-3655496490274572136</id><published>2012-03-08T17:30:00.003Z</published><updated>2012-03-08T17:56:51.170Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='1963'/><category scheme='http://www.blogger.com/atom/ns#' term='Ermanno Olmi'/><title type='text'>I Fidanzati (1963)</title><content type='html'>&lt;div&gt;&lt;span &gt;Italy&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span &gt;Feature Film | Romantic Drama | Italian | 1h17m&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span &gt;&lt;b&gt;aka&lt;/b&gt;: The Engagement / The Fiances&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span &gt;&lt;b&gt;Dir&lt;/b&gt;: Ermanno Olmi | &lt;b&gt;Scr&lt;/b&gt;: Ermanno Olmi | &lt;b&gt;Ph&lt;/b&gt;: Lamberto Caimi | &lt;b&gt;Prod&lt;/b&gt;: Goffredo Lombardo | &lt;b&gt;Mus&lt;/b&gt;: Gianni Ferrio | &lt;b&gt;Ed&lt;/b&gt;: Carla Colombo | &lt;b&gt;PD&lt;/b&gt;: Ettore Lombardi | &lt;b&gt;Snd&lt;/b&gt;: Guido Nardone&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span &gt;&lt;b&gt;Cast&lt;/b&gt;: Carlo Cabrini, Anna Canzi&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://3.bp.blogspot.com/-DUzlQsi5kRw/T1jyMSdPGWI/AAAAAAAAJqw/i60Z7u7kehs/s1600/I%2BFidanzati%2B%25281963%2529.jpg"&gt;&lt;img src="http://3.bp.blogspot.com/-DUzlQsi5kRw/T1jyMSdPGWI/AAAAAAAAJqw/i60Z7u7kehs/s400/I%2BFidanzati%2B%25281963%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5717586019873659234" style="cursor: pointer; width: 400px; height: 220px; " /&gt;&lt;/a&gt; &lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span &gt;A young welder agrees to move to Sicily to work for eighteen months, but spends his time remembering with regret the acrimonious way that he parted from his fiancée. However, a series of heartfelt letters between the two slowly rekindles their once dwindling love, in Olmi’s melancholically charming romantic drama. The restrained performances of Cabrini and Canzi, coupled with the Italian auteur’s strikingly unusual storytelling, prove decidedly affecting. &lt;a href="http://artemisnt.blogspot.com/2011/02/recommended.html"&gt;&lt;b&gt;Recommended&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-3655496490274572136?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/3655496490274572136'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/3655496490274572136'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/03/i-fidanzati-1963.html' title='I Fidanzati (1963)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-DUzlQsi5kRw/T1jyMSdPGWI/AAAAAAAAJqw/i60Z7u7kehs/s72-c/I%2BFidanzati%2B%25281963%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-2316215922328084436</id><published>2012-03-05T12:43:00.004Z</published><updated>2012-03-05T13:15:16.433Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Naruse Mikio'/><category scheme='http://www.blogger.com/atom/ns#' term='1954'/><title type='text'>Sound of the Mountain (1954)</title><content type='html'>&lt;div&gt;&lt;span &gt;Japan&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span &gt;Feature Film | Drama | Japanese | 1h36m&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span &gt;&lt;b&gt;Original Title&lt;/b&gt;: 山の音 | &lt;b&gt;aka&lt;/b&gt;: Yama no oto / The Thunder of the Mountain&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span &gt;&lt;b&gt;Dir&lt;/b&gt;: Naruse Mikio | &lt;b&gt;Scr&lt;/b&gt;: Mizuki Yōko | &lt;b&gt;Novel&lt;/b&gt;: Kawabata Yasunari | &lt;b&gt;Ph&lt;/b&gt;: Tamai Masao | &lt;b&gt;Prod&lt;/b&gt;: Fujimoto Sanezumi | &lt;b&gt;Mus&lt;/b&gt;: Saitō Ichirō | &lt;b&gt;Ed&lt;/b&gt;: Ohi Hideshi | &lt;b&gt;PD&lt;/b&gt;: Chūko Satoru | &lt;b&gt;Snd&lt;/b&gt;: Shimonaga Hisashi&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span &gt;&lt;b&gt;Cast&lt;/b&gt;: Hara Setsuk, Yamamura Sō, Uehara Ken, Sugi Yōko, Nagaoka Teruko, Tanami Yatsuko, Nakakita Chieko, Sumi Rieko, Toake Hisao&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span &gt;&lt;a href="http://2.bp.blogspot.com/-WKkXyJoxX0s/T1S7vf8KurI/AAAAAAAAJog/LvY_g_W4aCw/s1600/Sound%2Bof%2Bthe%2BMountain%2B%25281954%2529.png"&gt;&lt;img src="http://2.bp.blogspot.com/-WKkXyJoxX0s/T1S7vf8KurI/AAAAAAAAJog/LvY_g_W4aCw/s400/Sound%2Bof%2Bthe%2BMountain%2B%25281954%2529.png" border="0" alt="" id="BLOGGER_PHOTO_ID_5716400251742108338" style="cursor: pointer; width: 400px; height: 298px; " /&gt;&lt;/a&gt; &lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span &gt;A middle-aged man grows ever closer to his mistreated daughter-in-law, as his uncaring son’s philandering ways becomes ever more apparent; but his own daughter, who is also experiencing marital difficulties, comes to resent their relationship, in Naruse’s terribly affecting family drama. The Japanese auteur’s gentle direction, Mizuki’s subtle adaptation, Saitō’s bold, yet unobtrusive, score, and the outstanding performances of Yamamura and Hara combine to decidedly beautiful effect. &lt;a href="http://artemisnt.blogspot.com/2011/02/essential-viewing.html"&gt;&lt;b&gt;Essential Viewing&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-2316215922328084436?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/2316215922328084436'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/2316215922328084436'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/03/sound-of-mountain-1954.html' title='Sound of the Mountain (1954)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-WKkXyJoxX0s/T1S7vf8KurI/AAAAAAAAJog/LvY_g_W4aCw/s72-c/Sound%2Bof%2Bthe%2BMountain%2B%25281954%2529.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-8058249040276699361</id><published>2012-03-03T11:48:00.002Z</published><updated>2012-03-03T12:38:12.912Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='John Dahl'/><category scheme='http://www.blogger.com/atom/ns#' term='1994'/><title type='text'>The Last Seduction (1994)</title><content type='html'>&lt;div&gt;&lt;span &gt;USA/UK&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span &gt;Feature Film | Thriller | English | 1h50m&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span &gt;&lt;b&gt;Dir&lt;/b&gt;: John Dahl | &lt;b&gt;Scr&lt;/b&gt;: Steve Barancik | &lt;b&gt;Ph&lt;/b&gt;: Jeffrey Jur | &lt;b&gt;Prod&lt;/b&gt;: Jonathan Shestack | &lt;b&gt;Mus&lt;/b&gt;: Joseph Vitarelli | &lt;b&gt;Ed&lt;/b&gt;: Eric L. Beason | &lt;b&gt;PD&lt;/b&gt;: Linda Pearl | &lt;b&gt;AD&lt;/b&gt;: Dina Lipton | &lt;b&gt;Snd&lt;/b&gt;: Jon Johnson &amp;amp; Howard Neiman&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span &gt;&lt;b&gt;Cast&lt;/b&gt;: Linda Fiorentino, Peter Berg, Bill Pullman, J.T. Walsh, Bill Nunn&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span &gt;&lt;a href="http://3.bp.blogspot.com/-Uy8l4cIl7uY/TuYugdw9R3I/AAAAAAAAH5k/nc0mMtWJZSw/s1600/The%2BLast%2BSeduction%2B%25281994%2529.png" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://3.bp.blogspot.com/-Uy8l4cIl7uY/TuYugdw9R3I/AAAAAAAAH5k/nc0mMtWJZSw/s400/The%2BLast%2BSeduction%2B%25281994%2529.png" border="0" alt="" id="BLOGGER_PHOTO_ID_5685282714882492274" style="cursor: pointer; width: 400px; height: 215px; " /&gt;&lt;/a&gt; &lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span &gt;A no-nonsense New Yorker absconds to a small town near Buffalo with a suitcase full of her husband’s drug money – and, with sex, lies, and general skulduggery, manages to manipulate a local rube into unknowingly helping her to get away with it, in Dahl’s grimily sexy thriller. Fiorentino excels as the sociopathic femme fatale, in a smartly written and generally well-crafted film.  &lt;a href="http://artemisnt.blogspot.com/2011/02/recommended.html"&gt;&lt;b&gt;Recommended&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-8058249040276699361?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/8058249040276699361'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/8058249040276699361'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/03/last-seduction-1994.html' title='The Last Seduction (1994)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-Uy8l4cIl7uY/TuYugdw9R3I/AAAAAAAAH5k/nc0mMtWJZSw/s72-c/The%2BLast%2BSeduction%2B%25281994%2529.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-6814154538625841963</id><published>2012-03-01T13:50:00.003Z</published><updated>2012-03-03T11:48:39.162Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='2011'/><category scheme='http://www.blogger.com/atom/ns#' term='David Mackenzie'/><title type='text'>You Instead (2011)</title><content type='html'>&lt;div style="font-weight: normal; "&gt;&lt;span&gt;UK&lt;/span&gt;&lt;/div&gt;&lt;div style="font-weight: normal; "&gt;&lt;span&gt;Feature Film | Rom-Com | English | 1h20m&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span&gt;&lt;b&gt;aka&lt;/b&gt;: Tonight You're Mine&lt;/span&gt;&lt;/div&gt;&lt;div style="font-weight: normal; "&gt;&lt;span&gt;&lt;b&gt;Dir&lt;/b&gt;: David Mackenzie | &lt;b&gt;Scr&lt;/b&gt;: Thomas Leveritt | &lt;b&gt;Ph&lt;/b&gt;: Giles Nuttgens | &lt;b&gt;Prod&lt;/b&gt;: Gillian Berrie | &lt;b&gt;Mus&lt;/b&gt;: Brian McAlpine | &lt;b&gt;Ed&lt;/b&gt;: Jake Roberts | &lt;b&gt;Snd&lt;/b&gt;: Douglas MacDougall&lt;/span&gt;&lt;/div&gt;&lt;div style="font-weight: normal; "&gt;&lt;span&gt;&lt;b&gt;Cast&lt;/b&gt;: Luke Treadaway, Matthew Baynton, Natalia Tena, Ruta Gedmintas, Sophie Wu, Gavin Mitchell, Alastair Mackenzie, Kari Corbett, Clare Kelly&lt;/span&gt;&lt;/div&gt;&lt;div style="font-weight: normal; "&gt;&lt;span&gt;&lt;a href="http://4.bp.blogspot.com/-KjHv7k5DA6I/T0-Db0Efe1I/AAAAAAAAJoU/2UtRqLulQjQ/s1600/You%2BInstead%2B%25282011%2529.jpg"&gt;&lt;img src="http://4.bp.blogspot.com/-KjHv7k5DA6I/T0-Db0Efe1I/AAAAAAAAJoU/2UtRqLulQjQ/s400/You%2BInstead%2B%25282011%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5714930966013639506" style="cursor: pointer; width: 400px; height: 240px; " /&gt;&lt;/a&gt; &lt;/span&gt;&lt;/div&gt;&lt;div style="font-weight: normal; text-align: justify; "&gt;&lt;span&gt;A pair of bickering rock stars, handcuffed to each other by a mischievous preacher at a music festival, come to think differently about one another after spending 24 hours together, in Mackenzie’s diverting, but hopelessly predictable, rom-com. The film has a certain rough’n’ready charm, which manages to alleviate, for its first three quarters at least, any qualms one might have about its somewhat trite boy-meets-girl plot, but the decidedly cheesy ending, which will have even the most soft-hearted of rom-com lovers cringing with embarrassment, manages to just about ruin all that came before. &lt;a href="http://artemisnt.blogspot.com/2011/02/not-recommended.html"&gt;&lt;b&gt;Not Recommended&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-6814154538625841963?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/6814154538625841963'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/6814154538625841963'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/03/you-instead-2011.html' title='You Instead (2011)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-KjHv7k5DA6I/T0-Db0Efe1I/AAAAAAAAJoU/2UtRqLulQjQ/s72-c/You%2BInstead%2B%25282011%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-6470342773763669420</id><published>2012-03-01T12:50:00.004Z</published><updated>2012-03-01T13:46:16.340Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='2009'/><category scheme='http://www.blogger.com/atom/ns#' term='Jonas Gardell'/><category scheme='http://www.blogger.com/atom/ns#' term='Simon Kaijser'/><title type='text'>The Half Hidden (2009)</title><content type='html'>&lt;div&gt;&lt;span &gt;Sweden&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span &gt;Four-Part Television Serial | Drama | Swedish | 3h53m&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span &gt;&lt;b&gt;Original Title&lt;/b&gt;: De halvt dolda&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span &gt;&lt;b&gt;Dir&lt;/b&gt;: Simon Kaijser | &lt;b&gt;Scr&lt;/b&gt;: Jonas Gardell | &lt;b&gt;Ph&lt;/b&gt;: Stefan Kullänger | &lt;b&gt;Prod&lt;/b&gt;: Maria Nordenberg | &lt;b&gt;Mus&lt;/b&gt;: Leif Jordansson | &lt;b&gt;Ed&lt;/b&gt;: Agneta Scherman | &lt;b&gt;PD&lt;/b&gt;: John Virke&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span &gt;&lt;b&gt;Cast&lt;/b&gt;: Bruno Årfors, Ulf Friberg, Kristoffer Berglund, Henrik Ljung, Christoffer Hedén, Anna Littorin, Anastasios Soulis, Jens Hultén, Kenneth Söderman, Ia Langhammer, Tom Ljungman, Axel Lindqvist, Otto Flytström, Gustaf Mardelius, Albin Weidenbladh, Freddy Åsblom, Marie Richardson, Jarmo Mäkinen, David Dencik, Anja Lundkvist, Jacob Ericksson, Anna Ulrika Ericsson, Margreth Weivers-Norström, Johannes Wanselow, Björn Wahlberg, Annika Hallin, Rasmus Troedsson, Malin Cederblad, Liv Mjönes, Fredrik Hammar&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span &gt;&lt;a href="http://2.bp.blogspot.com/-o66X0gmwqu4/T097jpbmX8I/AAAAAAAAJoI/TalML4aSnLY/s1600/The%2BHalf%2BHidden%2B%25282009%2529.jpg"&gt;&lt;img src="http://2.bp.blogspot.com/-o66X0gmwqu4/T097jpbmX8I/AAAAAAAAJoI/TalML4aSnLY/s400/The%2BHalf%2BHidden%2B%25282009%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5714922304503701442" style="cursor: pointer; width: 400px; height: 224px; " /&gt;&lt;/a&gt; &lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify; "&gt;&lt;span &gt;&lt;span&gt;This remarkable four-part television serial follows the barely, but significantly, connected lives of a raft of beautifully (and decidedly empathetically) drawn characters in both the present day and in 1970, depicting a number of childhoods blighted by religion, alcohol, and neglect. Outstanding characterisation, skilful direction, eye-catching photography, labyrinthine plotting, flamboyant editing, affecting performances, and a stunning, yet discreet, score combine to heart-rending effect. &lt;/span&gt;&lt;a href="http://artemisnt.blogspot.com/2011/02/essential-viewing.html"&gt;&lt;b&gt;Essential Viewing&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-6470342773763669420?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/6470342773763669420'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/6470342773763669420'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/03/half-hidden-2009.html' title='The Half Hidden (2009)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-o66X0gmwqu4/T097jpbmX8I/AAAAAAAAJoI/TalML4aSnLY/s72-c/The%2BHalf%2BHidden%2B%25282009%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-857923023647485063</id><published>2012-02-29T12:52:00.002Z</published><updated>2012-02-29T13:18:12.050Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Russell Rouse'/><category scheme='http://www.blogger.com/atom/ns#' term='1952'/><title type='text'>The Thief (1952)</title><content type='html'>&lt;div&gt;&lt;span &gt;USA&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span &gt;Feature Film | Thriller | None | 1h25m&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span &gt;&lt;b&gt;Dir&lt;/b&gt;: Russell Rouse | &lt;b&gt;Scr&lt;/b&gt;: Clarence Greene &amp;amp; Russell Rouse | &lt;b&gt;Ph&lt;/b&gt;: Sam Leavitt | &lt;b&gt;Prod&lt;/b&gt;: Clarence Greene | &lt;b&gt;Mus&lt;/b&gt;: Herschel Burke Gilbert | &lt;b&gt;Ed&lt;/b&gt;: Chester Schaeffer | &lt;b&gt;PD&lt;/b&gt;: Joseph St. Amand&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span &gt;&lt;b&gt;Cast&lt;/b&gt;: Ray Milland, Martin Gabel, Harry Bronson, Rita Vale, Rex O'Malley, Rita Gam, John McKutcheon, Joe Conlin&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span &gt;&lt;a href="http://2.bp.blogspot.com/-Qx7TU3CpnHI/T04lPUW4I2I/AAAAAAAAJn8/q2_WBf3IGQM/s1600/The%2BThief%2B%25281952%2529.jpg"&gt;&lt;img src="http://2.bp.blogspot.com/-Qx7TU3CpnHI/T04lPUW4I2I/AAAAAAAAJn8/q2_WBf3IGQM/s400/The%2BThief%2B%25281952%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5714545922272666466" style="cursor: pointer; width: 400px; height: 301px; " /&gt;&lt;/a&gt; &lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span &gt;A nuclear physicist with a sideline in spying for, presumably, the USSR finds his already stressful life become ever more so, when a member of his spy ring is knocked down by a car whilst carrying microfilm that could potentially expose him to the authorities, in Rouse’s brave, but vaguely gimmicky, espionage thriller, which tells its story entirely without dialogue. Milland’s performance is excellent and the film-making of Rouse is generally first-rate, but the score is sometimes rather overemphatic and the ending fails to convince. &lt;a href="http://artemisnt.blogspot.com/2011/02/worth-watch.html"&gt;&lt;b&gt;Worth a Watch&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-857923023647485063?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/857923023647485063'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/857923023647485063'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/02/thief-1952.html' title='The Thief (1952)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-Qx7TU3CpnHI/T04lPUW4I2I/AAAAAAAAJn8/q2_WBf3IGQM/s72-c/The%2BThief%2B%25281952%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-2227573014804477995</id><published>2012-02-28T09:32:00.005Z</published><updated>2012-02-28T11:10:07.279Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='2011'/><category scheme='http://www.blogger.com/atom/ns#' term='Jon Hewitt'/><title type='text'>X: Night of Vengeance (2011)</title><content type='html'>&lt;div style="font-weight: normal; "&gt;&lt;span&gt;Australia&lt;/span&gt;&lt;/div&gt;&lt;div style="font-weight: normal; "&gt;&lt;span&gt;Feature Film | Thriller | English | 1h30m&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span&gt;&lt;b&gt;Original Title&lt;/b&gt;: X&lt;/span&gt;&lt;/div&gt;&lt;div style="font-weight: normal; "&gt;&lt;span&gt;&lt;b&gt;Dir&lt;/b&gt;: Jon Hewitt | &lt;b&gt;Scr&lt;/b&gt;: Jon Hewitt &amp;amp; Belinda McClory | &lt;b&gt;Ph&lt;/b&gt;: Mark Pugh | &lt;b&gt;Prod&lt;/b&gt;: Lizzette Atkins | &lt;b&gt;Mus&lt;/b&gt;: David Franzke &amp;amp; Byron Joel Scullin | &lt;b&gt;Ed&lt;/b&gt;: Cindy Clarkson | &lt;b&gt;PD&lt;/b&gt;: Michelle Sotheren&lt;/span&gt;&lt;/div&gt;&lt;div style="font-weight: normal; "&gt;&lt;span&gt;&lt;b&gt;Cast&lt;/b&gt;: Viva Bianca, Hanna Mangan-Lawrence, Peter Docker, Stephen Phillips, Eamon Farren, Belinda McClory, Darren Moss, Freya Tingley&lt;/span&gt;&lt;/div&gt;&lt;div style="font-weight: normal; "&gt;&lt;span&gt;&lt;a href="http://4.bp.blogspot.com/-USoF_70347s/T0ykOWNINJI/AAAAAAAAJnw/800GG6OOQZM/s1600/X%2BNight%2Bof%2BVengeance%2B%25282011%2529.jpg"&gt;&lt;img src="http://4.bp.blogspot.com/-USoF_70347s/T0ykOWNINJI/AAAAAAAAJnw/800GG6OOQZM/s400/X%2BNight%2Bof%2BVengeance%2B%25282011%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5714122593612084370" style="cursor: pointer; width: 400px; height: 250px; " /&gt;&lt;/a&gt; &lt;/span&gt;&lt;/div&gt;&lt;div style="font-weight: normal; text-align: justify; "&gt;&lt;span&gt;A 17-year-old novice and a 30-year-old veteran’s big money trick turns to nightmare, when their dodgy client has his head turned into a bowling ball by a corrupt and decidedly deranged cop, whilst they cower in the bathroom, leaving the pair with no option but to flee for their lives, in Hewitt’s stylishly entertaining, but oft unconvincing, thriller. The director’s assured visual touch and Mangan-Lawrence’s convincingly vulnerable performance impress throughout, but much of the plotting lacks plausibility and the characterisation credibility. &lt;a href="http://artemisnt.blogspot.com/2011/02/worth-watch.html"&gt;&lt;b&gt;Worth a Watch&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-2227573014804477995?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/2227573014804477995'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/2227573014804477995'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/02/x-night-of-vengeance-2011.html' title='X: Night of Vengeance (2011)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-USoF_70347s/T0ykOWNINJI/AAAAAAAAJnw/800GG6OOQZM/s72-c/X%2BNight%2Bof%2BVengeance%2B%25282011%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-1615365453803414055</id><published>2012-02-27T20:35:00.001Z</published><updated>2012-02-27T20:37:12.677Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='1943'/><category scheme='http://www.blogger.com/atom/ns#' term='Robert Stevenson'/><title type='text'>Jane Eyre (1943)</title><content type='html'>&lt;div style="font-weight: normal; "&gt;&lt;span &gt;USA&lt;/span&gt;&lt;/div&gt;&lt;div style="font-weight: normal; "&gt;&lt;span &gt;Feature Film | Romantic Drama | English | 1h37m&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span &gt;&lt;b&gt;Dir&lt;/b&gt;: Robert Stevenson | &lt;b&gt;Scr&lt;/b&gt;: Aldous Huxley, Robert Stevenson, &amp;amp; John Houseman | &lt;b&gt;Novel&lt;/b&gt;: Charlotte Brontë | &lt;b&gt;Ph&lt;/b&gt;: George Barnes | &lt;b&gt;Mus&lt;/b&gt;: Bernard Herrmann | &lt;b&gt;Ed&lt;/b&gt;: Walter Thompson | &lt;b&gt;PD&lt;/b&gt;: William Pereira | &lt;b&gt;AD&lt;/b&gt;: James Basevi &amp;amp; Wiard B. Ihnen | &lt;b&gt;Snd&lt;/b&gt;: W.D. Flick &amp;amp; Roger Heman&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span &gt;&lt;b&gt;Cast&lt;/b&gt;: Orson Welles, Joan Fontaine, Margaret O'Brien, Peggy Ann Garner, John Sutton, Sara Allgood, Henry Daniell, Agnes Moorehead, Aubrey Mather, Edith Barrett, Barbara Everest, Hillary Brooke&lt;/span&gt;&lt;/div&gt;&lt;div style="font-weight: normal; "&gt;&lt;span &gt;&lt;a href="http://1.bp.blogspot.com/-G-EfOglhX6w/T0vo25RACII/AAAAAAAAJnk/5gfBlnvnXHk/s1600/Jane%2BEyre%2B%25281943%2529.jpg"&gt;&lt;img src="http://1.bp.blogspot.com/-G-EfOglhX6w/T0vo25RACII/AAAAAAAAJnk/5gfBlnvnXHk/s400/Jane%2BEyre%2B%25281943%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5713916582032312450" style="cursor: pointer; width: 400px; height: 300px; " /&gt;&lt;/a&gt; &lt;/span&gt;&lt;/div&gt;&lt;div style="font-weight: normal; text-align: justify; "&gt;&lt;span &gt;&lt;span&gt;After a childhood blighted by cruelty and suffering, an orphaned girl grows up to become a loving governess to a French child, with whose brooding guardian she falls in love. Unfortunately, the object of her affection has quite the dirty little secret tucked away in his attic, in Stevenson’s handsome, but rather imperfect, romantic period drama. Though well-acted and decidedly beautifully crafted, this adaptation of Brontë’s much-filmed novel never really takes enough time to tell its story, and often feels horribly, horribly rushed. Never the less, it remains diverting and eye-catching throughout. &lt;/span&gt;&lt;a href="http://artemisnt.blogspot.com/2011/02/worth-watch.html"&gt;&lt;b&gt;Worth a Watch&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-1615365453803414055?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/1615365453803414055'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/1615365453803414055'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/02/jane-eyre-1943.html' title='Jane Eyre (1943)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-G-EfOglhX6w/T0vo25RACII/AAAAAAAAJnk/5gfBlnvnXHk/s72-c/Jane%2BEyre%2B%25281943%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-7634691873442042582</id><published>2012-02-27T13:26:00.004Z</published><updated>2012-02-27T17:45:15.082Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='2012'/><category scheme='http://www.blogger.com/atom/ns#' term='David Blair'/><title type='text'>Best Laid Plans (2012)</title><content type='html'>&lt;div&gt;&lt;span&gt;UK&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span&gt;Feature Film | Crime Drama | English | 1h48m&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span&gt;&lt;b&gt;Dir&lt;/b&gt;: David Blair | &lt;b&gt;Scr&lt;/b&gt;: Chris Green | &lt;b&gt;Ad. Material&lt;/b&gt;: Jeremy Sheldon | &lt;b&gt;Ph&lt;/b&gt;: Ali Asad | &lt;b&gt;Prod&lt;/b&gt;: Michael Knowles, Brad Moore, &amp;amp; Stacey Murray | &lt;b&gt;Mus&lt;/b&gt;: Robert Lane | &lt;b&gt;Ed&lt;/b&gt;: Pia Di Ciaula | &lt;b&gt;PD&lt;/b&gt;: Kristian Milsted | &lt;b&gt;AD&lt;/b&gt;: Blair Barnette | &lt;b&gt;Snd&lt;/b&gt;: Lee Walpole&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span&gt;&lt;b&gt;Cast&lt;/b&gt;: Stephen Graham, Adewale Akinnuoye-Agbaje, Emma Stansfield, Maxine Peake, David O'Hara, Lee Ingleby, Peter Wight&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span&gt;&lt;a href="http://4.bp.blogspot.com/-PcKFJRz8aRw/T0uJxYmJyiI/AAAAAAAAJnY/iCqI0fq9lqE/s1600/Best%2BLaid%2BPlans%2B%25282012%2529.jpg"&gt;&lt;img src="http://4.bp.blogspot.com/-PcKFJRz8aRw/T0uJxYmJyiI/AAAAAAAAJnY/iCqI0fq9lqE/s400/Best%2BLaid%2BPlans%2B%25282012%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5713812033758677538" style="cursor: pointer; width: 400px; height: 240px; " /&gt;&lt;/a&gt; &lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span&gt;In Blair’s diverting crime drama, a small-time criminal, in debt to a local gangster, finds himself forced to coerce his slow-witted gentle giant of a flatmate into a series of illegal cage fights, in order to save his own skin. But, unable to cope with the stress and guilt that he subsequently feels, sees his drink and drug use escalate to dangerous levels. However, romance unexpectedly enters both of their lives, giving them a brief glimmer of hope for a better future. Though generally well crafted, this film, inspired by John Steinbeck's &lt;i&gt;Of Mice and Men (1937)&lt;/i&gt;, never really feels entirely convincing (and at times feels more than a little clichéd), but the fine performances of Graham and, in particular, Akinnuoye-Agbaje more than hold the attention throughout. &lt;a href="http://artemisnt.blogspot.com/2011/02/worth-watch.html"&gt;&lt;b&gt;Worth a Watch&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-7634691873442042582?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/7634691873442042582'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/7634691873442042582'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/02/best-laid-plans-2012.html' title='Best Laid Plans (2012)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-PcKFJRz8aRw/T0uJxYmJyiI/AAAAAAAAJnY/iCqI0fq9lqE/s72-c/Best%2BLaid%2BPlans%2B%25282012%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-182260195649165370</id><published>2012-02-27T12:52:00.004Z</published><updated>2012-02-27T13:22:03.502Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Walter Hill'/><category scheme='http://www.blogger.com/atom/ns#' term='1981'/><title type='text'>Southern Comfort (1981)</title><content type='html'>&lt;div&gt;&lt;span &gt;USA&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span &gt;Feature Film | Thriller | English &amp;amp; Cajun French | 1h46m&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span &gt;&lt;b&gt;Dir&lt;/b&gt;: Walter Hill | &lt;b&gt;Scr&lt;/b&gt;: Michael Kane, Walter Hill, &amp;amp; David Giler | &lt;b&gt;Ph&lt;/b&gt;: Andrew Laszlo | &lt;b&gt;Prod&lt;/b&gt;: David Giler | &lt;b&gt;Mus&lt;/b&gt;: Ry Cooder | &lt;b&gt;Ed&lt;/b&gt;: Freeman Davies | &lt;b&gt;PD&lt;/b&gt;: John Vallone | &lt;b&gt;Snd&lt;/b&gt;: Gordon Ecker Jr.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span &gt;&lt;b&gt;Cast&lt;/b&gt;: Keith Carradine, Powers Boothe, Fred Ward, Franklyn Seales, T.K. Carter, Lewis Smith, Les Lannom, Peter Coyote, Carlos Brown, Brion James&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span &gt;&lt;a href="http://4.bp.blogspot.com/-9ANXILIyidA/T0uCa-T_b9I/AAAAAAAAJnM/L3igBXhdFa4/s1600/Southern%2BComfort%2B%25281981%2529.jpg"&gt;&lt;img src="http://4.bp.blogspot.com/-9ANXILIyidA/T0uCa-T_b9I/AAAAAAAAJnM/L3igBXhdFa4/s400/Southern%2BComfort%2B%25281981%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5713803952164663250" style="cursor: pointer; width: 400px; height: 242px; " /&gt;&lt;/a&gt; &lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify; "&gt;&lt;span &gt;&lt;span&gt;Members of a platoon of Louisiana National Guardsmen, on manoeuvres in a remote Cajun swamp, find themselves lost and fighting for their lives, when their blatant disrespect for the local population takes a turn for the bloody, in Hill’s engrossing allegorical thriller. Committed performances, strong writing, and some bold direction combine to good effect. The Cajun music, which dominates the film's remarkable climax, is also quite delightful. &lt;/span&gt;&lt;a href="http://artemisnt.blogspot.com/2011/02/recommended.html"&gt;&lt;b&gt;Recommended&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-182260195649165370?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/182260195649165370'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/182260195649165370'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/02/southern-comfort-1981.html' title='Southern Comfort (1981)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-9ANXILIyidA/T0uCa-T_b9I/AAAAAAAAJnM/L3igBXhdFa4/s72-c/Southern%2BComfort%2B%25281981%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-3806490775148459714</id><published>2012-02-26T17:01:00.003Z</published><updated>2012-02-26T17:42:27.017Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='2011'/><category scheme='http://www.blogger.com/atom/ns#' term='Christopher Di Nunzio'/><title type='text'>Her Heart Still Beats (2011)</title><content type='html'>&lt;div&gt;&lt;span &gt;USA&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span &gt;Short Film | Horror | English | 25m&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span &gt;&lt;b&gt;Dir&lt;/b&gt;: Christopher Di Nunzio | &lt;b&gt;Scr&lt;/b&gt;: Christopher Di Nunzio | &lt;b&gt;Story&lt;/b&gt;: Edgar Allan Poe | &lt;b&gt;Ph&lt;/b&gt;: James Sullivan | &lt;b&gt;Prod&lt;/b&gt;: Christopher Di Nunzio &amp;amp; Jason Miller | &lt;b&gt;Mus&lt;/b&gt;: Nicholas David Potvin | &lt;b&gt;Ed&lt;/b&gt;: Christopher Di Nunzio | &lt;b&gt;Snd&lt;/b&gt;: Martin A. Begue&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span &gt;&lt;b&gt;Cast&lt;/b&gt;: Fiore Leo, Leighsa Burgin, William Bloomfield, John Martellucci, Michael Capozzi&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span &gt;&lt;a href="http://2.bp.blogspot.com/-j1XLWmr6kls/T0ptnD-BGKI/AAAAAAAAJnA/FIRZUWr6m_c/s1600/Her%2BHeart%2BStill%2BBeats%2B%25282011%2529.jpg"&gt;&lt;img src="http://2.bp.blogspot.com/-j1XLWmr6kls/T0ptnD-BGKI/AAAAAAAAJnA/FIRZUWr6m_c/s400/Her%2BHeart%2BStill%2BBeats%2B%25282011%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5713499595120646306" style="cursor: pointer; width: 400px; height: 225px; " /&gt;&lt;/a&gt; &lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify; "&gt;&lt;span &gt;&lt;span&gt;In Di Nunzio’s unnerving short film, which was inspired by Edgar Allan Poe’s &lt;i&gt;The Tell Tale Heart (1843)&lt;/i&gt;, a man explains to his arresting officers the reason why he murdered his wife and buried her in the woods, telling them that he had become murderously possessed with the thought that her eye had become infected with evil. Well-paced and strikingly photographed, with a chillingly convincing performance from Leo in the central role, this promising short has much to recommend it, but unfortunately the supporting performances are only merely adequate at best, whilst the score, in the early stages at least, often feels a little obtrusive. &lt;/span&gt;&lt;a href="http://artemisnt.blogspot.com/2011/02/worth-watch.html"&gt;&lt;b&gt;Worth a Watch&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-3806490775148459714?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/3806490775148459714'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/3806490775148459714'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/02/her-heart-still-beats-2011.html' title='Her Heart Still Beats (2011)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-j1XLWmr6kls/T0ptnD-BGKI/AAAAAAAAJnA/FIRZUWr6m_c/s72-c/Her%2BHeart%2BStill%2BBeats%2B%25282011%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-9093605631662385635</id><published>2012-02-24T12:22:00.005Z</published><updated>2012-02-26T11:16:06.301Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Tony Basgallop'/><category scheme='http://www.blogger.com/atom/ns#' term='2012'/><category scheme='http://www.blogger.com/atom/ns#' term='James Kent'/><title type='text'>Inside Men (2012)</title><content type='html'>&lt;div&gt;&lt;span&gt;UK&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span&gt;Four-Part Television Serial | Crime-Drama | English | 3h56m&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span&gt;&lt;b&gt;Dir&lt;/b&gt;: James Kent | &lt;b&gt;Scr&lt;/b&gt;: Tony Basgallop | &lt;b&gt;Ph&lt;/b&gt;: Tim Fleming | &lt;b&gt;Prod&lt;/b&gt;: Colin Wratten | &lt;b&gt;Mus&lt;/b&gt;: Paul Englishby | &lt;b&gt;Ed&lt;/b&gt;: Paul Knight | &lt;b&gt;PD&lt;/b&gt;: Anna Pritchard | &lt;b&gt;AD&lt;/b&gt;: Sam Stokes | &lt;b&gt;Snd&lt;/b&gt;: Darren Banks &amp;amp; Laura Lovejoy&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span&gt;&lt;b&gt;Cast&lt;/b&gt;: Steven Mackintosh, Ashley Walters, Warren Brown, Kierston Wareing, Leila Mimmack, Nicola Walker, Hannah Merry, Donna Alexander, Irfan Hussain, Gregg Chillin&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span&gt;&lt;a href="http://4.bp.blogspot.com/-6hLnQdUixMo/T0eJZScxyYI/AAAAAAAAJm0/obZxrisGG0U/s1600/Inside%2BMen%2B%25282012%2529.jpg"&gt;&lt;img src="http://4.bp.blogspot.com/-6hLnQdUixMo/T0eJZScxyYI/AAAAAAAAJm0/obZxrisGG0U/s400/Inside%2BMen%2B%25282012%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5712685719885040002" style="cursor: pointer; width: 400px; height: 225px; " /&gt;&lt;/a&gt; &lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span&gt;&lt;span&gt;This engrossing BBC serial, which employs three intertwining narratives to depict the build-up to, the fallout from, and the execution of, a daring heist, tells the story of a crime through the eyes of three employees of a cash-counting warehouse – the inside men of the title, who plan and execute (with a little help from outside) the £170million robbery. Intricate plotting, credible characters, gentle social commentary, and some fine performances combine to winning effect. &lt;/span&gt;&lt;a href="http://artemisnt.blogspot.com/2011/02/recommended.html"&gt;&lt;b&gt;Recommended&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-9093605631662385635?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/9093605631662385635'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/9093605631662385635'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/02/inside-men-2012.html' title='Inside Men (2012)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-6hLnQdUixMo/T0eJZScxyYI/AAAAAAAAJm0/obZxrisGG0U/s72-c/Inside%2BMen%2B%25282012%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-6015047654841760805</id><published>2012-02-23T09:09:00.004Z</published><updated>2012-02-25T21:25:40.562Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Steve Anderson'/><category scheme='http://www.blogger.com/atom/ns#' term='2003'/><title type='text'>The Big Empty (2003)</title><content type='html'>&lt;div&gt;&lt;span&gt;USA&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span&gt;Feature Film | Sci-Fi Comedy-Mystery | English | 1h34m&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span&gt;&lt;b&gt;Dir&lt;/b&gt;: Steve Anderson | &lt;b&gt;Scr&lt;/b&gt;: Steve Anderson | &lt;b&gt;Ph&lt;/b&gt;: Chris Manley | &lt;b&gt;Prod&lt;/b&gt;: Gregg L. Daniel, Steven G. Kaplan, Doug Mankoff, &amp;amp; Andrew Spaulding | &lt;b&gt;Mus&lt;/b&gt;: Brian Tyler | &lt;b&gt;Ed&lt;/b&gt;: Scot Scalise | &lt;b&gt;PD&lt;/b&gt;: Aaron Osborne | &lt;b&gt;AD&lt;/b&gt;: Erin Cochran | &lt;b&gt;Snd&lt;/b&gt;: Clancy T. Troutman&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span&gt;&lt;b&gt;Cast&lt;/b&gt;: Jon Favreau, Rachael Leigh Cook, Joey Lauren Adams, Sean Bean, Adam Beach, Kelsey Grammer, Jon Gries, Daryl Hannah, Gary Farmer, Brent Briscoe, Melora Walters, Bud Cort&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span&gt;&lt;a href="http://2.bp.blogspot.com/-b8nFjuKhAy4/T0YLYHRdp2I/AAAAAAAAJmo/UR-YwE91efs/s1600/The%2BBig%2BEmpty%2B%25282003%2529.jpg"&gt;&lt;img src="http://2.bp.blogspot.com/-b8nFjuKhAy4/T0YLYHRdp2I/AAAAAAAAJmo/UR-YwE91efs/s400/The%2BBig%2BEmpty%2B%25282003%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5712265686263113570" style="cursor: pointer; width: 400px; height: 219px; " /&gt;&lt;/a&gt; &lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span&gt;In Anderson’s hugely entertaining sci-fi comedy-mystery, a struggling actor, $27K and change in debt, agrees to courier a mysterious blue suitcase out to the desert to a man named Cowboy for $27K and change, but this seemingly simple, though decidedly dodgy, deal becomes complicated by a hard-drinking nymphet, her jealousy-crazed boyfriend, a truck stop full of UFO nuts, a rather scary client, an unnerving FBI agent, and a murdered, headless neighbour. Filled with wonderful comic detail and a raft of enjoyable cameos, &lt;i&gt;The Big Empty&lt;/i&gt; is a film that tends to improve with subsequent viewings. &lt;a href="http://artemisnt.blogspot.com/2011/02/recommended.html"&gt;&lt;b&gt;Recommended&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-6015047654841760805?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/6015047654841760805'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/6015047654841760805'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/02/big-empty-2003.html' title='The Big Empty (2003)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-b8nFjuKhAy4/T0YLYHRdp2I/AAAAAAAAJmo/UR-YwE91efs/s72-c/The%2BBig%2BEmpty%2B%25282003%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-4977579968785335771</id><published>2012-02-22T19:58:00.005Z</published><updated>2012-02-25T21:31:30.030Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='1992'/><category scheme='http://www.blogger.com/atom/ns#' term='Alexandre Rockwell'/><title type='text'>In the Soup (1992)</title><content type='html'>&lt;div&gt;&lt;span&gt;USA/Canada/France/Italy/Spain&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span&gt;Feature Film | Comedy | English | 1h33m&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span&gt;&lt;b&gt;Dir&lt;/b&gt;: Alexandre Rockwell | &lt;b&gt;Scr&lt;/b&gt;: Tim Kissell &amp;amp; Alexandre Rockwell | &lt;b&gt;Ph&lt;/b&gt;: Phil Parmet | &lt;b&gt;Prod&lt;/b&gt;: Hank Blumenthal, Pascal Caucheteux, &amp;amp; Jim Stark | &lt;b&gt;Mus&lt;/b&gt;: Mader | &lt;b&gt;Ed&lt;/b&gt;: Dana Congdon | &lt;b&gt;PD&lt;/b&gt;: Mark Friedberg | &lt;b&gt;AD&lt;/b&gt;: Ginger Tougas&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span&gt;&lt;b&gt;Cast&lt;/b&gt;: Steve Buscemi, Seymour Cassel, Jennifer Beals, Pat Moya, Will Patton, Sully Boyar, Steven Randazzo, Francesco Messina, Jim Jarmusch, Carol Kane, Stanley Tucci&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span&gt;&lt;a href="http://2.bp.blogspot.com/-Y-t60NqUOdM/T0VPeF1WNFI/AAAAAAAAJmc/IFdJz8L1Hts/s1600/In%2Bthe%2BSoup%2B%25281992%2529.jpg"&gt;&lt;img src="http://2.bp.blogspot.com/-Y-t60NqUOdM/T0VPeF1WNFI/AAAAAAAAJmc/IFdJz8L1Hts/s400/In%2Bthe%2BSoup%2B%25281992%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5712059080769942610" style="cursor: pointer; width: 400px; height: 280px; " /&gt;&lt;/a&gt; &lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify; "&gt;&lt;span&gt;&lt;span&gt;In Rockwell’s shabbily entertaining little comedy, a struggling, wan’o-be film-maker foolishly accepts the funding of a charming, but duplicitous, gangster to film his 500-page opus, &lt;i&gt;Unconditional Surrender&lt;/i&gt;, in which he hopes to cast (and woo) his beautiful next-door neighbour. But the ageing criminal seems more interested in the felonious act of money raising than in the film itself. Buscemi and Cassel are predictably excellent, whilst the raft of cameos – in particular, Boyar’s affecting turn – prove enjoyable. &lt;/span&gt;&lt;a href="http://artemisnt.blogspot.com/2011/02/recommended.html"&gt;&lt;b&gt;Recommended&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-4977579968785335771?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/4977579968785335771'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/4977579968785335771'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/02/in-soup-1992.html' title='In the Soup (1992)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-Y-t60NqUOdM/T0VPeF1WNFI/AAAAAAAAJmc/IFdJz8L1Hts/s72-c/In%2Bthe%2BSoup%2B%25281992%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-8578985882937339714</id><published>2012-02-22T11:56:00.005Z</published><updated>2012-02-25T21:31:45.854Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='1985'/><category scheme='http://www.blogger.com/atom/ns#' term='Martin Scorsese'/><title type='text'>After Hours (1985)</title><content type='html'>&lt;div&gt;&lt;span&gt;USA&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span&gt;Feature Film | Comedy | English | 1h37m&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span&gt;&lt;b&gt;Dir&lt;/b&gt;: Martin Scorsese | &lt;b&gt;Scr&lt;/b&gt;: Joseph Minion | &lt;b&gt;Ph&lt;/b&gt;: Michael Ballhaus | &lt;b&gt;Prod&lt;/b&gt;: Robert F. Colesberry, Griffin Dunne, &amp;amp; Amy Robinson | &lt;b&gt;Mus&lt;/b&gt;: Howard Shore | &lt;b&gt;Ed&lt;/b&gt;: Thelma Schoonmaker | &lt;b&gt;PD&lt;/b&gt;: Jeffrey Townsend | &lt;b&gt;AD&lt;/b&gt;: Stephen J. Lineweaver | &lt;b&gt;Snd&lt;/b&gt;: Skip Lievsay&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span&gt;&lt;b&gt;Cast&lt;/b&gt;: Griffin Dunne, Rosanna Arquette, Verna Bloom, Thomas Chong, Linda Fiorentino, Teri Garr, John Heard, Cheech Marin, Catherine O'Hara, Dick Miller, Will Patton, Robert Plunket, Bronson Pinchot, Rocco Sisto&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span&gt;&lt;a href="http://2.bp.blogspot.com/-1L315jM0DuQ/T0TcCC-PTJI/AAAAAAAAJmQ/S1yff_G-2Yw/s1600/After%2BHours%2B%25281985%2529.png"&gt;&lt;img src="http://2.bp.blogspot.com/-1L315jM0DuQ/T0TcCC-PTJI/AAAAAAAAJmQ/S1yff_G-2Yw/s400/After%2BHours%2B%25281985%2529.png" border="0" alt="" id="BLOGGER_PHOTO_ID_5711932155128401042" style="cursor: pointer; width: 400px; height: 222px; " /&gt;&lt;/a&gt; &lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify; "&gt;&lt;span&gt;&lt;span&gt;In Scorsese’s blackly comic nocturnal nightmare, a self-centred word processor’s late evening jaunt to Soho for a date with a girl that he met in a coffee shop quickly takes a turn for the worse when he loses all of his money and finds himself surrounded by various oddballs and weirdoes, but comes to worse still when a gang of vigilantes mistakenly take him for a prolific local burglar. Sharp writing, dynamic direction, a delicious score, and a raft of memorable performances combine to generally, and oft painfully, hilarious effect. &lt;/span&gt;&lt;a href="http://artemisnt.blogspot.com/2011/02/essential-viewing.html"&gt;&lt;b&gt;Essential Viewing&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-8578985882937339714?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/8578985882937339714'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/8578985882937339714'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/02/after-hours-1985.html' title='After Hours (1985)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-1L315jM0DuQ/T0TcCC-PTJI/AAAAAAAAJmQ/S1yff_G-2Yw/s72-c/After%2BHours%2B%25281985%2529.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-4876620425597821885</id><published>2012-02-21T13:33:00.007Z</published><updated>2012-02-25T21:32:25.171Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='John Schlesinger'/><category scheme='http://www.blogger.com/atom/ns#' term='screenone'/><category scheme='http://www.blogger.com/atom/ns#' term='1991'/><category scheme='http://www.blogger.com/atom/ns#' term='Alan Bennett'/><title type='text'>A Question of Attribution (1991)</title><content type='html'>&lt;div style="font-weight: normal; "&gt;&lt;span&gt;UK/USA&lt;/span&gt;&lt;/div&gt;&lt;div style="font-weight: normal; "&gt;&lt;span&gt;Television Play | Drama | English | 1h10m&lt;/span&gt;&lt;/div&gt;&lt;div style="font-weight: normal; "&gt;&lt;span&gt;&lt;b&gt;Series/Strand Title&lt;/b&gt;: &lt;a href="http://artemisnt.blogspot.com/search/label/screenone"&gt;Screen One (1989-1994)&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-weight: normal; "&gt;&lt;span&gt;&lt;b&gt;Dir&lt;/b&gt;: John Schlesinger | &lt;b&gt;Scr&lt;/b&gt;: Alan Bennett | &lt;b&gt;Play&lt;/b&gt;: Alan Bennett | &lt;b&gt;Ph&lt;/b&gt;: John Hooper | &lt;b&gt;Prod&lt;/b&gt;: Innes Lloyd | &lt;b&gt;Mus&lt;/b&gt;: Gerald Gouriet | &lt;b&gt;Ed&lt;/b&gt;: Mark Day | &lt;b&gt;PD&lt;/b&gt;: Barbara Gosnold&lt;/span&gt;&lt;/div&gt;&lt;div style="font-weight: normal; "&gt;&lt;span&gt;&lt;b&gt;Cast&lt;/b&gt;: James Fox, David Calder, Geoffrey Palmer, Prunella Scales, Jason Flemyng&lt;/span&gt;&lt;/div&gt;&lt;div style="font-weight: normal; "&gt;&lt;span&gt;&lt;a href="http://2.bp.blogspot.com/-MnkrrX23xxc/T0Oo0dljxJI/AAAAAAAAJmE/gYtbpVdOk3M/s1600/A%2BQuestion%2Bof%2BAttribution%2B%25281991%2529.png"&gt;&lt;img src="http://2.bp.blogspot.com/-MnkrrX23xxc/T0Oo0dljxJI/AAAAAAAAJmE/gYtbpVdOk3M/s400/A%2BQuestion%2Bof%2BAttribution%2B%25281991%2529.png" border="0" alt="" id="BLOGGER_PHOTO_ID_5711594371684746386" style="cursor: pointer; width: 400px; height: 300px; " /&gt;&lt;/a&gt; &lt;/span&gt;&lt;/div&gt;&lt;div style="font-weight: normal; text-align: justify; "&gt;&lt;span&gt;&lt;span&gt;In Alan Bennett’s fascinating piece of speculative historical fiction, a painting, formerly attributed to Titian, becomes the centre of a number of conversations between a former Soviet spy, Sir Anthony Blunt, and his new secret service handler, as well as a surprising encounter between the soon-to-be-disgraced art historian and Her Majesty the Queen. Fine performances, excellent writing, and unobtrusive direction combine to enthralling effect. &lt;/span&gt;&lt;b&gt;&lt;a href="http://artemisnt.blogspot.com/2011/02/recommended.html"&gt;Recommended&lt;br /&gt;&lt;/a&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-4876620425597821885?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/4876620425597821885'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/4876620425597821885'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/02/question-of-attribution-1991.html' title='A Question of Attribution (1991)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-MnkrrX23xxc/T0Oo0dljxJI/AAAAAAAAJmE/gYtbpVdOk3M/s72-c/A%2BQuestion%2Bof%2BAttribution%2B%25281991%2529.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-643586791337061566</id><published>2012-02-21T12:44:00.006Z</published><updated>2012-02-25T21:32:45.654Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Dennis Potter'/><category scheme='http://www.blogger.com/atom/ns#' term='1988'/><category scheme='http://www.blogger.com/atom/ns#' term='Nicolas Roeg'/><title type='text'>Track 29 (1988)</title><content type='html'>&lt;div&gt;&lt;span&gt;UK&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span&gt;Feature Film | Comedy-Drama | English | 1h31m&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span&gt;&lt;b&gt;Dir&lt;/b&gt;: Nicolas Roeg | &lt;b&gt;Scr&lt;/b&gt;: Dennis Potter | &lt;b&gt;Ph&lt;/b&gt;: Alex Thomson | &lt;b&gt;Prod&lt;/b&gt;: Rick McCallum | &lt;b&gt;Mus&lt;/b&gt;: Stanley Myers | &lt;b&gt;Ed&lt;/b&gt;: Tony Lawson | &lt;b&gt;PD&lt;/b&gt;: David Brockhurst | &lt;b&gt;AD&lt;/b&gt;: Curtis Schnell &amp;amp; Francine Mercadante | &lt;b&gt;Snd&lt;/b&gt;: Rodney Glenn&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span&gt;&lt;b&gt;Cast&lt;/b&gt;: Theresa Russell, Gary Oldman, Christopher Lloyd, Colleen Camp, Sandra Bernhard, Seymour Cassel&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span&gt;&lt;a href="http://3.bp.blogspot.com/-NA109eigX2E/T0OZmZZIlYI/AAAAAAAAJl4/f7vuKtpcNaA/s1600/Track%2B29%2B%25281988%2529.jpg"&gt;&lt;img src="http://3.bp.blogspot.com/-NA109eigX2E/T0OZmZZIlYI/AAAAAAAAJl4/f7vuKtpcNaA/s400/Track%2B29%2B%25281988%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5711577637366306178" style="cursor: pointer; width: 400px; height: 307px; " /&gt;&lt;/a&gt; &lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify; "&gt;&lt;span&gt;&lt;span&gt;A childlike Englishman arrives on the doorstep of an unhappily married American housewife, claiming to be the son that she was forced to give up for adoption as a 15-year-old, but his generally inappropriate behaviour and his uncanny similarity to his rapist father would suggest that all is not quite as it seems, in Roeg’s nightmarish, yet frequently hilarious, realisation of Potter’s reworking of his 1974 BBC play &lt;i&gt;Schmoedipus&lt;/i&gt;. Roeg’s visual flair, Russell and Oldman’s deliciously OTT performances, and Lloyd and Bernhard’s hilarious turns combine to scabrously entertaining effect. &lt;/span&gt;&lt;a href="http://artemisnt.blogspot.com/2011/02/recommended.html"&gt;&lt;b&gt;Recommended&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-643586791337061566?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/643586791337061566'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/643586791337061566'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/02/track-29-1988.html' title='Track 29 (1988)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-NA109eigX2E/T0OZmZZIlYI/AAAAAAAAJl4/f7vuKtpcNaA/s72-c/Track%2B29%2B%25281988%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-2642579548876142305</id><published>2012-02-20T11:49:00.005Z</published><updated>2012-02-25T21:33:09.171Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='1984'/><category scheme='http://www.blogger.com/atom/ns#' term='John Carpenter'/><title type='text'>Starman (1984)</title><content type='html'>&lt;div&gt;&lt;span&gt;USA&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span&gt;Feature Film | Roantic Sci-Fi | English | 1h55m&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span&gt;&lt;b&gt;Dir&lt;/b&gt;: John Carpenter | &lt;b&gt;Scr&lt;/b&gt;: Bruce A. Evans &amp;amp; Raynold Gideon | &lt;b&gt;Ph&lt;/b&gt;: Donald M. Morgan | &lt;b&gt;Prod&lt;/b&gt;: Larry J. Franco | &lt;b&gt;Mus&lt;/b&gt;: Jack Nitzsche | &lt;b&gt;Ed&lt;/b&gt;: Marion Rothman | &lt;b&gt;PD&lt;/b&gt;: Daniel Lomino | &lt;b&gt;Snd&lt;/b&gt;: Tom C. McCarthy Jr. | &lt;b&gt;Sfx&lt;/b&gt;: Roy Arbogast&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span&gt;&lt;b&gt;Cast&lt;/b&gt;: Jeff Bridges, Karen Allen, Charles Martin Smith, Richard Jaeckel, Robert Phalen, Tony Edwards, John Walter Davis, Ted White&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span&gt;&lt;a href="http://1.bp.blogspot.com/-G-be7dOfK40/T0I4-BGMoMI/AAAAAAAAJls/rljp8Okw7QE/s1600/Starman%2B%25281984%2529.jpg"&gt;&lt;img src="http://1.bp.blogspot.com/-G-be7dOfK40/T0I4-BGMoMI/AAAAAAAAJls/rljp8Okw7QE/s400/Starman%2B%25281984%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5711189915556683970" style="cursor: pointer; width: 400px; height: 223px; " /&gt;&lt;/a&gt; &lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify; "&gt;&lt;span&gt;&lt;span&gt;In Carpenter’s entertaining, if somewhat familiar-feeling, romantic sci-fi road movie, an extra-terrestrial, shot down by US missiles, takes the physical form of a woman’s dead husband, and forces her to drive him across the country to reconvene with his mother ship. However, despite being born of tumult, their relationship slowly develops into something much more touching. Never the less, coming across like &lt;i&gt;E.T. (1982)&lt;/i&gt; for adults, the film’s ideas never really feel fresh enough to fully satisfy. &lt;/span&gt;&lt;a href="http://artemisnt.blogspot.com/2011/02/worth-watch.html"&gt;&lt;b&gt;Worth a Watch&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-2642579548876142305?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/2642579548876142305'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/2642579548876142305'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/02/starman-1984.html' title='Starman (1984)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-G-be7dOfK40/T0I4-BGMoMI/AAAAAAAAJls/rljp8Okw7QE/s72-c/Starman%2B%25281984%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-2754028039371054503</id><published>2012-02-19T08:56:00.005Z</published><updated>2012-02-19T09:13:05.108Z</updated><title type='text'>Mass IFF 2012: Call for Entries</title><content type='html'>&lt;span style="font-style: normal; "&gt;The &lt;a href="http://massachusettsindependentfilmfestival.com/"&gt;Massachusetts Independent Film Festival&lt;/a&gt; is calling for entries.&lt;/span&gt;&lt;div&gt;&lt;div style="font-style: normal; text-align: justify; "&gt;&lt;span&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify; "&gt;&lt;span&gt;"The Massachusetts Independent Film Festival is a truly independent festival. We are dedicated to showcasing a wide variety of films from all genres. Everything from dramas, art house fare, to horror and thrillers that some festivals unfairly ignore are welcome here. Every year we look to shine the spotlight on New England filmmakers, but we're also on the lookout for independent voices all over the country and world. We give real independent filmmakers a chance to screen their work, and interact with a broad audience."&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="font-style: normal; text-align: justify; "&gt;&lt;span&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: normal; text-align: justify; "&gt;&lt;a href="http://massachusettsindependentfilmfestival.com/"&gt;Official Site&lt;/a&gt;&lt;/div&gt;&lt;div style="font-style: normal; text-align: justify; "&gt;&lt;a href="https://www.facebook.com/MassIndieFilm"&gt;Facebook&lt;/a&gt;&lt;/div&gt;&lt;div style="font-style: normal; text-align: justify; "&gt;&lt;a href="https://twitter.com/#!/MassIndieFilm"&gt;Twitter&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-2754028039371054503?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/2754028039371054503'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/2754028039371054503'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/02/mass-iff-2012-call-for-entries.html' title='Mass IFF 2012: Call for Entries'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-55889991377689514</id><published>2012-02-18T10:50:00.006Z</published><updated>2012-02-25T21:33:22.593Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Michael Ritchie'/><category scheme='http://www.blogger.com/atom/ns#' term='1976'/><title type='text'>The Bad News Bears (1976)</title><content type='html'>&lt;div&gt;&lt;span&gt;USA&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span&gt;Feature Film | Sporting Comedy | English | 1h42m&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span&gt;&lt;b&gt;Dir&lt;/b&gt;: Michael Ritchie | &lt;b&gt;Scr&lt;/b&gt;: Bill Lancaster | &lt;b&gt;Ph&lt;/b&gt;: John A. Alonzo | &lt;b&gt;Prod&lt;/b&gt;: Stanley R. Jaffe | &lt;b&gt;Mus&lt;/b&gt;: Jerry Fielding | &lt;b&gt;Ed&lt;/b&gt;: Richard A. Harris | &lt;b&gt;PD&lt;/b&gt;: Polly Platt&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span&gt;&lt;b&gt;Cast&lt;/b&gt;: Walter Matthau, Tatum O'Neal, Vic Morrow, Joyce Van Patten, Ben Piazza, Charles Matthau, Jackie Earle Haley, Alfred W. Lutter, Chris Barnes, Erin Blunt, Gary Lee Cavagnaro, Jaime Escobedo, Scott Firestone, George Gonzales, Brett Marx, David Pollock, Quinn Smith, David Stambaugh&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span&gt;&lt;a href="http://2.bp.blogspot.com/-pfPOAKcxALw/Tz-JtZ0joEI/AAAAAAAAJgc/76Xk24RvO1Q/s1600/The%2BBad%2BNews%2BBears%2B%25281976%2529.jpg"&gt;&lt;img src="http://2.bp.blogspot.com/-pfPOAKcxALw/Tz-JtZ0joEI/AAAAAAAAJgc/76Xk24RvO1Q/s400/The%2BBad%2BNews%2BBears%2B%25281976%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5710434265647521858" style="cursor: pointer; width: 400px; height: 225px; " /&gt;&lt;/a&gt; &lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify; "&gt;&lt;span&gt;&lt;span&gt;In Ritchie’s enjoyably unsentimental sporting comedy, a washed-up, perma-drunk, small-time ballplayer is hired to coach a talentless little league baseball team, but at first fails to invest any real effort into the role. However, before long he is not only heavily invested in the fates of the kids, but is taking things just that little bit too seriously. Though some of the plotting is a tad hackneyed and predictable, not to mention rushed in spots, the charm of the performances and the odd moment of irreverence here and there make it a generally pleasant viewing experience. &lt;/span&gt;&lt;a href="http://artemisnt.blogspot.com/2011/02/worth-watch.html"&gt;&lt;b&gt;&lt;span&gt;Worth a Watch&lt;/span&gt;&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-55889991377689514?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/55889991377689514'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/55889991377689514'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/02/bad-news-bears-1976.html' title='The Bad News Bears (1976)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-pfPOAKcxALw/Tz-JtZ0joEI/AAAAAAAAJgc/76Xk24RvO1Q/s72-c/The%2BBad%2BNews%2BBears%2B%25281976%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-5344698886266138376</id><published>2012-02-17T09:03:00.009Z</published><updated>2012-02-25T21:33:38.269Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='2010'/><category scheme='http://www.blogger.com/atom/ns#' term='Alexandre Rockwell'/><title type='text'>Pete Smalls Is Dead (2010)</title><content type='html'>&lt;div style="font-weight: normal; "&gt;USA&lt;/div&gt;&lt;div style="font-weight: normal; "&gt;Feature Film | Comedy-Mystery | English | 1h35m&lt;/div&gt;&lt;div style="font-weight: normal; "&gt;&lt;b&gt;Dir&lt;/b&gt;: Alexandre Rockwell | &lt;b&gt;Scr&lt;/b&gt;: Brandon Cole &amp;amp; Alexandre Rockwell | &lt;b&gt;Ph&lt;/b&gt;: Kai Orion | &lt;b&gt;Prod&lt;/b&gt;: Floyd Byars, Brandon Cole, Paul Hudson, Dan Keston, Jen Li, Alexandre Rockwell, &amp;amp; Sean-Michael Smith | &lt;b&gt;Mus&lt;/b&gt;: Mader | &lt;b&gt;Ed&lt;/b&gt;: Jarrah Gurrie &amp;amp; Josiah Signor | &lt;b&gt;PD&lt;/b&gt;: Alessandro Marvelli | &lt;b&gt;AD&lt;/b&gt;: Mike Beamer&lt;/div&gt;&lt;div style="font-weight: normal; "&gt;&lt;b&gt;Cast&lt;/b&gt;: Peter Dinklage, Mark Boone Junior, Tim Roth, Theresa Wayman, Ritchie Coster, Rosie Perez, Emily Rios, Steve Buscemi, Michael Lerner, Seymour Cassel&lt;/div&gt;&lt;div style="font-weight: normal; "&gt;&lt;a href="http://3.bp.blogspot.com/-EWUKXLcYPik/Tz4eXbrlheI/AAAAAAAAJgQ/vli8PzgOh6I/s1600/Pete%2BSmalls%2BIs%2BDead%2B%25282010%2529.png"&gt;&lt;img src="http://3.bp.blogspot.com/-EWUKXLcYPik/Tz4eXbrlheI/AAAAAAAAJgQ/vli8PzgOh6I/s400/Pete%2BSmalls%2BIs%2BDead%2B%25282010%2529.png" border="0" alt="" id="BLOGGER_PHOTO_ID_5710034765468763618" style="cursor: pointer; width: 400px; height: 220px; " /&gt;&lt;/a&gt; &lt;/div&gt;&lt;div style="font-weight: normal; text-align: justify; "&gt;In Rockwell’s hugely enjoyable satirical comedy, a down-on-his-luck Laundromat-owner flies to Los Angeles to find the $10,000 that he needs to get his beloved dog, Buddha, back from a loan shark, whilst also attending an old friend’s funeral, but ridiculously sexy French editors, pretentious widows, dodgy producers, spacy friends, and the residents of little Armenia complicate matters somewhat. Some well-drawn characters and exuberant plotting, a raft of enjoyable cameos, the odd moment of directorial magic, and an anchoringly earthy central performance from Dinklage combine to oft delightful effect. &lt;b&gt;&lt;a href="http://artemisnt.blogspot.com/2011/02/recommended.html"&gt;Recommended&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-5344698886266138376?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/5344698886266138376'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/5344698886266138376'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/02/pete-smalls-is-dead-2010.html' title='Pete Smalls Is Dead (2010)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-EWUKXLcYPik/Tz4eXbrlheI/AAAAAAAAJgQ/vli8PzgOh6I/s72-c/Pete%2BSmalls%2BIs%2BDead%2B%25282010%2529.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-7742186341949764737</id><published>2012-02-15T09:39:00.008Z</published><updated>2012-02-25T21:34:11.826Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Laurel and Hardy'/><category scheme='http://www.blogger.com/atom/ns#' term='James W. Horne'/><category scheme='http://www.blogger.com/atom/ns#' term='1931'/><title type='text'>Come Clean (1931)</title><content type='html'>&lt;div style="font-style: normal; font-variant: normal; font-weight: normal; line-height: normal; "&gt;&lt;span&gt;USA&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: normal; font-variant: normal; font-weight: normal; line-height: normal; "&gt;&lt;span&gt;Short Film | Comedy | English | 30m&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: normal; font-variant: normal; font-weight: normal; line-height: normal; "&gt;&lt;span&gt;&lt;b&gt;Dir&lt;/b&gt;: James W. Horne | &lt;b&gt;Dialogue&lt;/b&gt;: H.M. Walker | &lt;b&gt;Ph&lt;/b&gt;: Art Lloyd | &lt;b&gt;Prod&lt;/b&gt;: Hal Roach | &lt;b&gt;Ed&lt;/b&gt;: Richard Currier | &lt;b&gt;Snd&lt;/b&gt;: Elmer Raguse&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: normal; font-variant: normal; font-weight: normal; line-height: normal; "&gt;&lt;span&gt;&lt;b&gt;Cast&lt;/b&gt;: Stan Laurel, Oliver Hardy, Mae Busch, Gertrude Astor, Linda Loredo, Eddie Baker, Charlie Hall&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: normal; font-variant: normal; font-weight: normal; line-height: normal; "&gt;&lt;span&gt;&lt;a href="http://2.bp.blogspot.com/-tOkmHYF5x4w/TzuBwBxMiZI/AAAAAAAAJgE/dZAIg_IIG_4/s1600/Come%2BClean%2B%25281931%2529.jpg"&gt;&lt;img src="http://2.bp.blogspot.com/-tOkmHYF5x4w/TzuBwBxMiZI/AAAAAAAAJgE/dZAIg_IIG_4/s400/Come%2BClean%2B%25281931%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5709299614730717586" style="cursor: pointer; width: 400px; height: 300px; " /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: normal; font-variant: normal; font-weight: normal; line-height: normal; text-align: justify; "&gt;&lt;span&gt;When the Laurels come over unannounced, wanting ice cream to boot, Ollie is sent out by his better half to get it. But, accompanied by his dim-witted pal Stan, only succeeds in picking up a half-drowned woman of loose morals instead, who demands to be looked after by her pesky saviours. Messrs Laurel and Hardy, realising that Mesdames Laurel and Hardy are unlikely to be all that chuffed with their new houseguest, do their best – which is never really good enough – to shake her, in this hugely entertaining star short. Filled with lovely comic detail, the film is perhaps most notable for Loredo’s inimitably screeching cries of “Staaaaan-ley”. &lt;a href="http://artemisnt.blogspot.com/2011/02/recommended.html"&gt;&lt;b&gt;Recommended&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-7742186341949764737?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/7742186341949764737'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/7742186341949764737'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/02/come-clean-1931.html' title='Come Clean (1931)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-tOkmHYF5x4w/TzuBwBxMiZI/AAAAAAAAJgE/dZAIg_IIG_4/s72-c/Come%2BClean%2B%25281931%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-4885569244152814956</id><published>2012-02-15T09:08:00.007Z</published><updated>2012-02-25T21:34:27.182Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Laurel and Hardy'/><category scheme='http://www.blogger.com/atom/ns#' term='James W. Horne'/><category scheme='http://www.blogger.com/atom/ns#' term='1931'/><title type='text'>Chickens Come Home– (1931)</title><content type='html'>&lt;div style="font-style: normal; font-variant: normal; font-weight: normal; line-height: normal; "&gt;&lt;span&gt;USA&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: normal; font-variant: normal; font-weight: normal; line-height: normal; "&gt;&lt;span&gt;Short Film | Comedy | English | 30m&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: normal; font-variant: normal; font-weight: normal; line-height: normal; "&gt;&lt;span&gt;&lt;b&gt;Dir&lt;/b&gt;: James W. Horne | &lt;b&gt;Dialogue&lt;/b&gt;: H.M. Walker | &lt;b&gt;Ph&lt;/b&gt;: Jack Stevens | &lt;b&gt;Prod&lt;/b&gt;: Hal Roach | &lt;b&gt;Ed&lt;/b&gt;: Richard Currier&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: normal; font-variant: normal; font-weight: normal; line-height: normal; "&gt;&lt;span&gt;&lt;b&gt;Cast&lt;/b&gt;: Stan Laurel, Oliver Hardy, Mae Busch, Thelma Todd, Norma Drew, James Finlayson, Patsy O'Byrne&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: normal; font-variant: normal; font-weight: normal; line-height: normal; "&gt;&lt;a href="http://1.bp.blogspot.com/-IcsWQl9zvWI/Tzt8AYqGQ_I/AAAAAAAAJf4/K5wdm7s_qLw/s1600/Chickens%2BCome%2BHome%25E2%2580%2593%2B%25281931%2529.jpg"&gt;&lt;span&gt;&lt;img src="http://1.bp.blogspot.com/-IcsWQl9zvWI/Tzt8AYqGQ_I/AAAAAAAAJf4/K5wdm7s_qLw/s400/Chickens%2BCome%2BHome%25E2%2580%2593%2B%25281931%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5709293298683102194" style="cursor: pointer; width: 400px; height: 303px; " /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="font-style: normal; font-variant: normal; font-weight: normal; line-height: normal; text-align: justify; "&gt;&lt;span&gt;Things are going well for Messrs Laurel and Hardy; they are successful businessmen, and the latter is running for mayor, to boot. So when the shapely form of a youthful indiscretion comes-a-blackmailing, Ollie has a job on to keep it from his wife and the electorate, in this mildly diverting comic short. The separating of the two comedians for much of the runtime and the film’s atypical backdrop prove a brave, but failed, experiment. It certainly has its moments, though. &lt;a href="http://artemisnt.blogspot.com/2011/02/worth-watch.html"&gt;&lt;b&gt;Worth a Watch&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-4885569244152814956?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/4885569244152814956'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/4885569244152814956'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/02/chickens-come-home-1931.html' title='Chickens Come Home– (1931)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-IcsWQl9zvWI/Tzt8AYqGQ_I/AAAAAAAAJf4/K5wdm7s_qLw/s72-c/Chickens%2BCome%2BHome%25E2%2580%2593%2B%25281931%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-6286315382830538241</id><published>2012-02-14T20:12:00.007Z</published><updated>2012-02-25T21:34:41.584Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Clarence Brown'/><category scheme='http://www.blogger.com/atom/ns#' term='1931'/><title type='text'>A Free Soul (1931)</title><content type='html'>&lt;div&gt;USA&lt;/div&gt;&lt;div&gt;Feature Film | Drama | English | 1h33m&lt;/div&gt;&lt;div&gt;&lt;b&gt;Dir&lt;/b&gt;: Clarence Brown | &lt;b&gt;Scr&lt;/b&gt;: Becky Gardiner | &lt;b&gt;Novel&lt;/b&gt;: Adela Rogers St. Johns | &lt;b&gt;Ph&lt;/b&gt;: William Daniels | &lt;b&gt;Prod&lt;/b&gt;: Clarence Brown | &lt;b&gt;Ed&lt;/b&gt;: Hugh Wynn | &lt;b&gt;AD&lt;/b&gt;: Cedric Gibbons | &lt;b&gt;Snd&lt;/b&gt;: Douglas Shearer&lt;/div&gt;&lt;div&gt;&lt;b&gt;Cast&lt;/b&gt;: Norma Shearer, Leslie Howard, Lionel Barrymore, Clark Gable, James Gleason, Lucy Beaumont&lt;/div&gt;&lt;div&gt;&lt;a href="http://1.bp.blogspot.com/-QXscZrsPUuc/TzrHWw-1UUI/AAAAAAAAJfs/ukl8cfi63VY/s1600/A%2BFree%2BSoul%2B%25281931%2529.jpeg"&gt;&lt;img src="http://1.bp.blogspot.com/-QXscZrsPUuc/TzrHWw-1UUI/AAAAAAAAJfs/ukl8cfi63VY/s400/A%2BFree%2BSoul%2B%25281931%2529.jpeg" border="0" alt="" id="BLOGGER_PHOTO_ID_5709094671565017410" style="cursor: pointer; width: 400px; height: 300px; " /&gt;&lt;/a&gt; &lt;/div&gt;&lt;div style="text-align: justify;"&gt;In Brown’s gripping melodrama, a good girl from a moneyed family falls for the considerable charms and exciting lifestyle of a handsome mobster, but makes a pact with her alcoholic defence attorney father to never see him again if he can give up the demon drink. Brown’s direction and Daniels’s photography impress, whilst the performances often prove scintillating. However, the plotting never entirely convinces, and Shearer’s melodramatic, silent movie thesping clashes somewhat with the generally naturalistic performances of the rest of the cast. &lt;a href="http://artemisnt.blogspot.com/2011/02/worth-watch.html"&gt;&lt;b&gt;Worth a Watch&lt;/b&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-6286315382830538241?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/6286315382830538241'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/6286315382830538241'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/02/free-soul-1931.html' title='A Free Soul (1931)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-QXscZrsPUuc/TzrHWw-1UUI/AAAAAAAAJfs/ukl8cfi63VY/s72-c/A%2BFree%2BSoul%2B%25281931%2529.jpeg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-6445115381040816623</id><published>2012-02-14T17:02:00.004Z</published><updated>2012-02-25T21:34:58.588Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Dave Fleischer'/><category scheme='http://www.blogger.com/atom/ns#' term='1931'/><title type='text'>I'd Climb the Highest Mountain (1931)</title><content type='html'>&lt;div&gt;USA&lt;/div&gt;&lt;div&gt;Animated Short Film | Musical Comedy | English | 7m&lt;/div&gt;&lt;div&gt;&lt;b&gt;Series/Strand Title&lt;/b&gt;: Screen Songs with the Famous Bouncing Ball&lt;/div&gt;&lt;div&gt;&lt;b&gt;Dir&lt;/b&gt;: Dave Fleischer | &lt;b&gt;Prod&lt;/b&gt;: Max Fleischer | &lt;b&gt;Animation&lt;/b&gt;: Seymour Kneitel &amp;amp; Reuben Timinsky&lt;/div&gt;&lt;div&gt;&lt;a href="http://2.bp.blogspot.com/-U_N4ARIPLlQ/TzqYauifXuI/AAAAAAAAJfg/UlvliWNwlyM/s1600/I%2527d%2BClimb%2Bthe%2BHighest%2BMountain%2B%25281931%2529.jpg"&gt;&lt;img src="http://2.bp.blogspot.com/-U_N4ARIPLlQ/TzqYauifXuI/AAAAAAAAJfg/UlvliWNwlyM/s400/I%2527d%2BClimb%2Bthe%2BHighest%2BMountain%2B%25281931%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5709043062582238946" style="cursor: pointer; width: 400px; height: 302px; " /&gt;&lt;/a&gt; &lt;/div&gt;&lt;div style="text-align: justify;"&gt;An intrepid mountaineer finds his progress slowed by his rather rotund climbing partner, in this delightful Fleischer Brothers short – one of their &lt;i&gt;Screen Songs with the Famous Bouncing Ball&lt;/i&gt;. The animation is charming and inventive, and the song itself proves surprisingly catchy. &lt;a href="http://artemisnt.blogspot.com/2011/02/recommended.html"&gt;&lt;b&gt;Recommended&lt;/b&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-6445115381040816623?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/6445115381040816623'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/6445115381040816623'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/02/id-climb-highest-mountain-1931.html' title='I&apos;d Climb the Highest Mountain (1931)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-U_N4ARIPLlQ/TzqYauifXuI/AAAAAAAAJfg/UlvliWNwlyM/s72-c/I%2527d%2BClimb%2Bthe%2BHighest%2BMountain%2B%25281931%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-6773776414500081183</id><published>2012-02-14T16:28:00.005Z</published><updated>2012-02-25T21:35:08.030Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Dave Fleischer'/><category scheme='http://www.blogger.com/atom/ns#' term='1931'/><title type='text'>Dizzy Red Riding-Hood (1931)</title><content type='html'>&lt;div&gt;USA&lt;/div&gt;&lt;div&gt;Animated Short Film | Musical Comedy | English | 6m&lt;/div&gt;&lt;div&gt;&lt;b&gt;Dir&lt;/b&gt;: Dave Fleischer | &lt;b&gt;Prod&lt;/b&gt;: Max Fleischer&lt;/div&gt;&lt;div&gt;&lt;b&gt;Cast&lt;/b&gt;: Ann Little&lt;/div&gt;&lt;div&gt;&lt;a href="http://4.bp.blogspot.com/-PneQ7sugtNg/TzqQq3tocLI/AAAAAAAAJfU/ODOj0QzKr4g/s1600/Dizzy%2BRed%2BRiding-Hood%2B%25281931%2529.jpg"&gt;&lt;img src="http://4.bp.blogspot.com/-PneQ7sugtNg/TzqQq3tocLI/AAAAAAAAJfU/ODOj0QzKr4g/s400/Dizzy%2BRed%2BRiding-Hood%2B%25281931%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5709034543829774514" style="cursor: pointer; width: 400px; height: 308px; " /&gt;&lt;/a&gt; &lt;/div&gt;&lt;div style="text-align: justify;"&gt;When Bimbo’s offer to accompany Betty Boop’s Little Red Riding-Hood through the forest to her grandma’s house is rebuffed, he follows her anyway, slaying a wolf along the way, whose pelt he uses to disguise himself in order to seduce the lupine-loving object of his affections, in this blackly comic Fleischer Brothers short. Jazzily rhythmic animation, seductively musical dialogue, and some deliciously twisted plotting combine to thoroughly entertaining effect. &lt;a href="http://artemisnt.blogspot.com/2011/02/essential-viewing.html" style="text-align: left; "&gt;&lt;b&gt;Essential Viewing&lt;/b&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-6773776414500081183?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/6773776414500081183'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/6773776414500081183'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/02/dizzy-red-riding-hood-1931.html' title='Dizzy Red Riding-Hood (1931)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-PneQ7sugtNg/TzqQq3tocLI/AAAAAAAAJfU/ODOj0QzKr4g/s72-c/Dizzy%2BRed%2BRiding-Hood%2B%25281931%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-7466285220328170441</id><published>2012-02-14T16:13:00.003Z</published><updated>2012-02-25T21:35:17.595Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Dave Fleischer'/><category scheme='http://www.blogger.com/atom/ns#' term='1931'/><title type='text'>Bimbo's Initiation (1931)</title><content type='html'>&lt;div&gt;USA&lt;/div&gt;&lt;div&gt;Animated Short Film | Horror-Comedy | English | 6m&lt;/div&gt;&lt;div&gt;&lt;b&gt;Dir&lt;/b&gt;: Dave Fleischer | &lt;b&gt;Prod&lt;/b&gt;: Max Fleischer | &lt;b&gt;Animation&lt;/b&gt;: Grim Natwick&lt;/div&gt;&lt;div&gt;&lt;b&gt;Cast&lt;/b&gt;: Mae Questel&lt;/div&gt;&lt;div&gt;&lt;a href="http://4.bp.blogspot.com/-3UyRO1s6pR8/TzqI81dUifI/AAAAAAAAJfI/jIMnsuDghn4/s1600/Bimbo%2527s%2BInitiation%2B%25281931%2529.jpg"&gt;&lt;img src="http://4.bp.blogspot.com/-3UyRO1s6pR8/TzqI81dUifI/AAAAAAAAJfI/jIMnsuDghn4/s400/Bimbo%2527s%2BInitiation%2B%25281931%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5709026056369113586" style="cursor: pointer; width: 400px; height: 300px; " /&gt;&lt;/a&gt; &lt;/div&gt;&lt;div style="text-align: justify;"&gt;In this tremendously entertaining Fleischer Brothers cartoon, Bimbo falls down an open manhole into a nightmarish world inhabited by a strange subterranean community, which attempts to recruit him. However, he resists its underhanded ways, until the shapely form of Betty Boop manages to coax him without much prodding at all. Filled with wonderfully inventive moments throughout, such as the discovery of the strange contraption above, &lt;i&gt;Bimbo's Initiation&lt;/i&gt; proves something of a delight. &lt;a href="http://artemisnt.blogspot.com/2011/02/recommended.html"&gt;&lt;b&gt;Recommended&lt;/b&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-7466285220328170441?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/7466285220328170441'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/7466285220328170441'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/02/bimbos-initiation-1931.html' title='Bimbo&apos;s Initiation (1931)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-3UyRO1s6pR8/TzqI81dUifI/AAAAAAAAJfI/jIMnsuDghn4/s72-c/Bimbo%2527s%2BInitiation%2B%25281931%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-9004781457054764092</id><published>2012-02-14T15:22:00.005Z</published><updated>2012-02-25T21:35:26.599Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Dave Fleischer'/><category scheme='http://www.blogger.com/atom/ns#' term='1931'/><title type='text'>Bimbo's Express (1931)</title><content type='html'>&lt;div&gt;USA&lt;/div&gt;&lt;div&gt;Animated Short Film | Musical Comedy | English | 6m&lt;/div&gt;&lt;div&gt;&lt;b&gt;Dir&lt;/b&gt;: Dave Fleischer | &lt;b&gt;Prod&lt;/b&gt;: Max Fleischer&lt;/div&gt;&lt;div&gt;&lt;b&gt;Cast&lt;/b&gt;: Mae Questel&lt;/div&gt;&lt;div&gt;&lt;a href="http://3.bp.blogspot.com/-m3_TEm7oxoQ/TzqAaQElQvI/AAAAAAAAJe8/M2JtISrBNes/s1600/Bimbo%2527s%2BExpress%2B%25281931%2529.png"&gt;&lt;img src="http://3.bp.blogspot.com/-m3_TEm7oxoQ/TzqAaQElQvI/AAAAAAAAJe8/M2JtISrBNes/s400/Bimbo%2527s%2BExpress%2B%25281931%2529.png" border="0" alt="" id="BLOGGER_PHOTO_ID_5709016666124665586" style="cursor: pointer; width: 400px; height: 300px; " /&gt;&lt;/a&gt; &lt;/div&gt;&lt;div style="text-align: justify;"&gt;In this mildly diverting Fleischer Brothers short, Betty Boop, busily trimming her toenails in preparation for moving house, finds her morning disturbed by the arrival of the moving men – the leader of whom, Bimbo, takes an instant liking to her, and serenades her with the song &lt;i&gt;Hello Beautiful&lt;/i&gt;. One or two inventive touches aside, &lt;i&gt;Bimbo's Express&lt;/i&gt; proves fairly run-of-the-mill, if entertaining, stuff. &lt;a href="http://artemisnt.blogspot.com/2011/02/worth-watch.html"&gt;&lt;b&gt;Worth a Watch&lt;/b&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-9004781457054764092?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/9004781457054764092'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/9004781457054764092'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/02/bimbos-express-1931.html' title='Bimbo&apos;s Express (1931)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-m3_TEm7oxoQ/TzqAaQElQvI/AAAAAAAAJe8/M2JtISrBNes/s72-c/Bimbo%2527s%2BExpress%2B%25281931%2529.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-5087842390562472515</id><published>2012-02-14T14:54:00.005Z</published><updated>2012-02-25T21:35:41.539Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Herman G. Weinberg'/><category scheme='http://www.blogger.com/atom/ns#' term='1931'/><title type='text'>Autumn Fire (1931)</title><content type='html'>&lt;div&gt;USA&lt;/div&gt;&lt;div&gt;Short Film | Romantic Drama | None | 15m&lt;/div&gt;&lt;div&gt;&lt;b&gt;Dir&lt;/b&gt;: Herman G. Weinberg | &lt;b&gt;Ph&lt;/b&gt;: Herman G. Weinberg&lt;/div&gt;&lt;div&gt;&lt;b&gt;Cast&lt;/b&gt;: Erna Bergman, Willy Hildebrand&lt;/div&gt;&lt;div&gt;&lt;a href="http://1.bp.blogspot.com/-KKWQ7--23aE/Tzp3QufmDAI/AAAAAAAAJew/ISutPoFDnWo/s1600/Autumn%2BFire%2B%25281931%2529.png"&gt;&lt;img src="http://1.bp.blogspot.com/-KKWQ7--23aE/Tzp3QufmDAI/AAAAAAAAJew/ISutPoFDnWo/s400/Autumn%2BFire%2B%25281931%2529.png" border="0" alt="" id="BLOGGER_PHOTO_ID_5709006606887685122" style="cursor: pointer; width: 399px; height: 300px; " /&gt;&lt;/a&gt; &lt;/div&gt;&lt;div style="text-align: justify;"&gt;A woman, alone in an autumnal rural landscape, and a man, alone in a dockside industrial one – parted lovers – pine for each other, before being gloriously reunited, in Weinberg’s beautifully and sensually composed city symphony-cum-rural portrait-cum-sentimental romance.  Weinberg's cine-poem was apparently made by the film historian in order to woo a woman, who did in fact subsequently become his wife. The version commonly available on the internet is appropriately set to the bitter-sweet strains of Debussy. &lt;a href="http://artemisnt.blogspot.com/2011/02/essential-viewing.html"&gt;&lt;b&gt;Essential Viewing&lt;/b&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-5087842390562472515?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/5087842390562472515'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/5087842390562472515'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/02/autumn-fire-1931.html' title='Autumn Fire (1931)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-KKWQ7--23aE/Tzp3QufmDAI/AAAAAAAAJew/ISutPoFDnWo/s72-c/Autumn%2BFire%2B%25281931%2529.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-8075330120309566241</id><published>2012-02-14T13:56:00.006Z</published><updated>2012-02-25T21:35:54.592Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Dave Fleischer'/><category scheme='http://www.blogger.com/atom/ns#' term='1931'/><title type='text'>Any Little Girl That's a Nice Little Girl (1931)</title><content type='html'>&lt;div&gt;USA&lt;/div&gt;&lt;div&gt;Animated Short Film | Musical Comedy | English | 6m&lt;/div&gt;&lt;div&gt;&lt;b&gt;Series/Strand Title&lt;/b&gt;: Screen Songs with the Famous Bouncing Ball&lt;/div&gt;&lt;div&gt;&lt;b&gt;Dir&lt;/b&gt;: Dave Fleischer | &lt;b&gt;Prod&lt;/b&gt;: Max Fleischer | &lt;b&gt;Animation&lt;/b&gt;: Seymour Kneitel &lt;/div&gt;&lt;div&gt;&lt;b&gt;Cast&lt;/b&gt;: Billy Murray&lt;/div&gt;&lt;div&gt;&lt;a href="http://2.bp.blogspot.com/--NeOWwB6vDI/Tzpspelk8wI/AAAAAAAAJeY/6TTopL9EFmw/s1600/Any%2BLittle%2BGirl%2BThat%2527s%2Ba%2BNice%2BLittle%2BGirl%2B%25281931%2529.png"&gt;&lt;img src="http://2.bp.blogspot.com/--NeOWwB6vDI/Tzpspelk8wI/AAAAAAAAJeY/6TTopL9EFmw/s400/Any%2BLittle%2BGirl%2BThat%2527s%2Ba%2BNice%2BLittle%2BGirl%2B%25281931%2529.png" border="0" alt="" id="BLOGGER_PHOTO_ID_5708994937486635778" style="cursor: pointer; width: 400px; height: 300px; " /&gt;&lt;/a&gt; &lt;/div&gt;&lt;div style="text-align: justify;"&gt;A feline Don Juan courts the alluring charms of fellow cat Lulu Belle (a sort-of prototypical Betty Boop), in this forgettable Fleischer Brothers short – one of their &lt;i&gt;Screen Songs with the Famous Bouncing Ball&lt;/i&gt;. The animation lacks invention, and the song itself is unremarkable. &lt;a href="http://artemisnt.blogspot.com/2011/02/not-recommended.html"&gt;&lt;b&gt;Not Recommended&lt;/b&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-8075330120309566241?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/8075330120309566241'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/8075330120309566241'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/02/any-little-girl-thats-nice-little-girl.html' title='Any Little Girl That&apos;s a Nice Little Girl (1931)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/--NeOWwB6vDI/Tzpspelk8wI/AAAAAAAAJeY/6TTopL9EFmw/s72-c/Any%2BLittle%2BGirl%2BThat%2527s%2Ba%2BNice%2BLittle%2BGirl%2B%25281931%2529.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-2917942431575267621</id><published>2012-02-14T09:50:00.004Z</published><updated>2012-02-25T21:36:22.815Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Laurel and Hardy'/><category scheme='http://www.blogger.com/atom/ns#' term='James W. Horne'/><category scheme='http://www.blogger.com/atom/ns#' term='1931'/><title type='text'>Beau Hunks (1931)</title><content type='html'>&lt;div&gt;USA&lt;/div&gt;&lt;div&gt;Short Film | Comedy | English | 37m&lt;/div&gt;&lt;div&gt;&lt;b&gt;aka&lt;/b&gt;: Beau Chumps&lt;/div&gt;&lt;div&gt;&lt;b&gt;Dir&lt;/b&gt;: James W. Horne | &lt;b&gt;Dialogue&lt;/b&gt;: H.M. Walker | &lt;b&gt;Ph&lt;/b&gt;: Jack Stevens &amp;amp; Art Lloyd | &lt;b&gt;Prod&lt;/b&gt;: Hal Roach | &lt;b&gt;Ed&lt;/b&gt;: Richard Currier | &lt;b&gt;Snd&lt;/b&gt;: Elmer Raguse&lt;/div&gt;&lt;div&gt;&lt;b&gt;Cast&lt;/b&gt;: Stan Laurel, Oliver Hardy, Abdul Kasim K'Horne (James W. Horne), Charles Middleton, Broderick O'Farrell, Harry Schultz&lt;/div&gt;&lt;div&gt;&lt;a href="http://3.bp.blogspot.com/-6QDHOGikSR0/Tzo0Nqdk_DI/AAAAAAAAJeA/DAq8fuXaNXs/s1600/Beau%2BHunks%2B%25281931%2529.JPG"&gt;&lt;img src="http://3.bp.blogspot.com/-6QDHOGikSR0/Tzo0Nqdk_DI/AAAAAAAAJeA/DAq8fuXaNXs/s400/Beau%2BHunks%2B%25281931%2529.JPG" border="0" alt="" id="BLOGGER_PHOTO_ID_5708932886986816562" style="cursor: pointer; width: 400px; height: 317px; " /&gt;&lt;/a&gt; &lt;/div&gt;&lt;div style="text-align: justify;"&gt;After being jilted by his beloved Jeanie Weanie, Ollie decides that he and Stan should join the foreign legion to help forget, only to discover that most of the other new recruits are carrying tear-stained photographs of her as well; but exhausting walks through the desert and war with the blood-thirsty Riffs soon manages to take his mind off things, in this patchy Laurel and Hardy vehicle. Hardy’s apparent serenading of Laurel in the opening scene is a decided high point, but much of what follows proves rather familiar, and even a tad tiresome, though never less than diverting. &lt;a href="http://artemisnt.blogspot.com/2011/02/worth-watch.html"&gt;&lt;b&gt;Worth a Watch&lt;/b&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-2917942431575267621?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/2917942431575267621'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/2917942431575267621'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/02/beau-hunks-1931.html' title='Beau Hunks (1931)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-6QDHOGikSR0/Tzo0Nqdk_DI/AAAAAAAAJeA/DAq8fuXaNXs/s72-c/Beau%2BHunks%2B%25281931%2529.JPG' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-4112521678043684999</id><published>2012-02-13T20:39:00.005Z</published><updated>2012-02-25T21:37:00.278Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Fritz Lang'/><category scheme='http://www.blogger.com/atom/ns#' term='1931'/><title type='text'>M (1931)</title><content type='html'>&lt;div&gt;Germany&lt;/div&gt;&lt;div&gt;Feature Film | Crime Drama | German | 1h57m&lt;/div&gt;&lt;div&gt;&lt;b&gt;Dir&lt;/b&gt;: Fritz Lang | &lt;b&gt;Scr&lt;/b&gt;: Thea von Harbou &amp;amp; Fritz Lang | &lt;b&gt;Ph&lt;/b&gt;: Fritz Arno Wagner | &lt;b&gt;Prod&lt;/b&gt;: Seymour Nebenzal | &lt;b&gt;Ed&lt;/b&gt;: Paul Falkenberg | &lt;b&gt;AD&lt;/b&gt;: Emil Hasler &amp;amp; Karl Vollbrecht | &lt;b&gt;SD&lt;/b&gt;: Paul Falkenberg&lt;/div&gt;&lt;div&gt;&lt;b&gt;Cast&lt;/b&gt;: Peter Lorre, Ellen Widmann, Inge Landgut, Otto Wernicke, Theodor Loos, Gustaf Gründgens, Friedrich Gnaß, Fritz Odemar, Paul Kemp, Theo Lingen, Rudolf Blümner, Georg John&lt;/div&gt;&lt;div&gt;&lt;a href="http://3.bp.blogspot.com/-vJXlv1GJiwk/Tzl8QbpGmCI/AAAAAAAAJd0/kYvbCe5OXKI/s1600/M%2B%25281931%2529.JPG"&gt;&lt;img src="http://3.bp.blogspot.com/-vJXlv1GJiwk/Tzl8QbpGmCI/AAAAAAAAJd0/kYvbCe5OXKI/s400/M%2B%25281931%2529.JPG" border="0" alt="" id="BLOGGER_PHOTO_ID_5708730624408721442" style="cursor: pointer; width: 400px; height: 341px; " /&gt;&lt;/a&gt; &lt;/div&gt;&lt;div style="text-align: justify;"&gt;When the police’s search for a serial child killer begins to interfere with their own illicit activities, the city’s criminal fraternity bands together to track him down, employing the invisible talents of the beggars’ union to scour the streets for him, in Lang’s extraordinary police procedural-cum-thriller-cum-courtroom drama. A remarkable performance from Lorre, a unique screenplay, Wagner’s stunning photography, and the innovative use of sound and silence combine to quite astonishing effect.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;a href="http://artemisnt.blogspot.com/2011/02/essential-viewing.html"&gt;&lt;b&gt;Essential Viewing&lt;/b&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-4112521678043684999?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/4112521678043684999'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/4112521678043684999'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/02/m-1931.html' title='M (1931)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-vJXlv1GJiwk/Tzl8QbpGmCI/AAAAAAAAJd0/kYvbCe5OXKI/s72-c/M%2B%25281931%2529.JPG' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-7570510810290688832</id><published>2012-02-13T12:31:00.004Z</published><updated>2012-02-25T21:37:28.766Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='William Seiter'/><category scheme='http://www.blogger.com/atom/ns#' term='Wheeler and Woolsey'/><category scheme='http://www.blogger.com/atom/ns#' term='1931'/><title type='text'>Caught Plastered (1931)</title><content type='html'>&lt;div&gt;USA&lt;/div&gt;&lt;div&gt;Short Feature Film | Comedy | English | 1h8m&lt;/div&gt;&lt;div&gt;&lt;b&gt;Dir&lt;/b&gt;: William Seiter | &lt;b&gt;Scr&lt;/b&gt;: Douglas MacLean | &lt;b&gt;Ad. Dialogue&lt;/b&gt;: Ralph Spence &amp;amp; Eddie Walsh | &lt;b&gt;Ph&lt;/b&gt;: Jack Mackenzie | &lt;b&gt;Prod&lt;/b&gt;: William LeBaron | &lt;b&gt;Mus&lt;/b&gt;: Victor Schertzinger | &lt;b&gt;Ed&lt;/b&gt;: Jack Kitchin &lt;/div&gt;&lt;div&gt;&lt;b&gt;Cast&lt;/b&gt;: Bert Wheeler, Robert Woolsey, Dorothy Lee, Lucy Beaumont, Jason Robards, Charles B. Middleton, De Witt Jennings, Josephine Whittell, James Farley&lt;/div&gt;&lt;div&gt;&lt;a href="http://3.bp.blogspot.com/-gPaB78TQC90/TzkGJkudOoI/AAAAAAAAJdo/uae-SFbrQUk/s1600/Caught%2BPlastered%2B%25281931%2529.jpg"&gt;&lt;img src="http://3.bp.blogspot.com/-gPaB78TQC90/TzkGJkudOoI/AAAAAAAAJdo/uae-SFbrQUk/s400/Caught%2BPlastered%2B%25281931%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5708600764215933570" style="cursor: pointer; width: 400px; height: 306px; " /&gt;&lt;/a&gt; &lt;/div&gt;&lt;div style="text-align: justify;"&gt;In this delightful Wheeler and Woolsey comedy, two down-on-their-luck vaudevillians wander into a new town and come to the aid of an elderly woman whose drugstore seems destined to go out of business, but find their attempts to revive her flagging business complicated by both romance and an underhanded bootlegger, who is looking to buy her shop on the cheap. Several memorable performances, an unusually relaxed pace, a number of near-the-knuckle gags, and some surprisingly fluid film-making combine to decidedly charming effect. &lt;a href="http://artemisnt.blogspot.com/2011/02/recommended.html"&gt;&lt;b&gt;Recommended&lt;/b&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-7570510810290688832?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/7570510810290688832'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/7570510810290688832'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/02/caught-plastered-1931.html' title='Caught Plastered (1931)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-gPaB78TQC90/TzkGJkudOoI/AAAAAAAAJdo/uae-SFbrQUk/s72-c/Caught%2BPlastered%2B%25281931%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-2113112368607985549</id><published>2012-02-12T19:34:00.008Z</published><updated>2012-02-25T21:37:47.242Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Michael Curtiz'/><category scheme='http://www.blogger.com/atom/ns#' term='1931'/><title type='text'>The Mad Genius (1931)</title><content type='html'>&lt;div style="font-weight: normal; "&gt;USA&lt;/div&gt;&lt;div style="font-weight: normal; "&gt;Feature Film | Drama | English | 1h21m&lt;/div&gt;&lt;div style="font-weight: normal; "&gt;&lt;b&gt;Dir&lt;/b&gt;: Michael Curtiz | &lt;b&gt;Scr&lt;/b&gt;: J. Grubb Alexander &amp;amp; Harvey Thew | &lt;b&gt;Play&lt;/b&gt;: Martin Brown | &lt;b&gt;Ph&lt;/b&gt;: Barney McGill | &lt;b&gt;Ed&lt;/b&gt;: Ralph Dawson | &lt;b&gt;AD&lt;/b&gt;: Anton Grot&lt;/div&gt;&lt;div style="font-weight: normal; "&gt;&lt;b&gt;Cast&lt;/b&gt;: John Barrymore, Marian Marsh, Charles Butterworth, Donald Cook, Luis Alberni, Carmel Myers, André Luguet, Frankie Darro&lt;/div&gt;&lt;div style="font-weight: normal; "&gt;&lt;a href="http://4.bp.blogspot.com/-auYY4CTOk58/TzgaXYTEFAI/AAAAAAAAJdc/pHmuMwJrEts/s1600/The%2BMad%2BGenius%2B%25281931%2529.png"&gt;&lt;img src="http://4.bp.blogspot.com/-auYY4CTOk58/TzgaXYTEFAI/AAAAAAAAJdc/pHmuMwJrEts/s400/The%2BMad%2BGenius%2B%25281931%2529.png" border="0" alt="" id="BLOGGER_PHOTO_ID_5708341516653827074" style="cursor: pointer; width: 400px; height: 286px; " /&gt;&lt;/a&gt; &lt;/div&gt;&lt;div style="font-weight: normal; text-align: justify; "&gt;A clubfooted frustrated dancer manipulatively moulds an athletic young boy, whom he kidnapped from an abusive father, into the ballet superstar that he wishes he could have been, but fails to control him when love’s young dream captures his heart, in Curtiz’s stylish melodrama. Inventively expressive mise en scène, striking deep-focus photography, and some deliciously full-blooded performances combine well, but a rather rushed-feeling ending and some generally illogical plotting detract somewhat. &lt;a href="http://artemisnt.blogspot.com/2011/02/worth-watch.html" style="font-size: 100%; "&gt;&lt;b&gt;Worth a Watch&lt;/b&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-2113112368607985549?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/2113112368607985549'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/2113112368607985549'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/02/mad-genius-1931.html' title='The Mad Genius (1931)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-auYY4CTOk58/TzgaXYTEFAI/AAAAAAAAJdc/pHmuMwJrEts/s72-c/The%2BMad%2BGenius%2B%25281931%2529.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-2742382794139509618</id><published>2012-02-12T13:39:00.004Z</published><updated>2012-02-25T21:38:15.287Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Marx Bros.'/><category scheme='http://www.blogger.com/atom/ns#' term='Norman McLeod'/><category scheme='http://www.blogger.com/atom/ns#' term='1931'/><title type='text'>Monkey Business (1931)</title><content type='html'>&lt;div&gt;USA&lt;/div&gt;&lt;div&gt;Feature Film | Comedy | English | 1h17m&lt;/div&gt;&lt;div&gt;&lt;b&gt;Dir&lt;/b&gt;: Norman McLeod | &lt;b&gt;Scr&lt;/b&gt;: S.J. Perelman &amp;amp; Will B. Johnstone | &lt;b&gt;Ad. Dialogue&lt;/b&gt;: Arthur Sheekman &amp;amp; Nat Perrin | &lt;b&gt;Ph&lt;/b&gt;: Arthur L. Todd&lt;/div&gt;&lt;div&gt;&lt;b&gt;Cast&lt;/b&gt;: Groucho Marx, Harpo Marx, Chico Marx, Zeppo Marx, Rockliffe Fellowes, Harry Woods, Thelma Todd, Ruth Hall, Tom Kennedy&lt;/div&gt;&lt;div&gt;&lt;a href="http://2.bp.blogspot.com/-U4_BpWq2vc4/TzfG0-kdswI/AAAAAAAAJdQ/BWBTaH7v9E4/s1600/Monkey%2BBusiness%2B%25281931%2529.png"&gt;&lt;img src="http://2.bp.blogspot.com/-U4_BpWq2vc4/TzfG0-kdswI/AAAAAAAAJdQ/BWBTaH7v9E4/s400/Monkey%2BBusiness%2B%25281931%2529.png" border="0" alt="" id="BLOGGER_PHOTO_ID_5708249666166829826" style="cursor: pointer; width: 400px; height: 300px; " /&gt;&lt;/a&gt; &lt;/div&gt;&lt;div style="text-align: justify;"&gt;The four Marxes stow away on a US-bound transatlantic cruise liner, and divide their time between working as bodyguards for two rival gangsters, chasing young ladies (literally in Harpo’s case), avoiding the attentions of the ship’s captain and crew, and generally causing mayhem and merriment, in this gag-packed, constantly hilarious Marx Brothers film. Highlights include: Harpo’s hijacking of a Punch and Judy show; Groucho’s flirting with a gangster’s moll; and Chico’s “snooping” barber. That said, there isn’t a duff moment in the entire film anyway. &lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;a href="http://artemisnt.blogspot.com/2011/02/essential-viewing.html"&gt;&lt;b&gt;Essential Viewing&lt;/b&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-2742382794139509618?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/2742382794139509618'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/2742382794139509618'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/02/monkey-business-1931.html' title='Monkey Business (1931)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-U4_BpWq2vc4/TzfG0-kdswI/AAAAAAAAJdQ/BWBTaH7v9E4/s72-c/Monkey%2BBusiness%2B%25281931%2529.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-4571608950403243712</id><published>2012-02-11T13:11:00.006Z</published><updated>2012-02-25T21:38:27.257Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Roy Del Ruth'/><category scheme='http://www.blogger.com/atom/ns#' term='1931'/><title type='text'>Blonde Crazy (1931)</title><content type='html'>&lt;div&gt;USA&lt;/div&gt;&lt;div&gt;Feature Film | Crime Comedy | English | 1h19m&lt;/div&gt;&lt;div&gt;&lt;b&gt;aka&lt;/b&gt;: Larceny Lane&lt;/div&gt;&lt;div&gt;&lt;b&gt;Dir&lt;/b&gt;: Roy Del Ruth | &lt;b&gt;Scr&lt;/b&gt;: Kubec Glasmon &amp;amp; John Bright | &lt;b&gt;Ph&lt;/b&gt;: Sid Hickox | &lt;b&gt;Ed&lt;/b&gt;: Ralph Dawson | &lt;b&gt;AD&lt;/b&gt;: Esdras Hartley&lt;/div&gt;&lt;div&gt;&lt;b&gt;Cast&lt;/b&gt;: James Cagney, Joan Blondell, Louis Calhern, Noel Francis, Ray Milland, Guy Kibbee, Polly Walters, William Burress, Maude Eburne, Nat Pendleton&lt;/div&gt;&lt;div&gt;&lt;a href="http://4.bp.blogspot.com/-5sN26Ln4BVA/TzZyk2XwQPI/AAAAAAAAJdE/UGyA_GQHM-g/s1600/Blonde%2BCrazy%2B%25281931%2529.jpg"&gt;&lt;img src="http://4.bp.blogspot.com/-5sN26Ln4BVA/TzZyk2XwQPI/AAAAAAAAJdE/UGyA_GQHM-g/s400/Blonde%2BCrazy%2B%25281931%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5707875555134685426" style="cursor: pointer; width: 400px; height: 316px; " /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;A cocksure bellboy-cum-aspiring grifter takes on as a partner a pretty blonde chambermaid, and the two set off across the country in search of easy marks, but romance and rival confidence tricksters scupper their progress, in this shabbily entertaining crime comedy. Charming performances, sizzling dialogue, and some generally fun plotting just about make up for the oft rather clumsy direction and editing.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;a href="http://artemisnt.blogspot.com/2011/02/worth-watch.html" style="text-align: left; "&gt;&lt;b&gt;Worth a Watch&lt;/b&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-4571608950403243712?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/4571608950403243712'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/4571608950403243712'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/02/blonde-crazy-1931.html' title='Blonde Crazy (1931)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-5sN26Ln4BVA/TzZyk2XwQPI/AAAAAAAAJdE/UGyA_GQHM-g/s72-c/Blonde%2BCrazy%2B%25281931%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-5878423996520240747</id><published>2012-02-10T14:44:00.004Z</published><updated>2012-02-25T21:38:41.816Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Laurel and Hardy'/><category scheme='http://www.blogger.com/atom/ns#' term='James W. Horne'/><category scheme='http://www.blogger.com/atom/ns#' term='1931'/><title type='text'>Laughing Gravy (1931)</title><content type='html'>&lt;div&gt;USA&lt;/div&gt;&lt;div&gt;Short Film | Comedy | English | 20m/31m&lt;/div&gt;&lt;div&gt;&lt;b&gt;Dir&lt;/b&gt;: James W. Horne | &lt;b&gt;Dialogue&lt;/b&gt;: H.M. Walker | &lt;b&gt;Ph&lt;/b&gt;: Art Lloyd | &lt;b&gt;Prod&lt;/b&gt;: Hal Roach | &lt;b&gt;Ed&lt;/b&gt;: Richard Currier&lt;/div&gt;&lt;div&gt;&lt;b&gt;Cast&lt;/b&gt;: Stan Laurel, Oliver Hardy, Laughing Gravy, Charlie Hall, Charles Dorety, Harry Bernard&lt;/div&gt;&lt;div&gt;&lt;a href="http://4.bp.blogspot.com/-ejcdc2DKJPI/TzU3u_cB_6I/AAAAAAAAJc4/REFMxICnGBo/s1600/Laughing%2BGravy%2B%25281931%2529.png"&gt;&lt;img src="http://4.bp.blogspot.com/-ejcdc2DKJPI/TzU3u_cB_6I/AAAAAAAAJc4/REFMxICnGBo/s400/Laughing%2BGravy%2B%25281931%2529.png" border="0" alt="" id="BLOGGER_PHOTO_ID_5707529383204487074" style="cursor: pointer; width: 400px; height: 306px; " /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Stan’s bout of hiccoughs alerts their mean-spirited landlord to the existence of his and Ollie’s verboten pet dog, Laughing Gravy, who he kicks out, without a second thought, into the cold and snowy night. Inevitably, their attempts to retrieve him end only in pain, suffering, and their own impending homelessness, in this oft hilarious Laurel and Hardy short, which is available in both a two- and a three-reel version, with each having a markedly different ending. The shorter version, with its uncharacteristically dark finale, is the punchier and more memorable one; whilst the longer version is even more uncharacteristically sentimental – but still good fun, never the less. &lt;a href="http://artemisnt.blogspot.com/2011/02/recommended.html" style="text-align: left; "&gt;&lt;b&gt;Recommended&lt;/b&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-5878423996520240747?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/5878423996520240747'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/5878423996520240747'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/02/laughing-gravy-1931.html' title='Laughing Gravy (1931)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-ejcdc2DKJPI/TzU3u_cB_6I/AAAAAAAAJc4/REFMxICnGBo/s72-c/Laughing%2BGravy%2B%25281931%2529.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-1245331954549546819</id><published>2012-02-10T14:17:00.005Z</published><updated>2012-02-25T21:38:58.164Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Laurel and Hardy'/><category scheme='http://www.blogger.com/atom/ns#' term='James W. Horne'/><category scheme='http://www.blogger.com/atom/ns#' term='1931'/><title type='text'>One Good Turn (1931)</title><content type='html'>&lt;div&gt;USA&lt;/div&gt;&lt;div&gt;Short Film | Comedy | English | 20m&lt;/div&gt;&lt;div&gt;&lt;b&gt;Dir&lt;/b&gt;: James W. Horne | &lt;b&gt;Scr&lt;/b&gt;: H.M. Walker | &lt;b&gt;Ph&lt;/b&gt;: Art Lloyd | &lt;b&gt;Prod&lt;/b&gt;: Hal Roach | &lt;b&gt;Ed&lt;/b&gt;: Richard C. Currier | &lt;b&gt;SD&lt;/b&gt;: Elmer Raguse&lt;/div&gt;&lt;div&gt;&lt;b&gt;Cast&lt;/b&gt;: Stan Laurel, Oliver Hardy, Mary Carr, James Finlayson, Billy Gilbert&lt;/div&gt;&lt;div&gt;&lt;a href="http://4.bp.blogspot.com/-Qb4ou70Gweo/TzUraHw4K0I/AAAAAAAAJcs/eS_F-sWmqWc/s1600/One%2BGood%2BTurn%2B%25281931%2529.png"&gt;&lt;img src="http://4.bp.blogspot.com/-Qb4ou70Gweo/TzUraHw4K0I/AAAAAAAAJcs/eS_F-sWmqWc/s400/One%2BGood%2BTurn%2B%25281931%2529.png" border="0" alt="" id="BLOGGER_PHOTO_ID_5707515830522620738" style="cursor: pointer; width: 400px; height: 300px; " /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Homeless and without a penny to their name, Stan and Ollie go from door to door offering to work for food, in this entertaining, but rather uninspired, Laurel and Hardy short. They strike it lucky when a kindly old lady takes them in and feeds them, but mistakenly come to believe that she is about to be evicted when they overhear her rehearsing a community play, and set about raising the $100 that she (doesn’t really) need to avoid eviction by attempting to sell their decrepit 20-year-old car… things, predictably, do not go well. Mary Carr’s turn proves memorable as the old lady, but Finlayson and Gilbert’s talents are wasted in small roles. &lt;a href="http://artemisnt.blogspot.com/2011/02/worth-watch.html" style="text-align: left; "&gt;&lt;b&gt;Worth a Watch&lt;/b&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-1245331954549546819?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/1245331954549546819'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/1245331954549546819'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/02/one-good-turn-1931.html' title='One Good Turn (1931)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-Qb4ou70Gweo/TzUraHw4K0I/AAAAAAAAJcs/eS_F-sWmqWc/s72-c/One%2BGood%2BTurn%2B%25281931%2529.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-4786673739167111118</id><published>2012-02-10T13:31:00.005Z</published><updated>2012-02-25T21:39:13.052Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='René Clair'/><category scheme='http://www.blogger.com/atom/ns#' term='1931'/><title type='text'>Le Million (1931)</title><content type='html'>&lt;div&gt;France&lt;/div&gt;&lt;div&gt;Feature Film | Musical Comedy | French | 1h21m&lt;/div&gt;&lt;div&gt;&lt;b&gt;Original Title&lt;/b&gt;: Le million&lt;/div&gt;&lt;div&gt;&lt;b&gt;Dir&lt;/b&gt;: René Clair | &lt;b&gt;Scr&lt;/b&gt;: René Clair | &lt;b&gt;Play&lt;/b&gt;: Georges Berr &amp;amp; Marcel Guillemaud | &lt;b&gt;Ph&lt;/b&gt;: Georges Périnal | &lt;b&gt;Prod&lt;/b&gt;: Frank Clifford | &lt;b&gt;Mus&lt;/b&gt;: Georges Van Parys, Armand Bernard, &amp;amp; Philippe Parès | &lt;b&gt;Ed&lt;/b&gt;: René Le Hénaff | &lt;b&gt;AD&lt;/b&gt;: Lazare Meerson | &lt;b&gt;SD&lt;/b&gt;: Hermann Storr&lt;/div&gt;&lt;div&gt;&lt;b&gt;Cast&lt;/b&gt;: René Lefèvre, Annabella, Louis Allibert, Vanda Gréville, Paul Ollivier, Odette Talazac, Constantin Siroesco, Raymond Cordy, Jane Pierson, André Michaud, Pitouto&lt;/div&gt;&lt;div&gt;&lt;a href="http://3.bp.blogspot.com/-fzP44J_bERk/TzUkmkBZHII/AAAAAAAAJcg/_BxuAyrN1nI/s1600/Le%2BMillion%2B%25281931%2529.png"&gt;&lt;img src="http://3.bp.blogspot.com/-fzP44J_bERk/TzUkmkBZHII/AAAAAAAAJcg/_BxuAyrN1nI/s400/Le%2BMillion%2B%25281931%2529.png" border="0" alt="" id="BLOGGER_PHOTO_ID_5707508347685117058" style="cursor: pointer; width: 400px; height: 294px; " /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;In Clair’s thoroughly entertaining and decidedly inventive musical comedy, a penniless artist, just as all of his creditors appear on his doorstep demanding to be paid, discovers that he has won a million guilders on the Dutch national lottery, but unfortunately, having left the winning ticket in his jacket at his fiancée’s flat, who, after a lovers’ tiff has given it away to an on-the-run thief fleeing from the police, who in turn has sold it to a prominent New York-bound opera star, he must put the champagne on ice until after he is able to track it down – a task complicated by the fact that a &lt;i&gt;friend&lt;/i&gt;-of-twenty-years of his will stop at nothing to get to it before him. The performances are generally delightful, the sets and camerawork arresting, and the use of music and song – particularly to illustrate internal thoughts – strikingly innovative. Enchanting. &lt;a href="http://artemisnt.blogspot.com/2011/02/recommended.html" style="text-align: left; "&gt;&lt;b&gt;Recommended&lt;/b&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-4786673739167111118?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/4786673739167111118'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/4786673739167111118'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/02/le-million-1931.html' title='Le Million (1931)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-fzP44J_bERk/TzUkmkBZHII/AAAAAAAAJcg/_BxuAyrN1nI/s72-c/Le%2BMillion%2B%25281931%2529.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-4501705176281572007</id><published>2012-02-09T12:07:00.004Z</published><updated>2012-02-25T21:39:27.933Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Ernst Lubitsch'/><category scheme='http://www.blogger.com/atom/ns#' term='1931'/><title type='text'>The Smiling Lieutenant (1931)</title><content type='html'>&lt;div&gt;USA&lt;/div&gt;&lt;div&gt;Feature Film | Musical Rom-Com | English | 1h29m&lt;/div&gt;&lt;div&gt;&lt;b&gt;Dir&lt;/b&gt;: Ernst Lubitsch | &lt;b&gt;Scr&lt;/b&gt;: Ernest Vajda &amp;amp; Samson Raphaelson | &lt;b&gt;Novel&lt;/b&gt;: Hans Müller | &lt;b&gt;Operetta&lt;/b&gt;: Leopold Jacobson &amp;amp; Felix Dörmann | &lt;b&gt;Ph&lt;/b&gt;: George Folsey | &lt;b&gt;Prod&lt;/b&gt;: Ernst Lubitsch | &lt;b&gt;Ed&lt;/b&gt;: Merrill G. White | &lt;b&gt;AD&lt;/b&gt;: Hans Dreier&lt;/div&gt;&lt;div&gt;&lt;b&gt;Cast&lt;/b&gt;: Maurice Chevalier, Claudette Colbert, Miriam Hopkins, Charlie Ruggles, George Barbier, Hugh O'Connell&lt;/div&gt;&lt;div&gt;&lt;a href="http://3.bp.blogspot.com/-aYQiF9LD_7A/TzO-BOQ9XgI/AAAAAAAAJcU/qO5qiCTAukI/s1600/The%2BSmiling%2BLieutenant%2B%25281931%2529.jpg"&gt;&lt;img src="http://3.bp.blogspot.com/-aYQiF9LD_7A/TzO-BOQ9XgI/AAAAAAAAJcU/qO5qiCTAukI/s400/The%2BSmiling%2BLieutenant%2B%25281931%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5707114081026924034" style="cursor: pointer; width: 400px; height: 332px; " /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;In Lubitsch’s wonderful pre-code musical rom-com, an errant smile and a misplaced wink lead to the unlikely (forced) marriage of a Viennese army lieutenant – who has been busily &lt;i&gt;breakfasting &lt;/i&gt;with a sexy local violinist – to a visiting princess from a tinpot neighbouring country. And so, with him preferring a more earthily sexual bed-mate, her apparently prim-and-proper ways prove something of an impediment to their union’s consummation. Colbert and, in particular, Hopkins are delightful, as, respectively, the violinist and the princess, whilst Ruggles’s decidedly unkingly king elicits most of the laughs. However, Chevalier is, of course, merely Chevalier. &lt;a href="http://artemisnt.blogspot.com/2011/02/recommended.html" style="text-align: left; "&gt;&lt;b&gt;Recommended&lt;/b&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-4501705176281572007?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/4501705176281572007'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/4501705176281572007'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/02/smiling-lieutenant-1931.html' title='The Smiling Lieutenant (1931)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-aYQiF9LD_7A/TzO-BOQ9XgI/AAAAAAAAJcU/qO5qiCTAukI/s72-c/The%2BSmiling%2BLieutenant%2B%25281931%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-205722334579225270</id><published>2012-02-09T11:39:00.007Z</published><updated>2012-02-25T21:39:41.712Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Frank Capra'/><category scheme='http://www.blogger.com/atom/ns#' term='1931'/><title type='text'>The Miracle Woman (1931)</title><content type='html'>&lt;div&gt;USA&lt;/div&gt;&lt;div&gt;Feature Film | Romantic Drama | English | 1h30m&lt;/div&gt;&lt;div&gt;&lt;b&gt;Dir&lt;/b&gt;: Frank Capra | &lt;b&gt;Scr&lt;/b&gt;: Jo Swerling | &lt;b&gt;Play&lt;/b&gt;: John Meehan &amp;amp; Robert Riskin | &lt;b&gt;Ph&lt;/b&gt;: Joseph Walker | &lt;b&gt;Prod&lt;/b&gt;: Harry Cohn | &lt;b&gt;Ed&lt;/b&gt;: Maurice Wright&lt;/div&gt;&lt;div&gt;&lt;b&gt;Cast&lt;/b&gt;: Barbara Stanwyck, David Manners, Sam Hardy, Beryl Mercer, Russell Hopton, Charles Middleton, Eddie Boland, Thelma Hill&lt;/div&gt;&lt;div&gt;&lt;a href="http://3.bp.blogspot.com/-T1ClNH7KvT4/TzO1ZEFN5sI/AAAAAAAAJcI/dfC9vwr50Ic/s1600/The%2BMiracle%2BWoman%2B%25281931%2529.jpg"&gt;&lt;img src="http://3.bp.blogspot.com/-T1ClNH7KvT4/TzO1ZEFN5sI/AAAAAAAAJcI/dfC9vwr50Ic/s400/The%2BMiracle%2BWoman%2B%25281931%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5707104595005531842" style="cursor: pointer; width: 400px; height: 300px; " /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Disillusioned with the church after the mistreatment and subsequent death of her pastor father, a young woman hooks up with a dangerous chancer and becomes a &lt;i&gt;miracle&lt;/i&gt;-performing evangelical preacher, but her meeting of, and falling for, a young blind man leads to her gradually seeing the error of her ways, in Capra’s gently affecting morality tale. The editing is a little ungainly at times, and some of the performances are a tad stilted, but Stanwyck’s magnificent turn in the central role more than makes up for any of these minor quibbles. &lt;a href="http://artemisnt.blogspot.com/2011/02/recommended.html" style="text-align: left; "&gt;&lt;b&gt;Recommended&lt;/b&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-205722334579225270?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/205722334579225270'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/205722334579225270'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/02/miracle-woman-1931.html' title='The Miracle Woman (1931)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-T1ClNH7KvT4/TzO1ZEFN5sI/AAAAAAAAJcI/dfC9vwr50Ic/s72-c/The%2BMiracle%2BWoman%2B%25281931%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-5155309684247130540</id><published>2012-02-08T14:26:00.005Z</published><updated>2012-02-25T21:39:54.640Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Ingmar Bergman'/><category scheme='http://www.blogger.com/atom/ns#' term='1997'/><title type='text'>In the Presence of a Clown (1997)</title><content type='html'>&lt;div&gt;Sweden/Denmark/Finland/Germany/Iceland/Italy/Norway&lt;/div&gt;&lt;div&gt;Television Play | Drama | Swedish | 1h59m&lt;/div&gt;&lt;div&gt;&lt;b&gt;Original Title&lt;/b&gt;: Larmar och gör sig till&lt;/div&gt;&lt;div&gt;&lt;b&gt;Dir&lt;/b&gt;: Ingmar Bergman | &lt;b&gt;Scr&lt;/b&gt;: Ingmar Bergman | &lt;b&gt;Ph&lt;/b&gt;: Tony Forsberg &amp;amp; Irene Wiklund | &lt;b&gt;Prod&lt;/b&gt;: Pia Ehrnvall &amp;amp; Måns Reuterswärd | &lt;b&gt;Ed&lt;/b&gt;: Sylvia Ingemarsson | &lt;b&gt;PD&lt;/b&gt;: Göran Wassberg | &lt;b&gt;SD&lt;/b&gt;: Magnus Berglid&lt;/div&gt;&lt;div&gt;&lt;b&gt;Cast&lt;/b&gt;: Börje Ahlstedt, Marie Richardson, Erland Josephson, Pernilla August, Anita Björk, Agneta Ekmanner, Lena Endre, Gunnel Fred, Gerthi Kulle, Johan Lindell, Peter Stormare&lt;/div&gt;&lt;div&gt;&lt;a href="http://3.bp.blogspot.com/-r8CsQdNYvXg/TzKPBaylTbI/AAAAAAAAJb8/quK9hs15qxA/s1600/In%2Bthe%2BPresence%2Bof%2Ba%2BClown%2B%25281997%2529.jpg"&gt;&lt;img src="http://3.bp.blogspot.com/-r8CsQdNYvXg/TzKPBaylTbI/AAAAAAAAJb8/quK9hs15qxA/s400/In%2Bthe%2BPresence%2Bof%2Ba%2BClown%2B%25281997%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5706780932365962674" style="cursor: pointer; width: 400px; height: 267px; " /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;After spending time in an asylum in 1925, as a result of the attempted murder of his young fiancée, Carl Åkerblom, along with said girlfriend and a professor with whom he shared a ward, sets about making the world’s first and only living talking picture – a film about the doomed, and decidedly fictional, romance between Franz Schubert and the Countess Mizzi Veith, in Bergman’s intense, theatrical drama. The outstanding Börje Ahlstedt reprises a role that he had previously taken in two other Bergman/Åkerblom-family dramas – as do Pernilla August and Anita Björk.  Richardson and the  ever-excellent Josephson also excel. &lt;a href="http://artemisnt.blogspot.com/2011/02/recommended.html" style="text-align: left; "&gt;&lt;b&gt;Recommended&lt;/b&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-5155309684247130540?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/5155309684247130540'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/5155309684247130540'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/02/in-presence-of-clown-1997.html' title='In the Presence of a Clown (1997)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-r8CsQdNYvXg/TzKPBaylTbI/AAAAAAAAJb8/quK9hs15qxA/s72-c/In%2Bthe%2BPresence%2Bof%2Ba%2BClown%2B%25281997%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-9142007434428375363</id><published>2012-02-06T16:44:00.005Z</published><updated>2012-02-25T21:40:24.739Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Brian Clemens'/><category scheme='http://www.blogger.com/atom/ns#' term='thriller73'/><category scheme='http://www.blogger.com/atom/ns#' term='1975'/><category scheme='http://www.blogger.com/atom/ns#' term='Shaun O&apos;Riordan'/><title type='text'>If It's a Man – Hang Up! (1975)</title><content type='html'>&lt;div&gt;UK&lt;/div&gt;&lt;div&gt;Television Play | Mystery-Thriller | English | 1h7m&lt;/div&gt;&lt;div&gt;Series/Strand Title: &lt;a href="http://artemisnt.blogspot.com/search/label/thriller73"&gt;Thriller (1973-1976)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;Dir&lt;/b&gt;: Shaun O'Riordan | &lt;b&gt;Scr&lt;/b&gt;: Brian Clemens | &lt;b&gt;Ph&lt;/b&gt;: Jimmy Boyers | &lt;b&gt;Prod&lt;/b&gt;: Ian Fordyce | &lt;b&gt;Mus&lt;/b&gt;: Laurie Johnson | &lt;b&gt;AD&lt;/b&gt;: Allan Roger | &lt;b&gt;SD&lt;/b&gt;: Bob Woodhouse&lt;/div&gt;&lt;div&gt;&lt;b&gt;Cast&lt;/b&gt;: Carol Lynley, Gerald Harper, David Gwillim, Tom Conti, Michael Byrne, Paul Angelis, John Cater, Colin Etherington, Sue Holderness&lt;/div&gt;&lt;div&gt;&lt;a href="http://3.bp.blogspot.com/-RYJy4963zt4/TzAJrx5BieI/AAAAAAAAJZs/rQ2l8yYNnKk/s1600/If%2BIt%2527s%2Ba%2BMan%2B%25E2%2580%2593%2BHang%2BUp%2521%2B%25281975%2529.jpg"&gt;&lt;img src="http://3.bp.blogspot.com/-RYJy4963zt4/TzAJrx5BieI/AAAAAAAAJZs/rQ2l8yYNnKk/s400/If%2BIt%2527s%2Ba%2BMan%2B%25E2%2580%2593%2BHang%2BUp%2521%2B%25281975%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5706071375609956834" style="cursor: pointer; width: 400px; height: 307px; " /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;A beautiful model, desired by the all the men that she meets, begins to receive obscene phone calls, which, as they become ever more menacing, start to take a toll on her wellbeing, in this diverting, but vaguely implausible, little thriller. Though it remains thoroughly unpredictable throughout, the performances of the cast, playing somewhat unconvincing characters, are (barring the excellent Angelis) only ever adequate at best. &lt;a href="http://artemisnt.blogspot.com/2011/02/worth-watch.html" style="text-align: left; "&gt;&lt;b&gt;Worth a Watch&lt;/b&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-9142007434428375363?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/9142007434428375363'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/9142007434428375363'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/02/if-its-man-hang-up-1975.html' title='If It&apos;s a Man – Hang Up! (1975)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-RYJy4963zt4/TzAJrx5BieI/AAAAAAAAJZs/rQ2l8yYNnKk/s72-c/If%2BIt%2527s%2Ba%2BMan%2B%25E2%2580%2593%2BHang%2BUp%2521%2B%25281975%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-3637317796012477280</id><published>2012-02-06T16:17:00.005Z</published><updated>2012-02-25T21:40:40.258Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Steven Soderbergh'/><category scheme='http://www.blogger.com/atom/ns#' term='2011'/><title type='text'>Contagion (2011)</title><content type='html'>&lt;div&gt;USA/UAE&lt;/div&gt;&lt;div&gt;Feature Film | Drama | English (and some Cantonese) | 1h46m&lt;/div&gt;&lt;div&gt;&lt;b&gt;Dir&lt;/b&gt;: Steven Soderbergh | &lt;b&gt;Scr&lt;/b&gt;: Scott Z. Burns | &lt;b&gt;Ph&lt;/b&gt;: Steven Soderbergh | &lt;b&gt;Prod&lt;/b&gt;: Gregory Jacobs, Michael Shamberg, &amp;amp; Stacey Sher | &lt;b&gt;Mus&lt;/b&gt;: Cliff Martinez | &lt;b&gt;Ed&lt;/b&gt;: Stephen Mirrione | &lt;b&gt;PD&lt;/b&gt;: Howard Cummings | &lt;b&gt;AD&lt;/b&gt;: Ricky Eyres | &lt;b&gt;SD&lt;/b&gt;: Larry Blake&lt;/div&gt;&lt;div&gt;&lt;b&gt;Cast&lt;/b&gt;: Matt Damon, Marion Cotillard, Kate Winslet, Gwyneth Paltrow, Bryan Cranston, Jude Law, Laurence Fishburne, Sanaa Lathan, Elliott Gould, Amr Waked, Demetri Martin, Jennifer Ehle, Chin Han, John Hawkes&lt;/div&gt;&lt;div&gt;&lt;a href="http://3.bp.blogspot.com/-JeBNYS6Mb2I/TzACMty2pII/AAAAAAAAJZg/joGzxUpwVXE/s1600/Contagion%2B%25282011%2529.jpg"&gt;&lt;img src="http://3.bp.blogspot.com/-JeBNYS6Mb2I/TzACMty2pII/AAAAAAAAJZg/joGzxUpwVXE/s400/Contagion%2B%25282011%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5706063145352995970" style="cursor: pointer; width: 400px; height: 222px; " /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Depicting a deadly viral pandemic from several points of view as it spreads across the world, Soderbergh’s gripping drama, which perhaps should have been a three- or four-part television serial rather than a theatrical release, would almost certainly have been more successful if extra time had been given to each narrative strand, as some of them feel rather underdeveloped. However, the performances are all good and it is generally well crafted, but the score does feel a tad generic at times. &lt;a href="http://artemisnt.blogspot.com/2011/02/worth-watch.html" style="text-align: left; "&gt;&lt;b&gt;Worth a Watch&lt;/b&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-3637317796012477280?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/3637317796012477280'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/3637317796012477280'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/02/contagion-2011.html' title='Contagion (2011)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-JeBNYS6Mb2I/TzACMty2pII/AAAAAAAAJZg/joGzxUpwVXE/s72-c/Contagion%2B%25282011%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-7172818031565043953</id><published>2012-02-05T10:47:00.004Z</published><updated>2012-02-25T21:41:03.296Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Brian Clemens'/><category scheme='http://www.blogger.com/atom/ns#' term='1974'/><category scheme='http://www.blogger.com/atom/ns#' term='thriller73'/><category scheme='http://www.blogger.com/atom/ns#' term='Shaun O&apos;Riordan'/><title type='text'>Screamer (1974)</title><content type='html'>&lt;div&gt;UK&lt;/div&gt;&lt;div&gt;Television Play | Thriller | English | 1h5m&lt;/div&gt;&lt;div&gt;&lt;b&gt;Series/Strand Title&lt;/b&gt;: &lt;a href="http://artemisnt.blogspot.com/search/label/thriller73"&gt;Thriller (1973-1976)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;Dir&lt;/b&gt;: Shaun O'Riordan | &lt;b&gt;Scr&lt;/b&gt;: Brian Clemens | &lt;b&gt;Prod&lt;/b&gt;: John Cooper | &lt;b&gt;Mus&lt;/b&gt;: Laurie Johnson | &lt;b&gt;PD&lt;/b&gt;: Bryan Holgate&lt;/div&gt;&lt;div&gt;&lt;b&gt;Cast&lt;/b&gt;: Pamela Franklin, Donal McCann, Frances White, Jim Norton, Derek Smith, Wolfe Morris, Peter Howell, Harry Walker, Stephen Bateman, Ambrosine Phillpotts, Michael Hall, Carinthia West&lt;/div&gt;&lt;div&gt;&lt;a href="http://3.bp.blogspot.com/-0WC1SSLv2Ec/Ty5j4G8yv3I/AAAAAAAAJZU/Er0PLbPhUOE/s1600/Screamer%2B%25281974%2529.jpg"&gt;&lt;img src="http://3.bp.blogspot.com/-0WC1SSLv2Ec/Ty5j4G8yv3I/AAAAAAAAJZU/Er0PLbPhUOE/s400/Screamer%2B%25281974%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5705607593514418034" style="cursor: pointer; width: 400px; height: 278px; " /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Appearing to be well on the mend, a young American woman is released into the care of friends after being hospitalised for several months with psychological problems following a brutal rape, but comes to believe, despite a suspect being in custody, that she has seen her attacker again, and sets about gaining vengeance, in this factually and psychologically unconvincing, not to mention rather predictable, but nevertheless strangely compelling, little thriller. Franklin, in the central role,  does well with a difficult part, though. &lt;a href="http://artemisnt.blogspot.com/2011/02/worth-watch.html" style="text-align: left; "&gt;&lt;b&gt;Worth a Watch&lt;/b&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-7172818031565043953?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/7172818031565043953'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/7172818031565043953'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/02/screamer-1974.html' title='Screamer (1974)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-0WC1SSLv2Ec/Ty5j4G8yv3I/AAAAAAAAJZU/Er0PLbPhUOE/s72-c/Screamer%2B%25281974%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-5977573541755484595</id><published>2012-02-04T12:04:00.007Z</published><updated>2012-02-25T21:41:31.402Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='1974'/><category scheme='http://www.blogger.com/atom/ns#' term='thriller73'/><category scheme='http://www.blogger.com/atom/ns#' term='Terence Feely'/><category scheme='http://www.blogger.com/atom/ns#' term='Robert D. Cardona'/><title type='text'>Ring Once for Death (1974)</title><content type='html'>&lt;div&gt;UK&lt;/div&gt;&lt;div&gt;Television Play | Thriller | English | 1h5m&lt;/div&gt;&lt;div&gt;&lt;b&gt;aka&lt;/b&gt;: Death in Small Doses&lt;/div&gt;&lt;div&gt;&lt;b&gt;Series/Strand Title&lt;/b&gt;: &lt;a href="http://artemisnt.blogspot.com/search/label/thriller73"&gt;Thriller (1973-1976)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;Dir&lt;/b&gt;: Robert D. Cardona | &lt;b&gt;Scr&lt;/b&gt;: Terence Feely | &lt;b&gt;Story&lt;/b&gt;: Brian Clemens | &lt;b&gt;Ph&lt;/b&gt;: Tony Hudspith | &lt;b&gt;Prod&lt;/b&gt;: John Sichel | &lt;b&gt;Mus&lt;/b&gt;: Laurie Johnson | &lt;b&gt;PD&lt;/b&gt;: Stanley Mills | &lt;b&gt;SD&lt;/b&gt;: Bob Woodhouse&lt;/div&gt;&lt;div&gt;&lt;b&gt;Cast&lt;/b&gt;: Michael Jayston, Nyree Dawn Porter, Barry Nelson, Thorley Walters, Janet Key, Victor Winding, Clare Sutcliffe, Richard Oldfield&lt;/div&gt;&lt;div&gt;&lt;a href="http://2.bp.blogspot.com/-AVCUSiV2sOE/Ty0lBK--osI/AAAAAAAAJZI/SSRsMqbLFW4/s1600/Ring%2BOnce%2Bfor%2BDeath%2B%25281974%2529.jpg"&gt;&lt;img src="http://2.bp.blogspot.com/-AVCUSiV2sOE/Ty0lBK--osI/AAAAAAAAJZI/SSRsMqbLFW4/s400/Ring%2BOnce%2Bfor%2BDeath%2B%25281974%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5705257005006889666" style="cursor: pointer; width: 400px; height: 305px; " /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;A murderous butler, who, assisted by a drunken struck-off doctor and a similarly amoral maid, slowly poisons his single, female employers in order to assume power of attorney, soon finds that he has bitten off more than he can chew, when he inadvisably decides upon a city-based, socially active woman for his next mark, in this mildly diverting little thriller. Though the distinctively voiced Jayston’s excellent performance more than holds the attention throughout, the whole thing proves just a little bit too straightforward and predictable to compare favourably to the best of &lt;a href="http://artemisnt.blogspot.com/search/label/thriller73"&gt;Thriller (1973-1976)&lt;/a&gt;. &lt;a href="http://artemisnt.blogspot.com/2011/02/worth-watch.html" style="text-align: left; "&gt;&lt;b&gt;Worth a Watch&lt;/b&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-5977573541755484595?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/5977573541755484595'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/5977573541755484595'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/02/ring-once-for-death-1974.html' title='Ring Once for Death (1974)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-AVCUSiV2sOE/Ty0lBK--osI/AAAAAAAAJZI/SSRsMqbLFW4/s72-c/Ring%2BOnce%2Bfor%2BDeath%2B%25281974%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-3629028401045730444</id><published>2012-02-04T11:22:00.004Z</published><updated>2012-02-25T21:41:48.419Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='2006'/><category scheme='http://www.blogger.com/atom/ns#' term='Woody Allen'/><title type='text'>Scoop (2006)</title><content type='html'>&lt;div&gt;UK/USA&lt;/div&gt;&lt;div&gt;Feature Film | Comic Mystery-Thriller | English | 1h36m&lt;/div&gt;&lt;div&gt;&lt;b&gt;Dir&lt;/b&gt;: Woody Allen | &lt;b&gt;Scr&lt;/b&gt;: Woody Allen | &lt;b&gt;Ph&lt;/b&gt;: Remi Adefarasin | &lt;b&gt;Prod&lt;/b&gt;: Letty Aronson &amp;amp; Gareth Wiley | &lt;b&gt;Ed&lt;/b&gt;: Alisa Lepselter | &lt;b&gt;PD&lt;/b&gt;: Maria Djurkovic | &lt;b&gt;AD&lt;/b&gt;: Nick Palmer | &lt;b&gt;SD&lt;/b&gt;: Robert Hein&lt;/div&gt;&lt;div&gt;&lt;b&gt;Cast&lt;/b&gt;: Scarlett Johansson, Woody Allen, Hugh Jackman, Ian McShane, Charles Dance, Romola Garai&lt;/div&gt;&lt;div&gt;&lt;a href="http://4.bp.blogspot.com/-YUC1DV2TjLA/Ty0dUJggjeI/AAAAAAAAJY8/itB49Y2TiOM/s1600/Scoop%2B%25282006%2529.jpg"&gt;&lt;img src="http://4.bp.blogspot.com/-YUC1DV2TjLA/Ty0dUJggjeI/AAAAAAAAJY8/itB49Y2TiOM/s400/Scoop%2B%25282006%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5705248534935145954" style="cursor: pointer; width: 400px; height: 266px; " /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;An American journalism student, summering in London with family friends, is tipped off by a recently deceased reporter that an esteemed lord’s son is in fact a notorious serial killer, and, with the aid of an irreverent American conjurer, sets about uncovering the scoop of the century, but finds her investigation hampered by inconvenient romantic stirrings, in Allen’s much derided, but really rather fun, comic mystery-thriller. Though the plot might not stand up to much scrutiny, the amusing performances of Johansson and, in particular, Allen somehow manage to carry it through. &lt;a href="http://artemisnt.blogspot.com/2011/02/worth-watch.html" style="text-align: left; "&gt;&lt;b&gt;Worth a Watch&lt;/b&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-3629028401045730444?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/3629028401045730444'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/3629028401045730444'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/02/scoop-2006.html' title='Scoop (2006)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-YUC1DV2TjLA/Ty0dUJggjeI/AAAAAAAAJY8/itB49Y2TiOM/s72-c/Scoop%2B%25282006%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-4864627843291595357</id><published>2012-02-03T11:49:00.005Z</published><updated>2012-02-25T21:42:13.564Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Brian Clemens'/><category scheme='http://www.blogger.com/atom/ns#' term='thriller73'/><category scheme='http://www.blogger.com/atom/ns#' term='Ian Fordyce'/><category scheme='http://www.blogger.com/atom/ns#' term='1975'/><title type='text'>The Double Kill (1975)</title><content type='html'>&lt;div&gt;UK&lt;/div&gt;&lt;div&gt;Television Play | Thriller | English | 1h7m&lt;/div&gt;&lt;div&gt;Series/Strand Title: &lt;a href="http://artemisnt.blogspot.com/search/label/thriller73"&gt;Thriller (1973-1976)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;Dir&lt;/b&gt;: Ian Fordyce | &lt;b&gt;Scr&lt;/b&gt;: Brian Clemens | &lt;b&gt;Ph&lt;/b&gt;: Tony Hudspith | &lt;b&gt;Prod&lt;/b&gt;: Ian Fordyce | &lt;b&gt;Mus&lt;/b&gt;: Laurie Johnson | &lt;b&gt;Ed&lt;/b&gt;: Al Pidgen &amp;amp; Stanley Staffe | &lt;b&gt;PD&lt;/b&gt;: Anthony Waller | &lt;b&gt;SD&lt;/b&gt;: Bob Woodhouse&lt;/div&gt;&lt;div&gt;&lt;b&gt;Cast&lt;/b&gt;: Gary Collins, Penelope Horner, James Villiers, Peter Bowles, Stuart Wilson, John Flanagan, Hilda Fenemore, Griffith Davies, Michael Stainton&lt;/div&gt;&lt;div&gt;&lt;a href="http://3.bp.blogspot.com/-KIVc7b5g9-U/TyvQB4omPWI/AAAAAAAAJYw/OXVt4HkbvWY/s1600/The%2BDouble%2BKill%2B%25281975%2529.JPG"&gt;&lt;img src="http://3.bp.blogspot.com/-KIVc7b5g9-U/TyvQB4omPWI/AAAAAAAAJYw/OXVt4HkbvWY/s400/The%2BDouble%2BKill%2B%25281975%2529.JPG" border="0" alt="" id="BLOGGER_PHOTO_ID_5704882083795975522" style="cursor: pointer; width: 400px; height: 307px; " /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;In this wonderfully unpredictable Hitchcockian thriller, the American husband of a rich Englishwoman spends his evenings in local pubs and bars advertising the fact that their stately home, with all its gold, silver, and expensive paintings, is anything but burglar-proof, in the hopes of catching one in the act who he can then persuade to murder his wife for him. Eventually, he manages to snag one and makes a deal with him, but his seemingly fool-proof plan soon goes awry, as he fails to take into account the murderous burglar’s enigmatic motives and a detective superintendent’s underhanded investigative methods. Excellent. &lt;a href="http://artemisnt.blogspot.com/2011/02/recommended.html" style="text-align: left; "&gt;&lt;b&gt;Recommended&lt;/b&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-4864627843291595357?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/4864627843291595357'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/4864627843291595357'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/02/double-kill-1975.html' title='The Double Kill (1975)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-KIVc7b5g9-U/TyvQB4omPWI/AAAAAAAAJYw/OXVt4HkbvWY/s72-c/The%2BDouble%2BKill%2B%25281975%2529.JPG' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-5675524601619456828</id><published>2012-02-03T11:33:00.006Z</published><updated>2012-02-25T21:42:26.144Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Harold Ramis'/><category scheme='http://www.blogger.com/atom/ns#' term='1993'/><title type='text'>Groundhog Day (1993)</title><content type='html'>&lt;div style="font-weight: normal; "&gt;&lt;div&gt;USA&lt;/div&gt;&lt;div&gt;Feature Film | Fantasy Rom-Com | English | 1h41m&lt;/div&gt;&lt;div&gt;&lt;b&gt;Dir:&lt;/b&gt; Harold Ramis | &lt;b&gt;Scr:&lt;/b&gt; Danny Rubin &amp;amp; Harold Ramis | &lt;b&gt;Story:&lt;/b&gt; Danny Rubin | &lt;b&gt;DP:&lt;/b&gt; John Bailey | &lt;b&gt;Prod:&lt;/b&gt; Trevor Albert &amp;amp; Harold Ramis | &lt;b&gt;Mus:&lt;/b&gt; George Fenton | &lt;b&gt;Ed:&lt;/b&gt; Pembroke J. Herring | &lt;b&gt;PD:&lt;/b&gt; David Nichols | &lt;b&gt;AD&lt;/b&gt;: Peter Landsdown Smith | &lt;b&gt;SD&lt;/b&gt;: George H. Anderson&lt;/div&gt;&lt;div&gt;&lt;b&gt;Cast:&lt;/b&gt; Bill Murray, Andie MacDowell, Chris Elliott, Stephen Tobolowsky, Brian Doyle-Murray, Marita Geraghty&lt;/div&gt;&lt;div&gt;&lt;a href="http://3.bp.blogspot.com/-vwquucQU4Bw/Tg2mCX_WFBI/AAAAAAAAFQI/Uy3_Fr1CLaM/s1600/Groundhog%2BDay%2B%25281993%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://3.bp.blogspot.com/-vwquucQU4Bw/Tg2mCX_WFBI/AAAAAAAAFQI/Uy3_Fr1CLaM/s400/Groundhog%2BDay%2B%25281993%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5624334069385270290" style="cursor: pointer; width: 400px; height: 257px; " /&gt;&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="font-weight: normal; text-align: justify; "&gt;A cynical, world-weary television weatherman finds himself living the same day – Groundhog Day, probably his least favourite day – over and over again; a situation that has him go from dismay through impish joy to despair and finally acceptance, as he gradually comes to be a better human being, spurred on by the (forever destined to be?) unrequited love that he develops for his producer, in Ramis’s inspired, smart, and oft hilarious comedy, which has proven itself, over the years, to be effortlessly rewatchable. Murray, in the central role, is predictably excellent. &lt;b style="text-align: left; "&gt;&lt;a href="http://artemisnt.blogspot.com/2011/02/recommended.html" style="text-align: left; "&gt;Recommended&lt;br /&gt;&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-5675524601619456828?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/5675524601619456828'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/5675524601619456828'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/02/groundhog-day-1993.html' title='Groundhog Day (1993)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-vwquucQU4Bw/Tg2mCX_WFBI/AAAAAAAAFQI/Uy3_Fr1CLaM/s72-c/Groundhog%2BDay%2B%25281993%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-8104829342236150290</id><published>2012-02-02T12:40:00.006Z</published><updated>2012-02-25T21:42:49.860Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Brian Clemens'/><category scheme='http://www.blogger.com/atom/ns#' term='1973'/><category scheme='http://www.blogger.com/atom/ns#' term='thriller73'/><category scheme='http://www.blogger.com/atom/ns#' term='Bill Hays'/><title type='text'>File It Under Fear (1973)</title><content type='html'>&lt;div&gt;UK&lt;/div&gt;&lt;div&gt;Television Play | Mystery-Thriller | English | 1h8m&lt;/div&gt;&lt;div&gt;&lt;b&gt;Series/Strand Title&lt;/b&gt;: &lt;a href="http://artemisnt.blogspot.com/search/label/thriller73"&gt;Thriller (1973-1976)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;Dir&lt;/b&gt;: Bill Hays | &lt;b&gt;Scr&lt;/b&gt;: Brian Clemens | &lt;b&gt;Ph&lt;/b&gt;: Phil Hawkes | &lt;b&gt;Prod&lt;/b&gt;: John Sichel | &lt;b&gt;Mus&lt;/b&gt;: Laurie Johnson | &lt;b&gt;Ed&lt;/b&gt;: John Hawkins | &lt;b&gt;PD&lt;/b&gt;: Michael Eve | &lt;b&gt;SD&lt;/b&gt;: Ted Scott&lt;/div&gt;&lt;div&gt;&lt;b&gt;Cast&lt;/b&gt;: Maureen Lipman, Richard O'Callaghan, James Grout, John Le Mesurier, Colin Fisher, Rose Hill, Richard Pendrey, John Nightingale, Jan Francis, Jenny Quayle&lt;/div&gt;&lt;div&gt;&lt;a href="http://1.bp.blogspot.com/-PqoZSorvdKs/TyqLvOA4w6I/AAAAAAAAJYk/OsqzlT7JV3I/s1600/File%2BIt%2BUnder%2BFear%2B%25281973%2529.jpg"&gt;&lt;img src="http://1.bp.blogspot.com/-PqoZSorvdKs/TyqLvOA4w6I/AAAAAAAAJYk/OsqzlT7JV3I/s400/File%2BIt%2BUnder%2BFear%2B%25281973%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5704525521350083490" style="cursor: pointer; width: 400px; height: 301px; " /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;When a string of young women begin to turn up strangled, a librarian comes to believe that she knows the identity of the killer, but the police are slow to believe a frustrated old maid such as her (29-years-old!), whilst we, the viewers, quickly earmark two or three other suspects as well, in this thoroughly and entertainingly unpredictable mystery-thriller. Well-crafted, with good performances, particularly from Le Mesurier, this &lt;a href="http://artemisnt.blogspot.com/search/label/thriller73"&gt;Thriller (1973-1976)&lt;/a&gt; episode is perhaps as interesting for its glimpse at contemporary societal attitudes as it is for its well thought out mystery plot. &lt;a href="http://artemisnt.blogspot.com/2011/02/recommended.html" style="text-align: left; "&gt;&lt;b&gt;Recommended&lt;/b&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-8104829342236150290?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/8104829342236150290'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/8104829342236150290'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/02/file-it-under-fear-1973.html' title='File It Under Fear (1973)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-PqoZSorvdKs/TyqLvOA4w6I/AAAAAAAAJYk/OsqzlT7JV3I/s72-c/File%2BIt%2BUnder%2BFear%2B%25281973%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-3162565068577736370</id><published>2012-02-02T11:44:00.007Z</published><updated>2012-02-25T21:43:06.053Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Emir Kusturica'/><category scheme='http://www.blogger.com/atom/ns#' term='1998'/><title type='text'>Black Cat, White Cat (1998)</title><content type='html'>&lt;div&gt;FRY/Austria/France/Germany/Greece/USA&lt;/div&gt;&lt;div&gt;Feature Film | Crime-Comedy | Romany | 2h7m&lt;/div&gt;&lt;div&gt;&lt;b&gt;Original Title&lt;/b&gt;: Crna mačka, beli mačor&lt;/div&gt;&lt;div&gt;&lt;b&gt;Dir&lt;/b&gt;: Emir Kusturica | &lt;b&gt;Scr&lt;/b&gt;: Emir Kusturica &amp;amp; Gordan Mihić | &lt;b&gt;Ph&lt;/b&gt;: Thierry Arbogast | &lt;b&gt;Prod&lt;/b&gt;: Karl Baumgartner | &lt;b&gt;Mus&lt;/b&gt;: Vojislav Aralica, Dr. Nele Karajlic, &amp;amp; Dejan Sparavalo | &lt;b&gt;Ed&lt;/b&gt;: Svetolik-Mika Zajc | &lt;b&gt;PD&lt;/b&gt;: Milenko Jeremic | &lt;b&gt;AD&lt;/b&gt;: Radoslav Mihajlovic | &lt;b&gt;SD&lt;/b&gt;: Svetolik-Mika Zajc&lt;/div&gt;&lt;div&gt;&lt;b&gt;Cast&lt;/b&gt;: Bajram Severdzan, Srdjan Todorović, Branka Katić, Florijan Ajdini, Ljubica Adžović, Zabit Memedov, Sabri Sulejmani, Jasar Destani, Stojan Sotirov, Predrag Laković, Miki Manojlović, Salija Ibraimova&lt;/div&gt;&lt;div&gt;&lt;a href="http://1.bp.blogspot.com/-AbYRHq2Q40Q/Typ8kzu9dKI/AAAAAAAAJYY/MwwuTdB2uQw/s1600/Black%2BCat%252C%2BWhite%2BCat%2B%25281998%2529.jpg"&gt;&lt;img src="http://1.bp.blogspot.com/-AbYRHq2Q40Q/Typ8kzu9dKI/AAAAAAAAJYY/MwwuTdB2uQw/s400/Black%2BCat%252C%2BWhite%2BCat%2B%25281998%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5704508849822463138" style="cursor: pointer; width: 400px; height: 220px; " /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;A small-time and decidedly incompetent wheeler-dealer is unwittingly double-crossed by a local gangster, who demands he pay off his sham debts by having his son marry the unbalanced thug’s one-metre-and-a-razorblade-tall sister. Alas, in Kusturica’s riotously funny Romany comedy, the two youngsters have decidedly different ideas on the matter. And so, of course, chaos ensues… With its relentless pace, raucous music, full-blooded performances, and mischievous wit, &lt;i&gt;Black Cat, White Cat&lt;/i&gt; proves an anarchic delight. &lt;a href="http://artemisnt.blogspot.com/2011/02/recommended.html" style="text-align: left; "&gt;&lt;b&gt;Recommended&lt;/b&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-3162565068577736370?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/3162565068577736370'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/3162565068577736370'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/02/black-cat-white-cat-1998.html' title='Black Cat, White Cat (1998)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-AbYRHq2Q40Q/Typ8kzu9dKI/AAAAAAAAJYY/MwwuTdB2uQw/s72-c/Black%2BCat%252C%2BWhite%2BCat%2B%25281998%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-3938940231417098102</id><published>2012-02-01T17:57:00.007Z</published><updated>2012-02-25T21:43:36.923Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Abbas Kiarostami'/><category scheme='http://www.blogger.com/atom/ns#' term='1999'/><title type='text'>The Wind Will Carry Us (1999)</title><content type='html'>&lt;div&gt;Iran/France&lt;/div&gt;&lt;div&gt;Feature Film | Comedy-Drama | language | Persian&lt;/div&gt;&lt;div&gt;&lt;b&gt;Original Title&lt;/b&gt;: باد ما را خواهد برد | &lt;b&gt;aka&lt;/b&gt;: Bad ma ra khahad bord&lt;/div&gt;&lt;div&gt;&lt;b&gt;Dir&lt;/b&gt;: Abbas Kiarostami | &lt;b&gt;Scr&lt;/b&gt;: Abbas Kiarostami | &lt;b&gt;Idea&lt;/b&gt;: Mahmoud Aydin | &lt;b&gt;Poem&lt;/b&gt;: Forough Farrokhzad | &lt;b&gt;Ph&lt;/b&gt;: Mahmoud Kalari | &lt;b&gt;Prod&lt;/b&gt;: Marin Karmitz &amp;amp; Abbas Kiarostami | &lt;b&gt;Mus&lt;/b&gt;: Peyman Yazdanian | &lt;b&gt;Ed&lt;/b&gt;: Abbas Kiarostami | &lt;b&gt;SD&lt;/b&gt;: Mohammad Reza Delpak &lt;/div&gt;&lt;div&gt;&lt;b&gt;Cast&lt;/b&gt;: Behzad Dorani, Farzad Sohrabi, Shahpour Ghobadi, Masood Mansouri, Masoameh Salimi&lt;/div&gt;&lt;div&gt;&lt;a href="http://2.bp.blogspot.com/-EE2-QSDJrmM/TymE5jI8LHI/AAAAAAAAJYM/5sySSEYTv5E/s1600/The%2BWind%2BWill%2BCarry%2BUs%2B%25281999%2529.png"&gt;&lt;img src="http://2.bp.blogspot.com/-EE2-QSDJrmM/TymE5jI8LHI/AAAAAAAAJYM/5sySSEYTv5E/s400/The%2BWind%2BWill%2BCarry%2BUs%2B%25281999%2529.png" border="0" alt="" id="BLOGGER_PHOTO_ID_5704236527261592690" style="cursor: pointer; width: 400px; height: 210px; " /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;A Tehranian photo-journalist, masquerading as a telephone engineer, travels to a remote hillside village to document an ancient funereal ritual, but finds his underhanded methods frustrated by both the old woman’s inconvenient reluctance to die and the unbounding hospitality of the locals, in Kiarostami’s wittily thought-provoking and humanity-drenched culture clash comedy-drama. A strong central performance and a thoughtful script, presented with the Iranian auteur’s trademark formal audacity against a wonderful backdrop, combine to delightfully lyrical effect. &lt;a href="http://artemisnt.blogspot.com/2011/02/essential-viewing.html" style="text-align: left; "&gt;&lt;b&gt;Essential Viewing&lt;/b&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-3938940231417098102?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/3938940231417098102'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/3938940231417098102'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/02/wind-will-carry-us-1999.html' title='The Wind Will Carry Us (1999)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-EE2-QSDJrmM/TymE5jI8LHI/AAAAAAAAJYM/5sySSEYTv5E/s72-c/The%2BWind%2BWill%2BCarry%2BUs%2B%25281999%2529.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-4145198829387281488</id><published>2012-02-01T13:25:00.007Z</published><updated>2012-02-25T21:43:51.804Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Aage Rais-Nordentoft'/><category scheme='http://www.blogger.com/atom/ns#' term='2008'/><title type='text'>MollyCam (2008)</title><content type='html'>&lt;div&gt;Denmark&lt;/div&gt;&lt;div&gt;Feature Film | Drama | Danish | 1h30m&lt;/div&gt;&lt;div&gt;&lt;b&gt;Dir&lt;/b&gt;: Aage Rais-Nordentoft | &lt;b&gt;Scr&lt;/b&gt;: Christian Lollike | &lt;b&gt;Ph&lt;/b&gt;: Laust Trier-Mørk | &lt;b&gt;Prod&lt;/b&gt;: Jacob Krarup | &lt;b&gt;Mus&lt;/b&gt;: Mikkel Lentz | &lt;b&gt;Ed&lt;/b&gt;: Adam Ross | &lt;b&gt;SD&lt;/b&gt;: Andy Drabik&lt;/div&gt;&lt;div&gt;&lt;b&gt;Cast&lt;/b&gt;: Lea Baastrup Rønne, Kristian Halken, Olaf Højgaard, Ashok Pramanik, Lotte Munk Fure, Rami Mohamed, Anne Katrine Andersen, Nis Bank-Mikkelsen&lt;/div&gt;&lt;div&gt;&lt;a href="http://1.bp.blogspot.com/-DwGNaWfAzT8/TylCFR5EbyI/AAAAAAAAJYA/Psdvr5CHEZE/s1600/MollyCam%2B%25282008%2529.jpg"&gt;&lt;img src="http://1.bp.blogspot.com/-DwGNaWfAzT8/TylCFR5EbyI/AAAAAAAAJYA/Psdvr5CHEZE/s400/MollyCam%2B%25282008%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5704163061510991650" style="cursor: pointer; width: 400px; height: 228px; " /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;Despite a distinct lack of evidence and a number of inconsistencies to her account of events, a middle-aged police detective decides to investigate a camcorder-loving 18-year-old girl’s claims to have been gang-raped by her boyfriend and his friends, and quickly, for one reason or another, begins to become obsessed with the case and/or her much-filmed sexual veracity, in Rais-Nordentoft’s vaguely salacious, yet thoughtful and potent, Danish drama. &lt;a href="http://artemisnt.blogspot.com/2011/02/recommended.html"&gt;&lt;b&gt;Recommended&lt;/b&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-4145198829387281488?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/4145198829387281488'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/4145198829387281488'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/02/mollycam-2008.html' title='MollyCam (2008)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-DwGNaWfAzT8/TylCFR5EbyI/AAAAAAAAJYA/Psdvr5CHEZE/s72-c/MollyCam%2B%25282008%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-5111429048899193770</id><published>2012-02-01T12:39:00.007Z</published><updated>2012-02-25T21:44:03.571Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Kore-eda Hirokazu'/><category scheme='http://www.blogger.com/atom/ns#' term='1998'/><title type='text'>After Life (1998)</title><content type='html'>&lt;div&gt;Japan&lt;/div&gt;&lt;div&gt;Feature Film | Fantasy-Drama | Japanese | 1h58m&lt;/div&gt;&lt;div&gt;&lt;b&gt;Original Title&lt;/b&gt;: ワンダフルライフ | &lt;b&gt;aka&lt;/b&gt;: Wandafuru raifu&lt;/div&gt;&lt;div&gt;&lt;b&gt;Dir&lt;/b&gt;: Kore-eda Hirokazu | &lt;b&gt;Scr&lt;/b&gt;: Kore-eda Hirokazu | &lt;b&gt;Ph&lt;/b&gt;: Yamasaki Yutaka &amp;amp; Sukita Masayoshi | &lt;b&gt;Prod&lt;/b&gt;: Sato Shiho | &lt;b&gt;Mus&lt;/b&gt;: Kasamatsu Yasuhiro | &lt;b&gt;Ed&lt;/b&gt;: Kore-eda Hirokazu | &lt;b&gt;PD&lt;/b&gt;: Gunji Hideo &amp;amp; Isomi Toshihiro&lt;/div&gt;&lt;div&gt;&lt;b&gt;Cast&lt;/b&gt;: Arata, Oda Erika, Terajima Susumu, Naito Takashi, Kagawa Kyōko, Tani Kei, Naito Taketoshi, Yuri Toru, Iseya Yūsuke, Yoshino Sayaka, Shirakawa Kazuko, Shiga Kotaro, Hara Hisako&lt;/div&gt;&lt;div&gt;&lt;a href="http://3.bp.blogspot.com/--tidaLrgydo/Tyk6G6DcJBI/AAAAAAAAJXo/nwET5cGJ9iQ/s1600/After%2BLife%2B%25281998%2529.jpg"&gt;&lt;img src="http://3.bp.blogspot.com/--tidaLrgydo/Tyk6G6DcJBI/AAAAAAAAJXo/nwET5cGJ9iQ/s400/After%2BLife%2B%25281998%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5704154293378753554" style="cursor: pointer; width: 400px; height: 258px; " /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;With a series of interviews, workers at an afterlife sorting station help the recently deceased to pick just one memory from their lives, which will be recreated for them on film, allowing them to take it with them into eternity, in Kore-eda’s decidedly low-key, yet terribly affecting, fantasy-drama. Mixing scripted footage with candid interviews that elicited real memories, After Life beautifully explores all the big questions about love, life, and death. Exquisite. &lt;a href="http://artemisnt.blogspot.com/2011/02/essential-viewing.html" style="text-align: left; "&gt;&lt;b&gt;Essential Viewing&lt;/b&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-5111429048899193770?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/5111429048899193770'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/5111429048899193770'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/02/after-life-1998.html' title='After Life (1998)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/--tidaLrgydo/Tyk6G6DcJBI/AAAAAAAAJXo/nwET5cGJ9iQ/s72-c/After%2BLife%2B%25281998%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-6225567334507368277</id><published>2012-01-31T17:27:00.012Z</published><updated>2012-02-25T21:44:26.788Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Philip Martin'/><category scheme='http://www.blogger.com/atom/ns#' term='2012'/><category scheme='http://www.blogger.com/atom/ns#' term='Abi Morgan'/><title type='text'>Birdsong (2012)</title><content type='html'>&lt;div&gt;UK/USA&lt;/div&gt;&lt;div&gt;Two-Part Television Play | War Romance | English &amp;amp; French | 2h47m&lt;/div&gt;&lt;div&gt;&lt;b&gt;Dir&lt;/b&gt;: Philip Martin | &lt;b&gt;Scr&lt;/b&gt;: Abi Morgan | &lt;b&gt;Novel&lt;/b&gt;: Sebastian Faulks | &lt;b&gt;Ph&lt;/b&gt;: Julian Court | &lt;b&gt;Prod&lt;/b&gt;: Lynn Horsford | &lt;b&gt;Mus&lt;/b&gt;: Nicholas Hooper | &lt;b&gt;Ed&lt;/b&gt;: Kristina Hetherington | &lt;b&gt;PD&lt;/b&gt;: Grant Montgomery | &lt;b&gt;AD&lt;/b&gt;: Nicole Northridge &amp;amp; Katie Tuxford&lt;/div&gt;&lt;div&gt;&lt;b&gt;Cast&lt;/b&gt;: Eddie Redmayne, Clémence Poésy, Joseph Mawle, Richard Madden, Laurent Lafitte, Matthew Goode, Anthony Andrews, Marie Josee Croze&lt;/div&gt;&lt;div&gt;&lt;a href="http://3.bp.blogspot.com/-q74Ln67kt38/Tygr-x0pZrI/AAAAAAAAJXQ/cd-kcqHTDRI/s1600/Birdsong%2B%25282012%2529.jpg"&gt;&lt;img src="http://3.bp.blogspot.com/-q74Ln67kt38/Tygr-x0pZrI/AAAAAAAAJXQ/cd-kcqHTDRI/s400/Birdsong%2B%25282012%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5703857285590771378" style="cursor: pointer; width: 400px; height: 250px; " /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="text-align: justify; "&gt;An officer in the British army, serving in the trenches at the Somme during the First World War, remembers the brief, but passionate, affair that he had with a married French woman in the same region several years earlier, in this handsome and affecting two-part drama. The performances are all good, with Redmayne’s nuanced turn in the central role proving particularly affecting; the production values are outstanding; and the pacing, for the most part at least, is unusually and delightfully leisurely. It does, however, feel a tad rushed towards the end, and may well have benefited from being an extra half an hour or so longer. &lt;/span&gt;&lt;b&gt;&lt;a href="http://artemisnt.blogspot.com/2011/02/recommended.html"&gt;Recommended&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-6225567334507368277?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/6225567334507368277'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/6225567334507368277'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/01/birdsong-2012.html' title='Birdsong (2012)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-q74Ln67kt38/Tygr-x0pZrI/AAAAAAAAJXQ/cd-kcqHTDRI/s72-c/Birdsong%2B%25282012%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-8509345178379494088</id><published>2012-01-31T11:57:00.005Z</published><updated>2012-02-25T21:45:12.523Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Andrew Davies'/><category scheme='http://www.blogger.com/atom/ns#' term='Paul Seed'/><category scheme='http://www.blogger.com/atom/ns#' term='1998'/><title type='text'>A Rather English Marriage (1998)</title><content type='html'>&lt;div&gt;UK&lt;/div&gt;&lt;div&gt;Television Play | Comedy-Drama | English | 1h40m&lt;/div&gt;&lt;div&gt;&lt;b&gt;Dir&lt;/b&gt;: Paul Seed | &lt;b&gt;Scr&lt;/b&gt;: Andrew Davies | &lt;b&gt;Novel&lt;/b&gt;: Angela Lambert | &lt;b&gt;Ph&lt;/b&gt;: Gavin Finney | &lt;b&gt;Prod&lt;/b&gt;: Jo Willett | &lt;b&gt;Mus&lt;/b&gt;: Jim Parker | &lt;b&gt;Ed&lt;/b&gt;: Dave King | &lt;b&gt;PD&lt;/b&gt;: Michael Pickwoad | &lt;b&gt;AD&lt;/b&gt;: Henry Harris&lt;/div&gt;&lt;div&gt;&lt;b&gt;Cast&lt;/b&gt;: Albert Finney, Tom Courtenay, Joanna Lumley, John Light, Iain Jones, Katie Carr, Caroline Carver&lt;/div&gt;&lt;div&gt;&lt;a href="http://2.bp.blogspot.com/-ZFt37uy9TdI/TyfcX7hljwI/AAAAAAAAJXE/TTkelT9mvjM/s1600/A%2BRather%2BEnglish%2BMarriage%2B%25281998%2529.JPG"&gt;&lt;img src="http://2.bp.blogspot.com/-ZFt37uy9TdI/TyfcX7hljwI/AAAAAAAAJXE/TTkelT9mvjM/s400/A%2BRather%2BEnglish%2BMarriage%2B%25281998%2529.JPG" border="0" alt="" id="BLOGGER_PHOTO_ID_5703769756761689858" style="cursor: pointer; width: 400px; height: 298px; " /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;After the deaths of their respective wives, a brash former RAF man and a meek retired milkman move in together, and the two, despite the odd bump in the road, soon form a mutually beneficial relationship, in this witty and moving television play. Finney and Courtenay are, of course, wonderful, but the plotting is a bit too contrived to fully convince. Still, the film will likely elicit enough laughs and tears to more than make up for its weaker moments. &lt;a href="http://artemisnt.blogspot.com/2011/02/worth-watch.html" style="text-align: left; "&gt;&lt;b&gt;Worth a Watch&lt;/b&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-8509345178379494088?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/8509345178379494088'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/8509345178379494088'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/01/rather-english-marriage-1998.html' title='A Rather English Marriage (1998)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-ZFt37uy9TdI/TyfcX7hljwI/AAAAAAAAJXE/TTkelT9mvjM/s72-c/A%2BRather%2BEnglish%2BMarriage%2B%25281998%2529.JPG' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-4497028448981974987</id><published>2012-01-30T13:28:00.006Z</published><updated>2012-02-25T21:45:30.139Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='1969'/><category scheme='http://www.blogger.com/atom/ns#' term='Júlio Bressane'/><title type='text'>Killed the Family and Went to the Movies (1969)</title><content type='html'>&lt;div&gt;Brazil&lt;/div&gt;&lt;div&gt;Feature Film | Drama | Portuguese | 1h18m&lt;/div&gt;&lt;div&gt;&lt;b&gt;Original Title&lt;/b&gt;: Matou a Família e Foi ao Cinema&lt;/div&gt;&lt;div&gt;&lt;b&gt;Dir&lt;/b&gt;: Júlio Bressane | &lt;b&gt;Scr&lt;/b&gt;: Júlio Bressane | &lt;b&gt;Ph&lt;/b&gt;: Thiago Veloso | &lt;b&gt;Prod&lt;/b&gt;: Júlio Bressane | &lt;b&gt;Ed&lt;/b&gt;: Geraldo Veloso | &lt;b&gt;AD&lt;/b&gt;: Guará Rodrigues&lt;/div&gt;&lt;div&gt;&lt;b&gt;Cast&lt;/b&gt;: Márcia Rodrigues, Renata Sorrah, Antero de Oliveira, Vanda Lacerda, Paulo Padilha, Rodolfo Arena&lt;/div&gt;&lt;div&gt;&lt;a href="http://4.bp.blogspot.com/-Pq85FEw5U3E/TyagsfpqIzI/AAAAAAAAJNs/kOhoA8ThV7I/s1600/Killed%2Bthe%2BFamily%2Band%2BWent%2Bto%2Bthe%2BMovies%2B%25281969%2529.jpg"&gt;&lt;img src="http://4.bp.blogspot.com/-Pq85FEw5U3E/TyagsfpqIzI/AAAAAAAAJNs/kOhoA8ThV7I/s400/Killed%2Bthe%2BFamily%2Band%2BWent%2Bto%2Bthe%2BMovies%2B%25281969%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5703422664382227250" style="cursor: pointer; width: 400px; height: 272px; " /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;A man murders his parents and then goes to the cinema, where he watches a film about a young lesbian couple whose love struggles to combat the established order, in Bressane’s energetically anarchic feature. Episodically structured, with a decidedly unreliable narrative, this experimental underground film, though generally diverting enough, often feels like it was probably more fun to make than it is to actually watch. Godard-lovers will likely prove amused, though. &lt;a href="http://artemisnt.blogspot.com/2011/02/worth-watch.html" style="text-align: left; "&gt;&lt;b&gt;Worth a Watch&lt;/b&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-4497028448981974987?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/4497028448981974987'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/4497028448981974987'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/01/killed-family-and-went-to-movies-1969.html' title='Killed the Family and Went to the Movies (1969)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-Pq85FEw5U3E/TyagsfpqIzI/AAAAAAAAJNs/kOhoA8ThV7I/s72-c/Killed%2Bthe%2BFamily%2Band%2BWent%2Bto%2Bthe%2BMovies%2B%25281969%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-8060965738918289391</id><published>2012-01-30T12:39:00.006Z</published><updated>2012-02-25T21:45:44.175Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Pål Sletaune'/><category scheme='http://www.blogger.com/atom/ns#' term='1997'/><title type='text'>Junkmail (1997)</title><content type='html'>&lt;div&gt;Norway/Denmark&lt;/div&gt;&lt;div&gt;Feature Film | Romantic Black Comedy | Norwegian | 1h23m&lt;/div&gt;&lt;div&gt;&lt;b&gt;Original Title&lt;/b&gt;: Budbringeren | &lt;b&gt;aka&lt;/b&gt;: Junk Mail&lt;/div&gt;&lt;div&gt;&lt;b&gt;Dir&lt;/b&gt;: Pål Sletaune | &lt;b&gt;Scr&lt;/b&gt;: Jonny Halberg &amp;amp; Pål Sletaune | &lt;b&gt;Ph&lt;/b&gt;: Kjell Vassdal | &lt;b&gt;Prod&lt;/b&gt;: Peter Bøe &amp;amp; Dag Nordahl | &lt;b&gt;Mus&lt;/b&gt;: Joachim Holbek | &lt;b&gt;Ed&lt;/b&gt;: Pål Gengenbach | &lt;b&gt;PD&lt;/b&gt;: Karl Júlíusson | &lt;b&gt;AD&lt;/b&gt;: Karl Júlíusson&lt;/div&gt;&lt;div&gt;&lt;b&gt;Cast&lt;/b&gt;: Robert Skjærstad, Andrine Sæther, Per Egil Aske, Eli Anne Linnestad, Trond Høvik, Ådne Olav Sekkelsten, Trond Fausa Aurvaag, Henriette Steenstrup&lt;/div&gt;&lt;div&gt;&lt;a href="http://3.bp.blogspot.com/-pev7sAxZR5c/TyaZULiKMLI/AAAAAAAAJNg/hQVAq6NYXpQ/s1600/Junkmail%2B%25281997%2529.jpg"&gt;&lt;img src="http://3.bp.blogspot.com/-pev7sAxZR5c/TyaZULiKMLI/AAAAAAAAJNg/hQVAq6NYXpQ/s400/Junkmail%2B%25281997%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5703414550083809458" style="cursor: pointer; width: 400px; height: 258px; " /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;In Sletaune’s scuzzily and stylishly entertaining black comedy, an immoral and decidedly unconscientious postman falls for the similar charms of a local laundress. But instead of wooing her in a traditional way, he takes to stalking her and breaking into her flat. However, perhaps unsurprisingly such behaviour soon lands him in trouble, as before long he finds himself at the centre of a not-so-heady mix of suicide, assault, robbery, mail fraud, and dodgy karaoke. The deadpan Skjærstad, part of a generally very good cast, proves excellent in the central role. &lt;a href="http://artemisnt.blogspot.com/2011/02/recommended.html" style="text-align: left; "&gt;&lt;b&gt;Recommended&lt;/b&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-8060965738918289391?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/8060965738918289391'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/8060965738918289391'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/01/junkmail-1997.html' title='Junkmail (1997)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-pev7sAxZR5c/TyaZULiKMLI/AAAAAAAAJNg/hQVAq6NYXpQ/s72-c/Junkmail%2B%25281997%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-2418495200816123223</id><published>2012-01-30T12:10:00.006Z</published><updated>2012-02-25T21:46:06.766Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='1990'/><category scheme='http://www.blogger.com/atom/ns#' term='Malcolm Bradbury'/><category scheme='http://www.blogger.com/atom/ns#' term='Elijah Moshinsky'/><title type='text'>The Green Man (1990)</title><content type='html'>&lt;div&gt;UK/USA&lt;/div&gt;&lt;div&gt;Three-Part Television Serial | Supernatural Horror | English | 2h52m&lt;/div&gt;&lt;div&gt;&lt;b&gt;Dir&lt;/b&gt;: Elijah Moshinsky | &lt;b&gt;Scr&lt;/b&gt;: Malcolm Bradbury | &lt;b&gt;Novel&lt;/b&gt;: Kingsley Amis | &lt;b&gt;Ph&lt;/b&gt;: John McGlashan | &lt;b&gt;Prod&lt;/b&gt;: David Snodin | &lt;b&gt;Mus&lt;/b&gt;: Tim Souster | &lt;b&gt;Ed&lt;/b&gt;: Masahiro Hirakubo | &lt;b&gt;PD&lt;/b&gt;: Gerry Scott | &lt;b&gt;AD&lt;/b&gt;: Laurence Williams&lt;/div&gt;&lt;div&gt;&lt;b&gt;Cast&lt;/b&gt;: Albert Finney, Linda Marlowe, Sarah Berger, Nicky Henson, Michael Hordern, Josie Lawrence, Michael Grandage, Natalie Morse, Michael Culver, Robert Schofield&lt;/div&gt;&lt;div&gt;&lt;a href="http://2.bp.blogspot.com/-h0a1i1zpdwc/TyaOVwyODmI/AAAAAAAAJNU/0Cp_D5y7MEQ/s1600/The%2BGreen%2BMan%2B%25281990%2529.jpg"&gt;&lt;img src="http://2.bp.blogspot.com/-h0a1i1zpdwc/TyaOVwyODmI/AAAAAAAAJNU/0Cp_D5y7MEQ/s400/The%2BGreen%2BMan%2B%25281990%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5703402482635247202" style="cursor: pointer; width: 400px; height: 303px; " /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;A perma-drunk, sexually voracious country inn proprietor’s life begins to spiral out of control, when the ghost of a notorious 17th century rapist and murderer begins appearing to him, but the intervention of God himself looks to bring back balance, in this diverting BBC three-parter. Finney is excellent as the larger-than-life central figure, but the drama as a whole lacks subtlety, and could certainly have done with a sight more ambiguity. No more than an enjoyable time waster, then. &lt;a href="http://artemisnt.blogspot.com/2011/02/worth-watch.html" style="text-align: left; "&gt;&lt;b&gt;Worth a Watch&lt;/b&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-2418495200816123223?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/2418495200816123223'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/2418495200816123223'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/01/green-man-1990.html' title='The Green Man (1990)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-h0a1i1zpdwc/TyaOVwyODmI/AAAAAAAAJNU/0Cp_D5y7MEQ/s72-c/The%2BGreen%2BMan%2B%25281990%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-1767550555181160636</id><published>2012-01-29T12:37:00.006Z</published><updated>2012-02-25T21:46:35.967Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Brian Clemens'/><category scheme='http://www.blogger.com/atom/ns#' term='1974'/><category scheme='http://www.blogger.com/atom/ns#' term='thriller73'/><category scheme='http://www.blogger.com/atom/ns#' term='Shaun O&apos;Riordan'/><title type='text'>I'm the Girl He Wants to Kill (1974)</title><content type='html'>&lt;div&gt;UK&lt;/div&gt;&lt;div&gt;Television Play | Thriller | English | 1h5m&lt;/div&gt;&lt;div&gt;&lt;b&gt;Series/Strand Title&lt;/b&gt;: &lt;a href="http://artemisnt.blogspot.com/search/label/thriller73"&gt;Thriller (1973-1976)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;Dir&lt;/b&gt;: Shaun O'Riordan | &lt;b&gt;Scr&lt;/b&gt;: Brian Clemens | &lt;b&gt;Prod&lt;/b&gt;: John Sichel | &lt;b&gt;Mus&lt;/b&gt;: Laurie Johnson | &lt;b&gt;PD&lt;/b&gt;: Stanley Mills&lt;/div&gt;&lt;div&gt;&lt;b&gt;Cast&lt;/b&gt;: Julie Sommars, Robert Lang, Anthony Steel, Tony Selby, Ken Jones, Geoffrey Whitehead&lt;/div&gt;&lt;div&gt;&lt;a href="http://3.bp.blogspot.com/-iIQFnzsHzfs/TyVFyMB_OMI/AAAAAAAAJNI/76FlKmA4wvw/s1600/I%2527m%2Bthe%2BGirl%2BHe%2BWants%2Bto%2BKill%2B%25281974%2529.jpg"&gt;&lt;img src="http://3.bp.blogspot.com/-iIQFnzsHzfs/TyVFyMB_OMI/AAAAAAAAJNI/76FlKmA4wvw/s400/I%2527m%2Bthe%2BGirl%2BHe%2BWants%2Bto%2BKill%2B%25281974%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5703041231659940034" style="cursor: pointer; width: 400px; height: 289px; " /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;A knife-wielding killer chases a lone American woman, who a couple of months earlier had witnessed his fleeing from the site of a murder, around a locked-down 12-storey office block, but finds her wits more than a match for his underhanded cunning, in this well-crafted and terribly suspenseful little thriller. Robert Lang, as the killer, in a near enough dialogue-free part, proves particularly menacing. &lt;a href="http://artemisnt.blogspot.com/2011/02/recommended.html" style="text-align: left; "&gt;&lt;b&gt;Recommended&lt;/b&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-1767550555181160636?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/1767550555181160636'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/1767550555181160636'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/01/im-girl-he-wants-to-kill-1974.html' title='I&apos;m the Girl He Wants to Kill (1974)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-iIQFnzsHzfs/TyVFyMB_OMI/AAAAAAAAJNI/76FlKmA4wvw/s72-c/I%2527m%2Bthe%2BGirl%2BHe%2BWants%2Bto%2BKill%2B%25281974%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-8807203275765101834</id><published>2012-01-28T16:50:00.008Z</published><updated>2012-02-25T21:46:47.801Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='2011'/><category scheme='http://www.blogger.com/atom/ns#' term='Hong Sang-soo'/><title type='text'>The Day He Arrives (2011)</title><content type='html'>&lt;div&gt;South Korea&lt;/div&gt;&lt;div&gt;Feature Film | Drama | Korean | 1h19m&lt;/div&gt;&lt;div&gt;&lt;b&gt;Original Title&lt;/b&gt;: 북촌방향 | &lt;b&gt;aka&lt;/b&gt;: Book chon bang hyang&lt;/div&gt;&lt;div&gt;&lt;b&gt;Dir&lt;/b&gt;: Hong Sang-soo | &lt;b&gt;Scr&lt;/b&gt;: Hong Sang-soo | &lt;b&gt;Ph&lt;/b&gt;: Kim Hyung-ku | &lt;b&gt;Prod&lt;/b&gt;: Kim Kyoung-hee | &lt;b&gt;Mus&lt;/b&gt;: Jeong Yong-jin | &lt;b&gt;Ed&lt;/b&gt;: Hahm Sung-won&lt;/div&gt;&lt;div&gt;&lt;b&gt;Cast&lt;/b&gt;:  Yu Jun-sang, Kim Sang-jung, Song Seon-mi, Kim Bo-kyung, Baek Jong-Hak&lt;/div&gt;&lt;div&gt;&lt;a href="http://1.bp.blogspot.com/-VApYRtDXZDM/TyQwu0czXwI/AAAAAAAAJMw/DeQ4GWeIiYg/s1600/The%2BDay%2BHe%2BArrives%2B%25282011%2529.jpg"&gt;&lt;img src="http://1.bp.blogspot.com/-VApYRtDXZDM/TyQwu0czXwI/AAAAAAAAJMw/DeQ4GWeIiYg/s400/The%2BDay%2BHe%2BArrives%2B%25282011%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5702736609069457154" style="cursor: pointer; width: 400px; height: 266px; " /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;A former film-maker, now working as a teacher in the countryside, goes to Seoul unannounced to visit an old friend, and spends his time there drinking, flirting, smoking, and recriminating, in Hong’s unconventionally structured, yet witty and touching, (existential) slice-of-life drama. The performances are all excellent, with Yu’s central turn proving particularly affecting. However, it is the bafflingly unheralded Korean auteur’s dreamily unreliable narrative structure that most sets it apart from other similarly themed works. &lt;b style="text-align: left; "&gt;&lt;a href="http://artemisnt.blogspot.com/2011/02/recommended.html" style="text-align: left; "&gt;Recommended&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-8807203275765101834?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/8807203275765101834'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/8807203275765101834'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/01/day-he-arrives-2011.html' title='The Day He Arrives (2011)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-VApYRtDXZDM/TyQwu0czXwI/AAAAAAAAJMw/DeQ4GWeIiYg/s72-c/The%2BDay%2BHe%2BArrives%2B%25282011%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-8357960891872096509</id><published>2012-01-27T09:18:00.005Z</published><updated>2012-02-25T21:47:00.568Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='John Landis'/><category scheme='http://www.blogger.com/atom/ns#' term='1981'/><title type='text'>An American Werewolf in London (1981)</title><content type='html'>&lt;div&gt;UK/USA&lt;/div&gt;&lt;div&gt;Feature Film | Horror-Comedy | English | 1h37m&lt;/div&gt;&lt;div&gt;&lt;b&gt;Dir&lt;/b&gt;: John Landis | &lt;b&gt;Scr&lt;/b&gt;: John Landis | &lt;b&gt;Ph&lt;/b&gt;: Robert Paynter | &lt;b&gt;Prod&lt;/b&gt;: George Folsey Jr. | &lt;b&gt;Mus&lt;/b&gt;: Elmer Bernstein | &lt;b&gt;Ed&lt;/b&gt;: Malcolm Campbell | &lt;b&gt;PD&lt;/b&gt;: Leslie Dilley | &lt;b&gt;AD&lt;/b&gt;: Leslie Dilley&lt;/div&gt;&lt;div&gt;&lt;b&gt;Cast&lt;/b&gt;: David Naughton, Jenny Agutter, Griffin Dunne, John Woodvine, Lila Kaye, David Schofield, Brian Glover, Don McKillop, Paul Kember&lt;/div&gt;&lt;div&gt;&lt;a href="http://1.bp.blogspot.com/-7IztukJUF1s/TyJw0C8w1gI/AAAAAAAAJMk/9NeWRZv7qYA/s1600/An%2BAmerican%2BWerewolf%2Bin%2BLondon%2B%25281981%2529.jpg"&gt;&lt;img src="http://1.bp.blogspot.com/-7IztukJUF1s/TyJw0C8w1gI/AAAAAAAAJMk/9NeWRZv7qYA/s400/An%2BAmerican%2BWerewolf%2Bin%2BLondon%2B%25281981%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5702244117651707394" style="cursor: pointer; width: 400px; height: 267px; " /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;In Landis’s hugely entertaining horror-comedy, an American tourist manages to survive a werewolf attack in the Yorkshire Moors, an attack that killed his best friend, but soon finds his life beset with terrifyingly violent nightmares and ghoulish visions. However, none of which gets in the way of him sparking up a steamy relationship with his comely young nurse. The next full moon, on the other hand… With winning performances, excellent effects and make-up work, delightful use of moonful music, and one of the best endings that you’re ever likely to see, &lt;i&gt;An American Werewolf in London&lt;/i&gt; manages to find just the right balance between horror, comedy, and romance. &lt;a href="http://artemisnt.blogspot.com/2011/02/recommended.html" style="text-align: left; "&gt;Recommended&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-8357960891872096509?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/8357960891872096509'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/8357960891872096509'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/01/american-werewolf-in-london-1981.html' title='An American Werewolf in London (1981)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-7IztukJUF1s/TyJw0C8w1gI/AAAAAAAAJMk/9NeWRZv7qYA/s72-c/An%2BAmerican%2BWerewolf%2Bin%2BLondon%2B%25281981%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-4860125782988175584</id><published>2012-01-26T20:42:00.004Z</published><updated>2012-02-25T21:47:24.155Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='1969'/><category scheme='http://www.blogger.com/atom/ns#' term='David Greene'/><title type='text'>I Start Counting (1969)</title><content type='html'>&lt;div&gt;UK&lt;/div&gt;&lt;div&gt;Feature Film | Thriller | English | 1h45m&lt;/div&gt;&lt;div&gt;&lt;b&gt;Dir&lt;/b&gt;: David Greene | &lt;b&gt;Scr&lt;/b&gt;: Richard Harris | &lt;b&gt;Novel&lt;/b&gt;: Audrey Erskine-Lindop | &lt;b&gt;Ph&lt;/b&gt;: Alex Thomson | &lt;b&gt;Prod&lt;/b&gt;: David Greene &amp;amp; Stanley R. Jaffe | &lt;b&gt;Mus&lt;/b&gt;: Basil Kirchin, Jack Nathan, &amp;amp; John A. Coleman | &lt;b&gt;Ed&lt;/b&gt;: Keith Palmer | &lt;b&gt;PD&lt;/b&gt;: Brian Eatwell | &lt;b&gt;AD&lt;/b&gt;: Arnold Chapkis&lt;/div&gt;&lt;div&gt;&lt;b&gt;Cast&lt;/b&gt;: Jenny Agutter, Bryan Marshall, Clare Sutcliffe, Simon Ward, Gregory Phillips, Lana Morris, Billy Russell, Madge Ryan&lt;/div&gt;&lt;div&gt;&lt;a href="http://1.bp.blogspot.com/-v7vJOX6FfL0/TyHA1sJrc6I/AAAAAAAAJMY/KhIiUrhqEl8/s1600/I%2BStart%2BCounting%2B%25281969%2529.JPG"&gt;&lt;img src="http://1.bp.blogspot.com/-v7vJOX6FfL0/TyHA1sJrc6I/AAAAAAAAJMY/KhIiUrhqEl8/s400/I%2BStart%2BCounting%2B%25281969%2529.JPG" border="0" alt="" id="BLOGGER_PHOTO_ID_5702050631845114786" style="cursor: pointer; width: 400px; height: 261px; " /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;A 14-year-old catholic girl’s romantic infatuation with her 32-year-old adoptive brother perversely fails to dampen when she comes to believe that he may be a local serial killer, in Greene’s idiosyncratic, unpredictable, and strangely affecting thriller. The performances are generally good, with Agutter’s, despite her inappropriately clipped accent, being the pick of the bunch. The disquietingly and incongruously cheery music also adds to the film’s distinctive tone. &lt;a href="http://artemisnt.blogspot.com/2011/02/recommended.html" style="text-align: left; "&gt;&lt;b&gt;Recommended&lt;/b&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-4860125782988175584?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/4860125782988175584'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/4860125782988175584'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/01/i-start-counting-1969.html' title='I Start Counting (1969)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-v7vJOX6FfL0/TyHA1sJrc6I/AAAAAAAAJMY/KhIiUrhqEl8/s72-c/I%2BStart%2BCounting%2B%25281969%2529.JPG' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-8446091366876660247</id><published>2012-01-26T17:19:00.007Z</published><updated>2012-02-25T21:47:43.448Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='1974'/><category scheme='http://www.blogger.com/atom/ns#' term='John Sichel'/><category scheme='http://www.blogger.com/atom/ns#' term='thriller73'/><category scheme='http://www.blogger.com/atom/ns#' term='Terence Feely'/><title type='text'>Kiss Me and Die (1974)</title><content type='html'>&lt;div&gt;UK&lt;/div&gt;&lt;div&gt;Television Play | Mystery-Thriller | English | 1h4m&lt;/div&gt;&lt;div&gt;&lt;b&gt;Series/Strand Title&lt;/b&gt;: &lt;a href="http://artemisnt.blogspot.com/search/label/thriller73"&gt;Thriller (1973-1976)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;aka&lt;/b&gt;: The Savage Curse&lt;/div&gt;&lt;div&gt;&lt;b&gt;Dir&lt;/b&gt;: John Sichel | &lt;b&gt;Scr&lt;/b&gt;: Terence Feely | &lt;b&gt;Story&lt;/b&gt;: Brian Clemens | &lt;b&gt;Prod&lt;/b&gt;: John Sichel | &lt;b&gt;Mus&lt;/b&gt;: Laurie Johnson | &lt;b&gt;PD&lt;/b&gt;: Michael Eve &lt;/div&gt;&lt;div&gt;&lt;b&gt;Cast&lt;/b&gt;: Jenny Agutter, George Chakiris, Anton Diffring, John Sharpe, Stephen Greif, Russell Hunter, Peggy Sinclair&lt;/div&gt;&lt;div&gt;&lt;a href="http://2.bp.blogspot.com/--L0aV3jDF_U/TyGSXue4bZI/AAAAAAAAJMM/SPpODOb8yH8/s1600/Kiss%2BMe%2Band%2BDie%2B%25281974%2529.JPG"&gt;&lt;img src="http://2.bp.blogspot.com/--L0aV3jDF_U/TyGSXue4bZI/AAAAAAAAJMM/SPpODOb8yH8/s400/Kiss%2BMe%2Band%2BDie%2B%25281974%2529.JPG" border="0" alt="" id="BLOGGER_PHOTO_ID_5701999539539963282" style="cursor: pointer; width: 400px; height: 308px; " /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;An American private detective comes to a small English village in search of his brother, who disappeared there not long after arriving two months earlier, and falls for the same woman that he did, in this vaguely predictable, though strangely compelling, Edgar Allan Poe-inspired mystery-thriller. The performances are generally good, with Russell Hunter’s perma-drunk poacher being particularly noteworthy, but the production values are somewhat lacking and prove rather distracting at times, particularly during the action-packed finale. Entertaining, never the less. &lt;a href="http://artemisnt.blogspot.com/2011/02/worth-watch.html" style="text-align: left; "&gt;&lt;b&gt;Worth a Watch&lt;/b&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-8446091366876660247?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/8446091366876660247'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/8446091366876660247'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/01/kiss-me-and-die-1974.html' title='Kiss Me and Die (1974)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/--L0aV3jDF_U/TyGSXue4bZI/AAAAAAAAJMM/SPpODOb8yH8/s72-c/Kiss%2BMe%2Band%2BDie%2B%25281974%2529.JPG' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-2808771997937944866</id><published>2012-01-26T09:42:00.006Z</published><updated>2012-02-27T11:07:20.837Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Eric Rohmer'/><category scheme='http://www.blogger.com/atom/ns#' term='1998'/><title type='text'>An Autumn Tale (1998)</title><content type='html'>&lt;div style="font-weight: normal; "&gt;France&lt;/div&gt;&lt;div style="font-weight: normal; "&gt;Feature Film | Romantic Drama | French | length&lt;/div&gt;&lt;div style="font-weight: normal; "&gt;&lt;b&gt;Original Title&lt;/b&gt;: Eric Rohmer: Contes des quatre saisons – Conte d'automne&lt;/div&gt;&lt;div style="font-weight: normal; "&gt;&lt;b&gt;Dir&lt;/b&gt;: Eric Rohmer | &lt;b&gt;Scr&lt;/b&gt;: Eric Rohmer | &lt;b&gt;Ph&lt;/b&gt;: Diane Baratier | &lt;b&gt;Prod&lt;/b&gt;: Françoise Etchegaray | &lt;b&gt;Mus&lt;/b&gt;: Claude Marti, Gérard Pansanel, Pierre Peyras, &amp;amp; Antonello Salis | &lt;b&gt;Ed&lt;/b&gt;: Mary Stephen&lt;/div&gt;&lt;div style="font-weight: normal; "&gt;&lt;b&gt;Cast&lt;/b&gt;: Marie Rivière, Béatrice Romand, Alain Libolt, Didier Sandre, Alexia Portal, Stéphane Darmon, Aurélia Alcaïs&lt;/div&gt;&lt;div style="font-weight: normal; "&gt;&lt;a href="http://2.bp.blogspot.com/-tFJCjdGZELg/TyEqya0NNcI/AAAAAAAAJMA/4QAzdn5tQz4/s1600/An%2BAutumn%2BTale%2B%25281998%2529.jpeg"&gt;&lt;img src="http://2.bp.blogspot.com/-tFJCjdGZELg/TyEqya0NNcI/AAAAAAAAJMA/4QAzdn5tQz4/s400/An%2BAutumn%2BTale%2B%25281998%2529.jpeg" border="0" alt="" id="BLOGGER_PHOTO_ID_5701885648907875778" style="cursor: pointer; width: 400px; height: 300px; " /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify; "&gt;An increasingly lonely 45-year-old widowed vineyard owner finds her love life being meddled with by both her best friend and her son’s girlfriend, who look to set her up with two markedly different men, in Rohmer’s oft sublime, though never entirely convincing, relationship drama. The pacing, photography, and dialogue are all rather seductive, but some of the characterisations feel a little off. Charming, never the less. &lt;a href="http://artemisnt.blogspot.com/2011/02/recommended.html" style="text-align: left; "&gt;&lt;b&gt;Recommended&lt;/b&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-2808771997937944866?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/2808771997937944866'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/2808771997937944866'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/01/autumn-tale-1998.html' title='An Autumn Tale (1998)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-tFJCjdGZELg/TyEqya0NNcI/AAAAAAAAJMA/4QAzdn5tQz4/s72-c/An%2BAutumn%2BTale%2B%25281998%2529.jpeg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-894147011987513848</id><published>2012-01-25T18:44:00.009Z</published><updated>2012-02-25T21:48:15.299Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Theo Angelopoulos'/><category scheme='http://www.blogger.com/atom/ns#' term='1998'/><title type='text'>Eternity and a Day (1998)</title><content type='html'>&lt;div&gt;Greece/Germany/France/Italy&lt;/div&gt;&lt;div&gt;Feature Film | Drama | Greek | 2h17m&lt;/div&gt;&lt;div&gt;&lt;b&gt;Original Title&lt;/b&gt;: Μια αιωνιότητα και μια μέρα&lt;/div&gt;&lt;div&gt;&lt;b&gt;aka&lt;/b&gt;: Mia aioniotita kai mia mera&lt;/div&gt;&lt;div&gt;&lt;b&gt;Dir&lt;/b&gt;: Theo Angelopoulos | &lt;b&gt;Scr&lt;/b&gt;: Theo Angelopoulos, Tonino Guerra, &amp;amp; Petros Markaris | &lt;b&gt;Ph&lt;/b&gt;: Giorgos Arvanitis &amp;amp; Andreas Sinanos | &lt;b&gt;Prod&lt;/b&gt;: Theo Angelopoulos, Eric Heumann, Amedeo Pagani, &amp;amp; Giorgio Silvagni | &lt;b&gt;Mus&lt;/b&gt;: Eleni Karaindrou | &lt;b&gt;Ed&lt;/b&gt;: Yannis Tsitsopoulos&lt;/div&gt;&lt;div&gt;&lt;b&gt;Cast&lt;/b&gt;: Bruno Ganz, Isabelle Renauld, Fabrizio Bentivoglio, Achileas Skevis, Alexandra Ladikou, Despina Bebedelli, Eleni Gerasimidou, Iris Chatziantoniou, Nikos Kouros, Alekos Oudinotis, Nikos Kolovos&lt;/div&gt;&lt;div&gt;&lt;a href="http://4.bp.blogspot.com/-G7qbrFMUeLk/TyBTX8Ra6fI/AAAAAAAAJL0/mttPz6yPQMM/s1600/Eternity%2Band%2Ba%2BDay%2B%25281998%2529.jpg"&gt;&lt;img src="http://4.bp.blogspot.com/-G7qbrFMUeLk/TyBTX8Ra6fI/AAAAAAAAJL0/mttPz6yPQMM/s400/Eternity%2Band%2Ba%2BDay%2B%25281998%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5701648799032338930" style="cursor: pointer; width: 400px; height: 245px; " /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;In the company of a seemingly-destined-for-tragedy Albanian street kid, a terminally ill poet spends his last day wallowing in the memories of moments and episodes from his past, in Angelopoulos’s terribly sad, yet achingly beautiful, examination of a life coming to an end. Composed of long, slow, elegant pans, zooms, and tracking shots, the film quietly casts the viewer under its melancholically alluring spell. Tremendously affecting. &lt;a href="http://artemisnt.blogspot.com/2011/02/essential-viewing.html" style="text-align: left; "&gt;&lt;b&gt;Essential Viewing&lt;/b&gt;&lt;br /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-894147011987513848?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/894147011987513848'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/894147011987513848'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/01/eternity-and-day-1998.html' title='Eternity and a Day (1998)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-G7qbrFMUeLk/TyBTX8Ra6fI/AAAAAAAAJL0/mttPz6yPQMM/s72-c/Eternity%2Band%2Ba%2BDay%2B%25281998%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-4412134622018111419</id><published>2012-01-25T12:02:00.006Z</published><updated>2012-02-25T21:48:29.543Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Pål Sletaune'/><category scheme='http://www.blogger.com/atom/ns#' term='2001'/><title type='text'>Amateurs (2001)</title><content type='html'>&lt;div&gt;Norway&lt;/div&gt;&lt;div&gt;Feature Film | Crime Comedy | Norwegian &amp;amp; Swedish | 1h28m&lt;/div&gt;&lt;div&gt;&lt;b&gt;Original Title&lt;/b&gt;: Amatørene | &lt;b&gt;aka&lt;/b&gt;: You Really Got Me&lt;/div&gt;&lt;div&gt;&lt;b&gt;Dir&lt;/b&gt;: Pål Sletaune | &lt;b&gt;Scr&lt;/b&gt;: Pål Sletaune &amp;amp; Jonny Halberg | &lt;b&gt;Ph&lt;/b&gt;: Kjell Vassdal | &lt;b&gt;Prod&lt;/b&gt;: Turid Øversveen | &lt;b&gt;Mus&lt;/b&gt;: Jørn Christensen | &lt;b&gt;Ed&lt;/b&gt;: Pål Gengenbach | &lt;b&gt;PD&lt;/b&gt;: Karl Júlíusson&lt;/div&gt;&lt;div&gt;&lt;b&gt;Cast&lt;/b&gt;: Robert Skjærstad, Andrine Sæther, Philip Zandén, Trond Høvik, Per Schaaning, Bernhard Ramstad, Bjørn Sundquist, Berit Boman&lt;/div&gt;&lt;div&gt;&lt;a href="http://3.bp.blogspot.com/-evdVoIf76d0/Tx_3Bjy3qLI/AAAAAAAAJLo/iB7P9qSYA_o/s1600/Amateurs%2B%25282001%2529.jpg"&gt;&lt;img src="http://3.bp.blogspot.com/-evdVoIf76d0/Tx_3Bjy3qLI/AAAAAAAAJLo/iB7P9qSYA_o/s400/Amateurs%2B%25282001%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5701547259434870962" style="cursor: pointer; width: 400px; height: 200px; " /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;In Sletaune’s short and not-so-sweet black comedy, a disgruntled drummer arranges for his band’s obnoxious frontman to be kidnapped by a pair of – it turns out – incompetent criminals, in order to pocket the ransom money. However, so incompetent are they that they soon lose the loathsome Swedish headbanger to a rival kidnapper – a bankrupt, put-upon fast-food peddler, who chances upon the victim whilst out in the woods attempting to commit suicide. But will this born loser prove any less incompetent? Generally well crafted, with some good performances, particularly from the excellent Skjærstad, the film proves to be thoroughly entertaining, if somewhat insubstantial. &lt;a href="http://artemisnt.blogspot.com/2011/02/worth-watch.html" style="text-align: left; "&gt;&lt;b&gt;Worth a Watch&lt;/b&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-4412134622018111419?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/4412134622018111419'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/4412134622018111419'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/01/amateurs-2001.html' title='Amateurs (2001)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-evdVoIf76d0/Tx_3Bjy3qLI/AAAAAAAAJLo/iB7P9qSYA_o/s72-c/Amateurs%2B%25282001%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-5918319108214720668</id><published>2012-01-25T11:33:00.004Z</published><updated>2012-02-25T21:48:43.156Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='2011'/><category scheme='http://www.blogger.com/atom/ns#' term='Alexander Payne'/><title type='text'>The Descendants (2011)</title><content type='html'>&lt;div&gt;USA&lt;/div&gt;&lt;div&gt;Feature Film | Drama | English | 1h55m&lt;/div&gt;&lt;div&gt;&lt;b&gt;Dir&lt;/b&gt;: Alexander Payne | &lt;b&gt;Scr&lt;/b&gt;: Alexander Payne, Nat Faxon, &amp;amp; Jim Rash | &lt;b&gt;Novel&lt;/b&gt;: Kaui Hart Hemmings | &lt;b&gt;Ph&lt;/b&gt;: Phedon Papamichael | &lt;b&gt;Prod&lt;/b&gt;: Jim Burke, Alexander Payne, &amp;amp; Jim Taylor | &lt;b&gt;Ed&lt;/b&gt;: Kevin Tent | &lt;b&gt;PD&lt;/b&gt;: Jane Ann Stewart | &lt;b&gt;AD&lt;/b&gt;: T.K. Kirkpatrick&lt;/div&gt;&lt;div&gt;&lt;b&gt;Cast&lt;/b&gt;: George Clooney, Shailene Woodley, Amara Miller, Nick Krause, Beau Bridges, Robert Forster, Matthew Lillard, Judy Greer&lt;/div&gt;&lt;div&gt;&lt;a href="http://4.bp.blogspot.com/-HyLiIgqmU0g/Tx_tGV5NpUI/AAAAAAAAJLc/s_PPrWFl6_E/s1600/The%2BDescendants%2B%25282011%2529.jpg"&gt;&lt;img src="http://4.bp.blogspot.com/-HyLiIgqmU0g/Tx_tGV5NpUI/AAAAAAAAJLc/s_PPrWFl6_E/s400/The%2BDescendants%2B%25282011%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5701536346486449474" style="cursor: pointer; width: 400px; height: 219px; " /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;When it becomes evident that his wife is not going to awaken from her coma, a Hawaiian lawyer, in the middle of a potentially lucrative land deal, with his two daughters in tow, attempts to deal with her imminent death, whilst also endeavouring to find the man with whom she had been having an affair, in Payne’s engrossing, but never entirely convincing, family drama. Woodley does well as the eldest daughter, but Clooney’s turn lacks the gentle melancholy with which he had previously infused so many of his better performances, and which would surely have benefitted this film immensely. &lt;a href="http://artemisnt.blogspot.com/2011/02/worth-watch.html" style="text-align: left; "&gt;&lt;b&gt;Worth a Watch&lt;/b&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-5918319108214720668?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/5918319108214720668'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/5918319108214720668'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/01/descendants-2011.html' title='The Descendants (2011)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-HyLiIgqmU0g/Tx_tGV5NpUI/AAAAAAAAJLc/s_PPrWFl6_E/s72-c/The%2BDescendants%2B%25282011%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-547986996784727915</id><published>2012-01-24T19:00:00.004Z</published><updated>2012-02-25T21:48:55.322Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='1945'/><category scheme='http://www.blogger.com/atom/ns#' term='David Lean'/><title type='text'>Blithe Spirit (1945)</title><content type='html'>&lt;div&gt;UK&lt;/div&gt;&lt;div&gt;Feature Film | Supernatural Comedy | English | 1h36m&lt;/div&gt;&lt;div&gt;&lt;b&gt;Dir&lt;/b&gt;: David Lean | &lt;b&gt;Scr&lt;/b&gt;: Noel Coward, Anthony Havelock-Allan, David Lean, &amp;amp; Ronald Neame | &lt;b&gt;Playlet&lt;/b&gt;: Noel Coward | &lt;b&gt;Ph&lt;/b&gt;: Ronald Neame | &lt;b&gt;Prod&lt;/b&gt;: Noel Coward | &lt;b&gt;Mus&lt;/b&gt;: Richard Addinsell | &lt;b&gt;Ed&lt;/b&gt;: Jack Harris | &lt;b&gt;AD&lt;/b&gt;: C.P. Norman&lt;/div&gt;&lt;div&gt;&lt;b&gt;Cast&lt;/b&gt;: Rex Harrison, Constance Cummings, Kay Hammond, Margaret Rutherford, Hugh Wakefield, Joyce Carey, Jacqueline Clarke&lt;/div&gt;&lt;div&gt;&lt;a href="http://2.bp.blogspot.com/-i8c1vn8zkdc/Tx8E06AJVqI/AAAAAAAAJLQ/GdJzpQbqGus/s1600/Blithe%2BSpirit%2B%25281945%2529.jpg"&gt;&lt;img src="http://2.bp.blogspot.com/-i8c1vn8zkdc/Tx8E06AJVqI/AAAAAAAAJLQ/GdJzpQbqGus/s400/Blithe%2BSpirit%2B%25281945%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5701280960243914402" style="cursor: pointer; width: 400px; height: 300px; " /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;When a novelist arranges a séance with a seemingly batty old woman as research for his next book, little does he expect that the ghost of his first wife – much to the chagrin of his second one – will take the opportunity to return to their marital home and cause untold problems, in Lean’s hilarious, frequently insightful, and generally thoroughly entertaining adaptation of Coward’s playlet. The great playwright’s peerlessly pithy and risqué dialogue, wonderfully brought to life by the excellent cast, proves delightful, driving the film towards its pleasingly inevitable conclusion. &lt;a href="http://artemisnt.blogspot.com/2011/02/recommended.html" style="text-align: left; "&gt;&lt;b&gt;Recommended&lt;/b&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-547986996784727915?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/547986996784727915'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/547986996784727915'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/01/blithe-spirit-1945.html' title='Blithe Spirit (1945)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-i8c1vn8zkdc/Tx8E06AJVqI/AAAAAAAAJLQ/GdJzpQbqGus/s72-c/Blithe%2BSpirit%2B%25281945%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-7051861940345993819</id><published>2012-01-24T13:37:00.004Z</published><updated>2012-02-25T21:49:07.173Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='1957'/><category scheme='http://www.blogger.com/atom/ns#' term='John Huston'/><title type='text'>Heaven Knows, Mr. Allison (1957)</title><content type='html'>&lt;div&gt;USA&lt;/div&gt;&lt;div&gt;Feature Film | War Drama | English &amp;amp; Japanese | 1h48m&lt;/div&gt;&lt;div&gt;&lt;b&gt;Dir&lt;/b&gt;: John Huston | &lt;b&gt;Scr&lt;/b&gt;: John Lee Mahin &amp;amp; John Huston | &lt;b&gt;Novel&lt;/b&gt;: Charles Shaw | &lt;b&gt;Ph&lt;/b&gt;: Oswald Morris | &lt;b&gt;Prod&lt;/b&gt;: Buddy Adler &amp;amp; Eugene Frenke | &lt;b&gt;Mus&lt;/b&gt;: Georges Auric | &lt;b&gt;Ed&lt;/b&gt;: Russell Lloyd | &lt;b&gt;AD&lt;/b&gt;: Stephen Grimes&lt;/div&gt;&lt;div&gt;&lt;b&gt;Cast&lt;/b&gt;: Deborah Kerr, Robert Mitchum&lt;/div&gt;&lt;div&gt;&lt;a href="http://3.bp.blogspot.com/--SNYChDx5_Y/Tx65ntGM8tI/AAAAAAAAJLE/D8HklRaMr_w/s1600/Heaven%2BKnows%252C%2BMr.%2BAllison%2B%25281957%2529.jpg"&gt;&lt;img src="http://3.bp.blogspot.com/--SNYChDx5_Y/Tx65ntGM8tI/AAAAAAAAJLE/D8HklRaMr_w/s400/Heaven%2BKnows%252C%2BMr.%2BAllison%2B%25281957%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5701198270069273298" style="cursor: pointer; width: 400px; height: 167px; " /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;A shipwrecked US marine washes ashore a pacific island, and discovers that its only resident is one solitary nun. Out of necessity the two quickly bond, but thoughts of a hazardous raft journey to Fiji are soon dashed when a boatload of Japanese soldiers arrives, putting their immediate safety at risk. Still, despite the circumstances – or perhaps because of them – their relationship surprisingly threatens to develop romantically, in Huston’s entertaining Second World War drama. Kerr and in particular Mitchum in a very physical role both excel. &lt;a href="http://artemisnt.blogspot.com/2011/02/worth-watch.html" style="text-align: left; "&gt;&lt;b&gt;Worth a Watch&lt;/b&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-7051861940345993819?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/7051861940345993819'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/7051861940345993819'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/01/heaven-knows-mr-allison-1957.html' title='Heaven Knows, Mr. Allison (1957)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/--SNYChDx5_Y/Tx65ntGM8tI/AAAAAAAAJLE/D8HklRaMr_w/s72-c/Heaven%2BKnows%252C%2BMr.%2BAllison%2B%25281957%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-1878402885440118448</id><published>2012-01-24T13:29:00.006Z</published><updated>2012-02-25T21:49:47.090Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Jens Lien'/><category scheme='http://www.blogger.com/atom/ns#' term='2006'/><title type='text'>The Bothersome Man (2006)</title><content type='html'>&lt;div&gt;Norway/Iceland&lt;/div&gt;&lt;div&gt;Feature Film | Comic Fantasy | Norwegian | 1h35m&lt;/div&gt;&lt;div&gt;&lt;b&gt;Original Title&lt;/b&gt;: Den brysomme mannen&lt;/div&gt;&lt;div&gt;&lt;b&gt;Dir&lt;/b&gt;: Jens Lien | &lt;b&gt;Scr&lt;/b&gt;: Per Schreiner | &lt;b&gt;Ph&lt;/b&gt;: John Christian Rosenlund | &lt;b&gt;Prod&lt;/b&gt;: Jørgen Storm Rosenberg | &lt;b&gt;Mus&lt;/b&gt;: Ginge Anvik | &lt;b&gt;Ed&lt;/b&gt;: Vidar Flataukan | &lt;b&gt;PD&lt;/b&gt;: Are Sjaastad&lt;/div&gt;&lt;div&gt;&lt;b&gt;Cast&lt;/b&gt;: Trond Fausa Aurvåg, Petronella Barker, Per Schaaning, Birgitte Larsen, Johannes Joner, Ellen Horn, Anders T. Andersen&lt;/div&gt;&lt;div&gt;&lt;a href="http://1.bp.blogspot.com/-mePeBL7nTNE/Tx6ymAH8LgI/AAAAAAAAJK4/IIhIYrJEScs/s1600/The%2BBothersome%2BMan%2B%25282006%2529.jpg"&gt;&lt;img src="http://1.bp.blogspot.com/-mePeBL7nTNE/Tx6ymAH8LgI/AAAAAAAAJK4/IIhIYrJEScs/s400/The%2BBothersome%2BMan%2B%25282006%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5701190544235703810" style="cursor: pointer; width: 400px; height: 217px; " /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;A man struggles to adjust to his new life in a city filled with blandly tasteless food and blandly tasteful furniture, where everyone seems blandly content with their bland lives, in Lien’s enigmatic, blackly comic gem, in which he declares grey, bland, bourgeois modernity to be literally hell on earth. The deadpan Aurvåg brilliantly brings Schreiner’s thoughtfully bonkers script to life, captured in every possible shade of grey by Rosenlund’s eye-catching photography. &lt;a href="http://artemisnt.blogspot.com/2011/02/recommended.html" style="text-align: left; "&gt;&lt;b&gt;Recommended&lt;/b&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-1878402885440118448?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/1878402885440118448'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/1878402885440118448'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/01/bothersome-man-2006.html' title='The Bothersome Man (2006)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-mePeBL7nTNE/Tx6ymAH8LgI/AAAAAAAAJK4/IIhIYrJEScs/s72-c/The%2BBothersome%2BMan%2B%25282006%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-8962996745003144144</id><published>2012-01-23T20:57:00.005Z</published><updated>2012-02-25T21:50:00.372Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Anthony Asquith'/><category scheme='http://www.blogger.com/atom/ns#' term='1941'/><title type='text'>Cottage to Let (1941)</title><content type='html'>&lt;div&gt;UK&lt;/div&gt;&lt;div&gt;Feature Film | Comedy-Thriller | English | 1h30m&lt;/div&gt;&lt;div&gt;&lt;b&gt;Dir&lt;/b&gt;: Anthony Asquith | &lt;b&gt;Scr&lt;/b&gt;: Anatole de Grunwald &amp;amp; J.O.C. Orton | &lt;b&gt;Play&lt;/b&gt;: Geoffrey Kerr | &lt;b&gt;Ph&lt;/b&gt;: Jack Cox | &lt;b&gt;Prod&lt;/b&gt;: Edward Black | &lt;b&gt;Mus&lt;/b&gt;: Charles Williams | &lt;b&gt;Ed&lt;/b&gt;: R.E. Dearing | &lt;b&gt;AD&lt;/b&gt;: Vetchinsky&lt;/div&gt;&lt;div&gt;&lt;b&gt;Cast&lt;/b&gt;: Leslie Banks, Alastair Sim, John Mills, Jeanne De Casalis, Carla Lehmann, George Cole, Michael Wilding, Frank Cellier, Muriel Aked, Wally Patch&lt;/div&gt;&lt;div&gt;&lt;a href="http://1.bp.blogspot.com/-upcV0TRrDAc/Tx3OAu-jIUI/AAAAAAAAJKs/OWFC3ccVeuQ/s1600/Cottage%2Bto%2BLet%2B%25281941%2529.jpg"&gt;&lt;img src="http://1.bp.blogspot.com/-upcV0TRrDAc/Tx3OAu-jIUI/AAAAAAAAJKs/OWFC3ccVeuQ/s400/Cottage%2Bto%2BLet%2B%25281941%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5700939215326617922" style="cursor: pointer; width: 400px; height: 309px; " /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;A renowned inventor, working on a potentially ground-breaking new bombsight at his overcrowded country cottage, becomes the target of a Nazi spy ring, in Asquith’s amusing, but convoluted, wartime espionage comedy. Quite who did what to whom and why is often hard to ascertain, but a wonderfully assembled cast, the hammiest death scene ever committed to celluloid, and a scene-stealing mini-George Cole ensure that it is never anything less than entertaining. &lt;a href="http://artemisnt.blogspot.com/2011/02/worth-watch.html" style="text-align: left; "&gt;&lt;b&gt;Worth a Watch&lt;/b&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-8962996745003144144?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/8962996745003144144'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/8962996745003144144'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/01/cottage-to-let-1941.html' title='Cottage to Let (1941)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-upcV0TRrDAc/Tx3OAu-jIUI/AAAAAAAAJKs/OWFC3ccVeuQ/s72-c/Cottage%2Bto%2BLet%2B%25281941%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-8893561288832920007</id><published>2012-01-23T19:07:00.006Z</published><updated>2012-02-25T21:50:12.710Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Lothar Mendes'/><category scheme='http://www.blogger.com/atom/ns#' term='1936'/><title type='text'>The Man Who Could Work Miracles (1936)</title><content type='html'>&lt;div&gt;UK&lt;/div&gt;&lt;div&gt;Feature Film | Comic Fantasy | English | 1h22m&lt;/div&gt;&lt;div&gt;&lt;b&gt;Dir&lt;/b&gt;: Lothar Mendes | &lt;b&gt;Scr&lt;/b&gt;: Lajos Biró | &lt;b&gt;Story&lt;/b&gt;: H.G. Wells | &lt;b&gt;Ph&lt;/b&gt;: Harold Rosson | &lt;b&gt;Prod&lt;/b&gt;: Alexander Korda | &lt;b&gt;Mus&lt;/b&gt;: Michael Spolianski | &lt;b&gt;Ed&lt;/b&gt;: Philip Charlot&lt;/div&gt;&lt;div&gt;&lt;b&gt;Cast&lt;/b&gt;: Roland Young, Ralph Richardson, Edward Chapman, Ernest Thesiger, Joan Gardner, Sophie Stewart, Robert Cochran, Wally Patch, George Sanders, Ivan Brandt, Torin Thatcher&lt;/div&gt;&lt;div&gt;&lt;a href="http://2.bp.blogspot.com/-oXySaaVqLk8/Tx22YH52kTI/AAAAAAAAJKg/j76dvimVe0I/s1600/The%2BMan%2BWho%2BCould%2BWork%2BMiracles%2B%25281936%2529.png"&gt;&lt;img src="http://2.bp.blogspot.com/-oXySaaVqLk8/Tx22YH52kTI/AAAAAAAAJKg/j76dvimVe0I/s400/The%2BMan%2BWho%2BCould%2BWork%2BMiracles%2B%25281936%2529.png" border="0" alt="" id="BLOGGER_PHOTO_ID_5700913228875731250" style="cursor: pointer; width: 400px; height: 300px; " /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;When an ordinary man realises that he can perform miracles – a power gifted to him as part of a heavenly experiment – George McWhirter Fotheringay (Young) takes on board the advice of all and sundry with regards to the problem of how best to use his powers to make the world a better place, but soon finds himself being corrupted by the weight of his burdensome gift, in this oft hilarious, though ultimately only merely diverting, H.G. Wells adaptation. The effects work is good and the dialogue witty, with some well-judged comic performances proving tittersome, but the whole thing feels just that little bit too talky and didactic to fully entertain. &lt;a href="http://artemisnt.blogspot.com/2011/02/worth-watch.html" style="text-align: left; "&gt;&lt;b&gt;Worth a Watch&lt;/b&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-8893561288832920007?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/8893561288832920007'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/8893561288832920007'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/01/man-who-could-work-miracles-1936.html' title='The Man Who Could Work Miracles (1936)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-oXySaaVqLk8/Tx22YH52kTI/AAAAAAAAJKg/j76dvimVe0I/s72-c/The%2BMan%2BWho%2BCould%2BWork%2BMiracles%2B%25281936%2529.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-8021002338695614810</id><published>2012-01-23T09:39:00.004Z</published><updated>2012-02-25T21:50:30.493Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='2010'/><category scheme='http://www.blogger.com/atom/ns#' term='Abe Sylvia'/><title type='text'>Dirty Girl (2010)</title><content type='html'>&lt;div&gt;USA/South Korea/UK&lt;/div&gt;&lt;div&gt;Feature Film | Comedy-Drama | English | 1h30m&lt;/div&gt;&lt;div&gt;&lt;b&gt;Dir&lt;/b&gt;: Abe Sylvia | &lt;b&gt;Scr&lt;/b&gt;: Abe Sylvia | &lt;b&gt;Ph&lt;/b&gt;: Steve Gainer | &lt;b&gt;Prod&lt;/b&gt;: Rachel Cohen, Jana Edelbaum, Rob Paris, &amp;amp; Charles Pugliese | &lt;b&gt;Mus&lt;/b&gt;: Jeff Toyne | &lt;b&gt;Ed&lt;/b&gt;: Jonathan Lucas | &lt;b&gt;PD&lt;/b&gt;: Alan E. Muraoka | &lt;b&gt;AD&lt;/b&gt;: Roni Spitzer&lt;/div&gt;&lt;div&gt;&lt;b&gt;Cast&lt;/b&gt;: Juno Temple, Jeremy Dozier, Milla Jovovich, Mary Steenburgen, Dwight Yoakam, William H. Macy, Nicholas D'Agosto, Pat Healy&lt;/div&gt;&lt;div&gt;&lt;a href="http://4.bp.blogspot.com/-9-du2D6s6Pw/Tx0vwJsoRbI/AAAAAAAAJKI/AWxE37QoJWM/s1600/Dirty%2BGirl%2B%25282010%2529.jpg"&gt;&lt;img src="http://4.bp.blogspot.com/-9-du2D6s6Pw/Tx0vwJsoRbI/AAAAAAAAJKI/AWxE37QoJWM/s400/Dirty%2BGirl%2B%25282010%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5700765207604250034" style="cursor: pointer; width: 400px; height: 169px; " /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;An aggressively sexual teenaged girl and an overweight, deeply unpopular male classmate strike up an unlikely friendship and take off on a road trip to California – she, not so keen on the idea of becoming a Mormon like her soon-to-be stepdad, does so in search of her biological father, and he, under the threat of being sent to military school, does so to avoid his own homophobic one, in Sylvia’s sporadically entertaining feature debut. The well-assembled cast does reasonably well with the material, and there are one or two inspired moments along the way, but the film never really manages to find an adequate balance between comedy and drama. &lt;a href="http://artemisnt.blogspot.com/2011/02/worth-watch.html" style="text-align: left; "&gt;&lt;b&gt;Worth a Watch&lt;/b&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-8021002338695614810?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/8021002338695614810'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/8021002338695614810'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/01/dirty-girl-2010.html' title='Dirty Girl (2010)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-9-du2D6s6Pw/Tx0vwJsoRbI/AAAAAAAAJKI/AWxE37QoJWM/s72-c/Dirty%2BGirl%2B%25282010%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-7796841717422762023</id><published>2012-01-18T09:50:00.008Z</published><updated>2012-02-25T21:50:44.527Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='1994'/><category scheme='http://www.blogger.com/atom/ns#' term='Michele Soavi'/><title type='text'>Cemetery Man (1994)</title><content type='html'>&lt;div style="font-weight: normal; "&gt;Italy/France&lt;/div&gt;&lt;div style="font-weight: normal; "&gt;Feature Film | Horror Comedy | English | 1h45m&lt;/div&gt;&lt;div style="font-weight: normal; "&gt;&lt;b&gt;Original Title&lt;/b&gt;: Dellamorte Dellamore&lt;/div&gt;&lt;div style="font-weight: normal; "&gt;&lt;b&gt;Dir&lt;/b&gt;: Michele Soavi | &lt;b&gt;Scr&lt;/b&gt;: Giovanni Romoli | &lt;b&gt;Novel&lt;/b&gt;: Tiziano Sclavi | &lt;b&gt;Ph&lt;/b&gt;: Mauro Marchetti | &lt;b&gt;Prod&lt;/b&gt;: Heinz Bibo, Tilde Corsi, Giovanni Romoli, &amp;amp; Michele Soavi | &lt;b&gt;Mus&lt;/b&gt;: Riccardo Biseo &amp;amp; Manuel De Sica | &lt;b&gt;Ed&lt;/b&gt;: Franco Fraticelli | &lt;b&gt;PD&lt;/b&gt;: Massimo Antonello Geleng&lt;/div&gt;&lt;div style="font-weight: normal; "&gt;&lt;b&gt;Cast&lt;/b&gt;: Rupert Everett, François Hadji-Lazaro, Anna Falchi, Mickey Knox, Fabiana Formica, Clive Riche, Katja Anton, Barbara Cupisti, Anton Alexander&lt;/div&gt;&lt;div style="font-weight: normal; "&gt;&lt;a href="http://2.bp.blogspot.com/-G_ktA1it4Vc/TxacEDQxJ-I/AAAAAAAAIas/Drh4QtAlvmU/s1600/Cemetery%2BMan%2B%25281994%2529.jpg"&gt;&lt;img src="http://2.bp.blogspot.com/-G_ktA1it4Vc/TxacEDQxJ-I/AAAAAAAAIas/Drh4QtAlvmU/s400/Cemetery%2BMan%2B%25281994%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5698913971892987874" style="cursor: pointer; width: 400px; height: 268px; " /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="font-weight: normal; text-align: justify; "&gt;A cemetery caretaker, who nightly does battle with zombies rising from the grave, falls instantly in love with, and becomes obsessed by, a beautiful young widow (and her two doppelgängers), but soon finds his life spiralling out of control, in Soavi’s strange, but hugely entertaining, existential rom-zom-com. Though the film is decidedly imperfect, its disquieting, dream-like tone, hugely unpredictable plotting, and oddly thoughtful subtext more than compensate for any of its rough edges. &lt;b style="text-align: left; "&gt;&lt;a href="http://artemisnt.blogspot.com/2011/02/recommended.html" style="text-align: left; "&gt;Recommended&lt;br /&gt;&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-7796841717422762023?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/7796841717422762023'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/7796841717422762023'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/01/cemetery-man-1994.html' title='Cemetery Man (1994)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-G_ktA1it4Vc/TxacEDQxJ-I/AAAAAAAAIas/Drh4QtAlvmU/s72-c/Cemetery%2BMan%2B%25281994%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-2364869225151543570</id><published>2012-01-18T09:13:00.009Z</published><updated>2012-02-25T21:50:56.989Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='2011'/><category scheme='http://www.blogger.com/atom/ns#' term='Pedro Almodóvar'/><title type='text'>The Skin I Live In (2011)</title><content type='html'>&lt;div&gt;Spain&lt;/div&gt;&lt;div&gt;Feature Film | Thriller | Spanish | 1h57m&lt;/div&gt;&lt;div&gt;&lt;b&gt;Original Title&lt;/b&gt;: La piel que habito&lt;/div&gt;&lt;div&gt;&lt;b&gt;Dir&lt;/b&gt;: Pedro Almodóvar | &lt;b&gt;Scr&lt;/b&gt;: Pedro Almodóvar | &lt;b&gt;Novel&lt;/b&gt;: Thierry Jonquet | &lt;b&gt;Ph&lt;/b&gt;: José Luis Alcaine | &lt;b&gt;Prod&lt;/b&gt;: Agustín Almodóvar &amp;amp; Esther García | &lt;b&gt;Mus&lt;/b&gt;: Alberto Iglesias | &lt;b&gt;Ed&lt;/b&gt;: José Salcedo | &lt;b&gt;PD&lt;/b&gt;: Antxón Gómez | &lt;b&gt;AD&lt;/b&gt;: Carlos Bodelón&lt;/div&gt;&lt;div&gt;&lt;b&gt;Cast&lt;/b&gt;: Antonio Banderas, Elena Anaya, Marisa Paredes, Jan Cornet, Roberto Álamo, Eduard Fernández, José Luis Gómez, Blanca Suárez, Susi Sánchez, Bárbara Lennie&lt;/div&gt;&lt;div&gt;&lt;a href="http://3.bp.blogspot.com/-50p6M7RZLB0/TxaUW7u_3nI/AAAAAAAAIag/pypP50VsHwM/s1600/The%2BSkin%2BI%2BLive%2BIn%2B%25282011%2529.jpg"&gt;&lt;img src="http://3.bp.blogspot.com/-50p6M7RZLB0/TxaUW7u_3nI/AAAAAAAAIag/pypP50VsHwM/s400/The%2BSkin%2BI%2BLive%2BIn%2B%25282011%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5698905500196789874" style="cursor: pointer; width: 400px; height: 201px; " /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Following the tragic deaths of his wife and daughter, an unstable plastic surgeon finds himself driven to create fire-proof human skin, using swine DNA. However, with this kind of research being frowned upon by the medical community, he conducts his experiments in secret, using a human guinea pig for his trials – though, crucially, not a particularly willing one. Though beautifully crafted and impeccably performed, Almodóvar’s latest proves too reliant upon narrative twists to fully engage the viewer, and as a consequence lacks the emotional power of his best work. Hugely entertaining, never the less. &lt;b style="text-align: left; "&gt;&lt;a href="http://artemisnt.blogspot.com/2011/02/recommended.html" style="text-align: left; "&gt;Recommended&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-2364869225151543570?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/2364869225151543570'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/2364869225151543570'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/01/skin-i-live-in-2011.html' title='The Skin I Live In (2011)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-50p6M7RZLB0/TxaUW7u_3nI/AAAAAAAAIag/pypP50VsHwM/s72-c/The%2BSkin%2BI%2BLive%2BIn%2B%25282011%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-5176177874373823378</id><published>2012-01-17T11:58:00.011Z</published><updated>2012-02-25T21:51:10.143Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='2011'/><category scheme='http://www.blogger.com/atom/ns#' term='Nicolas Winding Refn'/><title type='text'>Drive (2011)</title><content type='html'>&lt;div&gt;USA&lt;/div&gt;&lt;div&gt;Feature Film | Thriller | English | 1h40m&lt;/div&gt;&lt;div&gt;&lt;b&gt;Dir&lt;/b&gt;: Nicolas Winding Refn | &lt;b&gt;Scr&lt;/b&gt;: Hossein Amini | &lt;b&gt;Novel&lt;/b&gt;: James Sallis | &lt;b&gt;Ph&lt;/b&gt;: Newton Thomas Sigel | &lt;b&gt;Prod&lt;/b&gt;: Michel Litvak, John Palermo, Marc Platt, Gigi Pritzker, &amp;amp; Adam Siegel | &lt;b&gt;Mus&lt;/b&gt;: Cliff Martinez | &lt;b&gt;Ed&lt;/b&gt;: Mat Newman | &lt;b&gt;PD&lt;/b&gt;: Beth Mickle | &lt;b&gt;AD&lt;/b&gt;: Christopher Tandon&lt;/div&gt;&lt;div&gt;&lt;b&gt;Cast&lt;/b&gt;: Ryan Gosling, Carey Mulligan, Bryan Cranston, Albert Brooks, Oscar Isaac, Christina Hendricks, Ron Perlman&lt;/div&gt;&lt;div&gt;&lt;a href="http://1.bp.blogspot.com/--Vc7bgQaMhM/TxVngMqB5ZI/AAAAAAAAIaU/81ouRJlOpvY/s1600/Drive%2B%25282011%2529.jpg"&gt;&lt;img src="http://1.bp.blogspot.com/--Vc7bgQaMhM/TxVngMqB5ZI/AAAAAAAAIaU/81ouRJlOpvY/s400/Drive%2B%25282011%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5698574706358216082" style="cursor: pointer; width: 400px; height: 173px; " /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;A taciturn driver of the stunt, racing, and getaway varieties gets himself mixed up in a deadly battle with local gangsters, when his affection for his pretty neighbour and her young son clouds his usually coldly clinical judgement, in Winding Refn’s sickeningly violent, yet strangely tender, existential thriller. Stylishly shot and enigmatically performed, the film grips with a visceral, yet thoughtful, power throughout. &lt;b style="text-align: left; "&gt;&lt;a href="http://artemisnt.blogspot.com/2011/02/recommended.html" style="text-align: left; "&gt;Recommended&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-5176177874373823378?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/5176177874373823378'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/5176177874373823378'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/01/drive-2011.html' title='Drive (2011)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/--Vc7bgQaMhM/TxVngMqB5ZI/AAAAAAAAIaU/81ouRJlOpvY/s72-c/Drive%2B%25282011%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-8672960842652693412</id><published>2012-01-16T19:29:00.007Z</published><updated>2012-02-25T21:51:22.056Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='2011'/><category scheme='http://www.blogger.com/atom/ns#' term='Joe Wright'/><title type='text'>Hanna (2011)</title><content type='html'>&lt;div&gt;USA/Germany&lt;/div&gt;&lt;div&gt;Feature Film | Thriller | English (plus a smattering of others) | 1h51m&lt;/div&gt;&lt;div&gt;&lt;b&gt;Dir&lt;/b&gt;: Joe Wright | &lt;b&gt;Scr&lt;/b&gt;: Seth Lochhead &amp;amp; David Farr | &lt;b&gt;Story&lt;/b&gt;: Seth Lochhead | &lt;b&gt;Ph&lt;/b&gt;: Alwin Küchler | &lt;b&gt;Prod&lt;/b&gt;: Marty Adelstein, Leslie Holleran, &amp;amp; Scott Nemes | &lt;b&gt;Mus&lt;/b&gt;: The Chemical Brothers | &lt;b&gt;Ed&lt;/b&gt;: Paul Tothill | &lt;b&gt;PD&lt;/b&gt;: Sarah Greenwood | &lt;b&gt;AD&lt;/b&gt;: Niall Moroney&lt;/div&gt;&lt;div&gt;Cast: Saoirse Ronan, Eric Bana, Cate Blanchett, Tom Hollander, Jessica Barden, Olivia Williams, Jason Flemyng, Martin Wuttke&lt;/div&gt;&lt;div&gt;&lt;a href="http://4.bp.blogspot.com/-8oLmLt4djnE/TxSBgZNIh7I/AAAAAAAAIaI/6pGoCeXBFeg/s1600/Hanna%2B%25282011%2529.png"&gt;&lt;img src="http://4.bp.blogspot.com/-8oLmLt4djnE/TxSBgZNIh7I/AAAAAAAAIaI/6pGoCeXBFeg/s400/Hanna%2B%25282011%2529.png" border="0" alt="" id="BLOGGER_PHOTO_ID_5698321822052288434" style="cursor: pointer; width: 400px; height: 174px; " /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;A young girl, raised in isolation to be a killer, slays the woman that she believes to be responsible for the assassination of her mother, and consequently makes her way back to Germany to reconvene with her father, little knowing that the real killer is still at large and in hot pursuit, in Wright’s vaguely ridiculous, but completely absorbing, revenge thriller. The remarkable performance of Ronan as the young girl drives the film and gives it some gravitas, whilst also subsuming, disguising, and making palatable much of the flashness and silliness that surrounds it. &lt;b style="text-align: left; "&gt;&lt;a href="http://artemisnt.blogspot.com/2011/02/recommended.html" style="text-align: left; "&gt;Recommended&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-8672960842652693412?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/8672960842652693412'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/8672960842652693412'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/01/hanna-2011.html' title='Hanna (2011)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-8oLmLt4djnE/TxSBgZNIh7I/AAAAAAAAIaI/6pGoCeXBFeg/s72-c/Hanna%2B%25282011%2529.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-7989969834210408398</id><published>2012-01-16T13:47:00.013Z</published><updated>2012-02-25T21:51:33.396Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='2010'/><category scheme='http://www.blogger.com/atom/ns#' term='Darren Aronofsky'/><title type='text'>Black Swan (2010)</title><content type='html'>&lt;div&gt;USA&lt;/div&gt;&lt;div&gt;Feature Film | Horror | English | 1h48m&lt;/div&gt;&lt;div&gt;&lt;b&gt;Dir&lt;/b&gt;: Darren Aronofsky | &lt;b&gt;Scr&lt;/b&gt;: Mark Heyman, Andrés Heinz, &amp;amp; John McLaughlin | &lt;b&gt;Story&lt;/b&gt;: Andrés Heinz | &lt;b&gt;Ph&lt;/b&gt;: Matthew Libatique | &lt;b&gt;Prod&lt;/b&gt;: Scott Franklin, Mike Medavoy, Arnold W. Messer, &amp;amp; Brian Oliver | &lt;b&gt;Mus&lt;/b&gt;: Clint Mansell | &lt;b&gt;Ed&lt;/b&gt;: Andrew Weisblum | &lt;b&gt;PD&lt;/b&gt;: Thérèse DePrez | &lt;b&gt;AD&lt;/b&gt;: David Stein&lt;/div&gt;&lt;div&gt;&lt;b&gt;Cast&lt;/b&gt;: Natalie Portman, Mila Kunis, Vincent Cassel, Barbara Hershey, Winona Ryder, Benjamin Millepied&lt;/div&gt;&lt;div&gt;&lt;a href="http://1.bp.blogspot.com/_SPYL8UC1UCY/TUqX6DjgKbI/AAAAAAAAE6E/4b201BQYaOc/s1600/Black%2BSwan%2B%25282010%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://1.bp.blogspot.com/_SPYL8UC1UCY/TUqX6DjgKbI/AAAAAAAAE6E/4b201BQYaOc/s400/Black%2BSwan%2B%25282010%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5569430912839461298" style="cursor: pointer; width: 400px; height: 240px; " /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;A hardworking if somewhat uptight ballerina is cast in the role of the swan queen in her company’s production of Swan Lake, and slowly, as the pressure put on her by her cliché-spouting director and rather negative mother starts to mount, begins to lose touch with reality, in Aronofsky’s visceral, unpredictable, and decidedly horrific melodrama. Portman’s central performance, as the mentally disintegrating dancer, is particularly noteworthy in a generally very well-crafted film. &lt;b style="text-align: left; "&gt;&lt;a href="http://artemisnt.blogspot.com/2011/02/recommended.html" style="text-align: left; "&gt;Recommended&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-7989969834210408398?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/7989969834210408398'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/7989969834210408398'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/01/black-swan-2010.html' title='Black Swan (2010)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_SPYL8UC1UCY/TUqX6DjgKbI/AAAAAAAAE6E/4b201BQYaOc/s72-c/Black%2BSwan%2B%25282010%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-8853206528071943756</id><published>2012-01-16T13:24:00.012Z</published><updated>2012-02-25T21:51:45.575Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='2010'/><category scheme='http://www.blogger.com/atom/ns#' term='Aleksei Fedorchenko'/><title type='text'>Silent Souls (2010)</title><content type='html'>&lt;div&gt;Russia&lt;/div&gt;&lt;div&gt;Feature Film | Drama | Russian | 1h15m&lt;/div&gt;&lt;div&gt;&lt;b&gt;Original Title:&lt;/b&gt; Овсянки | &lt;b&gt;aka:&lt;/b&gt; Ovsyanki&lt;/div&gt;&lt;div&gt;&lt;b&gt;Dir:&lt;/b&gt; Aleksei Fedorchenko | &lt;b&gt;Scr:&lt;/b&gt; Denis Osokin | &lt;b&gt;Story:&lt;/b&gt; Denis Osokin | &lt;b&gt;DP:&lt;/b&gt; Mikhail Krichman | &lt;b&gt;Prod:&lt;/b&gt; Igor Mishin &amp;amp; Mary Nazari | &lt;b&gt;Mus:&lt;/b&gt; Andrei Karasyov | &lt;b&gt;Ed:&lt;/b&gt; Sergei Ivanov |&lt;b&gt;PD:&lt;/b&gt; Andrey Ponckratov&lt;/div&gt;&lt;div&gt;&lt;b&gt;Cast:&lt;/b&gt; Igor Sergeev, Yuriy Tsurilo, Yuliya Aug&lt;/div&gt;&lt;div&gt;&lt;a href="http://4.bp.blogspot.com/-syEUJ2mLLr4/TsJoLlxxLOI/AAAAAAAAGuU/UrXGz_tya_c/s1600/Silent%2BSouls%2B%25282010%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://4.bp.blogspot.com/-syEUJ2mLLr4/TsJoLlxxLOI/AAAAAAAAGuU/UrXGz_tya_c/s400/Silent%2BSouls%2B%25282010%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5675213028768951522" style="cursor: pointer; width: 400px; height: 231px; " /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;A middle-aged, unmarried factory worker from a region of central Russia that still shows traces of pre-Slavic Merjan culture helps a friend to prepare for the funeral pyre of his recently deceased young bride, taking to the road with him in customary fashion to journey to the site of their riverside honeymoon, in Fedorchenko’s strangely and affectingly sensual film. Krichman’s stylish (though never flashy) photography and Karasyov’s outstanding, decidedly eerie score add greatly to the film’s alluringly melancholy tone. &lt;b style="text-align: left; "&gt;&lt;a href="http://artemisnt.blogspot.com/2011/02/recommended.html" style="text-align: left; "&gt;Recommended&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-8853206528071943756?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/8853206528071943756'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/8853206528071943756'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/01/silent-souls-2010.html' title='Silent Souls (2010)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-syEUJ2mLLr4/TsJoLlxxLOI/AAAAAAAAGuU/UrXGz_tya_c/s72-c/Silent%2BSouls%2B%25282010%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-2716383333481468858</id><published>2012-01-16T13:14:00.012Z</published><updated>2012-02-25T21:52:00.116Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='2010'/><category scheme='http://www.blogger.com/atom/ns#' term='Sharon Lockhart'/><title type='text'>Double Tide (2010)</title><content type='html'>&lt;div&gt;USA&lt;/div&gt;&lt;div&gt;Feature Documetary | None | 1h39m&lt;/div&gt;&lt;div&gt;&lt;b&gt;Dir&lt;/b&gt;: Sharon Lockhart | &lt;b&gt;DP&lt;/b&gt;: Richard Rutkowski | &lt;b&gt;Prod&lt;/b&gt;: Sharon Lockhart | &lt;b&gt;Ed&lt;/b&gt;: May Rigler&lt;/div&gt;&lt;div&gt;Featuring: Jen Casad&lt;/div&gt;&lt;div&gt;&lt;a href="http://2.bp.blogspot.com/-Sk7_R2V5uy8/TpMIlbzXY-I/AAAAAAAAF0g/QyVV-LiNpOU/s1600/Double%2BTide%2B%25282010%2529.JPG" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://2.bp.blogspot.com/-Sk7_R2V5uy8/TpMIlbzXY-I/AAAAAAAAF0g/QyVV-LiNpOU/s400/Double%2BTide%2B%25282010%2529.JPG" border="0" alt="" id="BLOGGER_PHOTO_ID_5661878595746227170" style="cursor: pointer; width: 400px; height: 298px; " /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Comprised of just two static shots of a woman picking clams at low tide – one of about 30 minutes, and the other of about an hour – Lockhart’s beautiful film is likely to prove to be of interest for only the most committed of advocates for CCC/Slow Cinema, but for those that can commit to its gentle pacing and barely noticeable rhythms, it will likely prove a quite remarkable experience. The first half, filmed at dawn, begins in a haze of grey, as the morning mist envelops the peaceful Maine coastline, before gently dispersing to reveal its beautiful land/seascape. The rising sun, just peeking out from behind a line of trees, adds a little colour to what at first appears to be a black and white film. All the while, Jen Casad, the film’s nominal subject, squelches about, back-breakingly collecting her wares, to a soundtrack of bird calls and ships’ horns. The second half, filmed at dusk, reveals Casad’s work environment in all its glory and splendour, with the sky composed of an array of blues and purples, gently reflected in the patchy pools of water below. And where the first half saw the land/seascape slowly reveal itself before us, here in the second half, equally beautifully, we see it slowly disappear, ever dimming, behind the encroaching nightfall. &lt;b style="text-align: left; "&gt;&lt;a href="http://artemisnt.blogspot.com/2011/02/recommended.html" style="text-align: left; "&gt;Recommended&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-2716383333481468858?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/2716383333481468858'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/2716383333481468858'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/01/double-tide-2010.html' title='Double Tide (2010)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-Sk7_R2V5uy8/TpMIlbzXY-I/AAAAAAAAF0g/QyVV-LiNpOU/s72-c/Double%2BTide%2B%25282010%2529.JPG' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-7522354782377290163</id><published>2012-01-16T12:05:00.007Z</published><updated>2012-02-25T21:52:21.924Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='2011'/><category scheme='http://www.blogger.com/atom/ns#' term='James Strong'/><category scheme='http://www.blogger.com/atom/ns#' term='Chris Chibnall'/><title type='text'>United (2011)</title><content type='html'>&lt;div&gt;UK&lt;/div&gt;&lt;div&gt;Television Play | Drama | English | 1h31m&lt;/div&gt;&lt;div&gt;&lt;b&gt;Dir&lt;/b&gt;: James Strong | &lt;b&gt;Scr&lt;/b&gt;: Chris Chibnall | &lt;b&gt;Ph&lt;/b&gt;: Christopher Ross | &lt;b&gt;Prod&lt;/b&gt;: Julia Stannard | &lt;b&gt;Mus&lt;/b&gt;: Clint Mansell | &lt;b&gt;Ed&lt;/b&gt;: Billy Sneddon | &lt;b&gt;PD&lt;/b&gt;: Edward Thomas&lt;/div&gt;&lt;div&gt;&lt;b&gt;Cast&lt;/b&gt;: David Tennant, Jack O'Connell, Sam Claflin, Dougray Scott, Dean Andrews, Kate Ashfield, David Calder, Neil Dudgeon, Tim Healy, Melanie Hill, Philip Hill-Pearson, Thomas Howes, Ben Peel&lt;/div&gt;&lt;div&gt;&lt;a href="http://1.bp.blogspot.com/-chKldVU9u2c/TxQY-fel8FI/AAAAAAAAIZ8/dGoee1LMF3g/s1600/United%2B%25282011%2529.jpg"&gt;&lt;img src="http://1.bp.blogspot.com/-chKldVU9u2c/TxQY-fel8FI/AAAAAAAAIZ8/dGoee1LMF3g/s400/United%2B%25282011%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5698206890411290706" style="cursor: pointer; width: 400px; height: 267px; " /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;This handsomely crafted BBC drama documents Manchester United’s tragic 1957/58 season, from the breaking into the first team of 19-year-old Bobby Charlton (O'Connell), through the Munich air disaster – which resulted in the deaths of eight first team players in February ’58 – to the team’s against-all-odds reaching of the 1958 FA Cup final. Discreet direction, a sensitive script, striking photography, and fine performances (particularly from Tennant and O'Connell) combine to poignant effect. &lt;b style="text-align: left; "&gt;&lt;a href="http://artemisnt.blogspot.com/2011/02/recommended.html" style="text-align: left; "&gt;Recommended&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-7522354782377290163?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/7522354782377290163'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/7522354782377290163'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/01/united-2011.html' title='United (2011)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-chKldVU9u2c/TxQY-fel8FI/AAAAAAAAIZ8/dGoee1LMF3g/s72-c/United%2B%25282011%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-8619097214842715011</id><published>2012-01-15T20:31:00.012Z</published><updated>2012-02-25T21:53:15.294Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Jack Thorne'/><category scheme='http://www.blogger.com/atom/ns#' term='This Is England'/><category scheme='http://www.blogger.com/atom/ns#' term='2011'/><category scheme='http://www.blogger.com/atom/ns#' term='Shane Meadows'/><title type='text'>This Is England '88 (2011)</title><content type='html'>&lt;div&gt;UK&lt;/div&gt;&lt;div&gt;Three-Part Television Serial | Drama | English | 2h27m&lt;/div&gt;&lt;div&gt;&lt;b&gt;Dir&lt;/b&gt;: Shane Meadows | &lt;b&gt;Scr&lt;/b&gt;: Shane Meadows &amp;amp; Jack Thorne | &lt;b&gt;Ph&lt;/b&gt;: Danny Cohen | &lt;b&gt;Prod&lt;/b&gt;: Rebecca Wray-Rogers | &lt;b&gt;Ed&lt;/b&gt;: Alastair Reid &amp;amp; Jonathan Stenton | &lt;b&gt;PD&lt;/b&gt;: Janey Levick | &lt;b&gt;AD&lt;/b&gt;: Andrew Ranner&lt;/div&gt;&lt;div&gt;&lt;b&gt;Cast&lt;/b&gt;: Joe Gilgun, Vicky McClure, Thomas Turgoose, Andrew Ellis, Andrew Shim, Chanel Cresswell, Charlotte Tyree, Danielle Watson, George Newton, Hannah Walters, Helen Behan, Johnny Harris, Kriss Dosanjh, Lyra Mae Thomas, Michael Socha, Rebecca Manley, Rosamund Hanson, Stacey Sampson, Stephen Graham, Steve Brody&lt;/div&gt;&lt;div&gt;&lt;a href="http://2.bp.blogspot.com/-EsiGNR1QDCM/TxM4L6ZRE8I/AAAAAAAAIZw/gLSSaHX3ONI/s1600/This%2BIs%2BEngland%2B%252788%2B%25282011%2529.png"&gt;&lt;img src="http://2.bp.blogspot.com/-EsiGNR1QDCM/TxM4L6ZRE8I/AAAAAAAAIZw/gLSSaHX3ONI/s400/This%2BIs%2BEngland%2B%252788%2B%25282011%2529.png" border="0" alt="" id="BLOGGER_PHOTO_ID_5697959730858759106" style="cursor: pointer; width: 400px; height: 213px; " /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;In Meadows’s decidedly imperfect, but painfully visceral and almost unbearably moving, follow-up to the inconsistently entertaining &lt;i&gt;This Is England '86 (2010)&lt;/i&gt; and its brilliant predecessor &lt;i&gt;This Is England (2006)&lt;/i&gt;, the lives of Woody, Lol, Shaun, et al. continue to diverge at pace. Lol (McClure, outstanding) is living alone, struggling to cope with the twin burdens of parenthood and the memory of her abusive father and his grisly demise. Woody’s (Gilgun, excellent) newfound domestic bliss fails to cover up the feelings of loss and betrayal that he still harbours. And Shaun (Turgoose), still going out with Smell (Hanson), has his head turned by a pretty classmate (Tyree), who is appearing alongside him in a college play. &lt;b style="text-align: left; "&gt;&lt;a href="http://artemisnt.blogspot.com/2011/02/recommended.html" style="text-align: left; "&gt;Recommended&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-8619097214842715011?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/8619097214842715011'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/8619097214842715011'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/01/this-is-england-88-2011.html' title='This Is England &apos;88 (2011)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-EsiGNR1QDCM/TxM4L6ZRE8I/AAAAAAAAIZw/gLSSaHX3ONI/s72-c/This%2BIs%2BEngland%2B%252788%2B%25282011%2529.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-3828440176727485038</id><published>2012-01-14T18:23:00.013Z</published><updated>2012-02-25T21:53:28.880Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Kevin Macdonald'/><category scheme='http://www.blogger.com/atom/ns#' term='2011'/><title type='text'>Life in a Day (2011)</title><content type='html'>&lt;div&gt;UK/South Korea/USA&lt;/div&gt;&lt;div&gt;Feature Documentary | Dozens of languages | 1h35m&lt;/div&gt;&lt;div&gt;&lt;b&gt;Dir&lt;/b&gt;: Kevin Macdonald | &lt;b&gt;Prod&lt;/b&gt;: Liza Marshall | &lt;b&gt;Mus&lt;/b&gt;: Harry Gregson-Williams &amp;amp; Matthew Herbert | &lt;b&gt;Ed&lt;/b&gt;: Joe Walker&lt;/div&gt;&lt;div&gt;&lt;a href="http://1.bp.blogspot.com/-Lt874VnD7Bw/TxHI8eJUxWI/AAAAAAAAIZk/yzCFP0jVY4U/s1600/Life%2Bin%2Ba%2BDay%2B%25282011%2529.jpg"&gt;&lt;img src="http://1.bp.blogspot.com/-Lt874VnD7Bw/TxHI8eJUxWI/AAAAAAAAIZk/yzCFP0jVY4U/s400/Life%2Bin%2Ba%2BDay%2B%25282011%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5697555944810268002" style="cursor: pointer; width: 400px; height: 192px; " /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Compiled from 4,500 hours of footage submitted by people from 192 different countries, Kevin Macdonald’s very affecting documentary paints a touching, skilfully edited portrait of human life on earth on the 24th July 2010. And, filled as it is with scenes that will likely make you laugh, cry, wince, stir, tut, and – above all else – empathise, Life in a Day is a work rich in rare, world-shrinking humanity. &lt;b style="text-align: left; "&gt;&lt;a href="http://artemisnt.blogspot.com/2011/02/recommended.html" style="text-align: left; "&gt;Recommended&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-3828440176727485038?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/3828440176727485038'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/3828440176727485038'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/01/life-in-day-2011.html' title='Life in a Day (2011)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-Lt874VnD7Bw/TxHI8eJUxWI/AAAAAAAAIZk/yzCFP0jVY4U/s72-c/Life%2Bin%2Ba%2BDay%2B%25282011%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-1815452725928120016</id><published>2012-01-14T12:01:00.007Z</published><updated>2012-02-25T21:53:42.193Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='2011'/><category scheme='http://www.blogger.com/atom/ns#' term='David Mackenzie'/><title type='text'>Perfect Sense (2011)</title><content type='html'>&lt;div&gt;UK/Denmark/Ireland/Sweden&lt;/div&gt;&lt;div&gt;Feature Film | Horror | English | 1h32m&lt;/div&gt;&lt;div&gt;&lt;b&gt;Dir&lt;/b&gt;: David Mackenzie | &lt;b&gt;Scr&lt;/b&gt;: Kim Fupz Aakeson | &lt;b&gt;Ph&lt;/b&gt;: Giles Nuttgens | &lt;b&gt;Prod&lt;/b&gt;: Gillian Berrie &amp;amp; Malte Grunert | &lt;b&gt;Mus&lt;/b&gt;: Max Richter | &lt;b&gt;Ed&lt;/b&gt;: Jake Roberts | &lt;b&gt;PD&lt;/b&gt;: Tom Sayer | &lt;b&gt;AD&lt;/b&gt;: Andy Thomson | &lt;b&gt;Narrator&lt;/b&gt;: Katy Engels&lt;/div&gt;&lt;div&gt;&lt;b&gt;Cast&lt;/b&gt;: Ewan McGregor, Eva Green, Connie Nielsen, Stephen Dillane, Ewen Bremner, Denis Lawson, Alastair Mackenzie&lt;/div&gt;&lt;div&gt;&lt;a href="http://1.bp.blogspot.com/-d2IkQh1BRDU/TxF2AaYgUxI/AAAAAAAAIZY/1PWvljuWqBQ/s1600/Perfect%2BSense%2B%25282011%2529.jpg"&gt;&lt;img src="http://1.bp.blogspot.com/-d2IkQh1BRDU/TxF2AaYgUxI/AAAAAAAAIZY/1PWvljuWqBQ/s400/Perfect%2BSense%2B%25282011%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5697464753054569234" style="cursor: pointer; width: 400px; height: 220px; " /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;As a mysterious pandemic sweeps the world, depriving its inhabitants, one by one, of their senses, and in so doing – at first somewhat slowly and sputteringly, but then extremely expeditiously and emphatically – bringing about the end of the world, a chef (McGregor) and an epidemiologist (Green) tentatively form a romantic relationship, in Mackenzie’s well-crafted and affecting apocalyptic horror film. Nuttgens’s muted photography, Richter’s persistent yet beguiling score, and Engels’s melancholically poetic narration all add to the film’s alluringly fatalistic lyricism. &lt;b style="text-align: left; "&gt;&lt;a href="http://artemisnt.blogspot.com/2011/02/recommended.html" style="text-align: left; "&gt;Recommended&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-1815452725928120016?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/1815452725928120016'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/1815452725928120016'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/01/perfect-sense-2011.html' title='Perfect Sense (2011)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-d2IkQh1BRDU/TxF2AaYgUxI/AAAAAAAAIZY/1PWvljuWqBQ/s72-c/Perfect%2BSense%2B%25282011%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-3165584036568316575</id><published>2012-01-13T13:05:00.006Z</published><updated>2012-02-25T21:53:54.510Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Guillermo Ríos'/><category scheme='http://www.blogger.com/atom/ns#' term='2011'/><title type='text'>Perras (2011)</title><content type='html'>&lt;div&gt;Mexico&lt;/div&gt;&lt;div&gt;Feature Film | Drama | Spanish | 1h37m&lt;/div&gt;&lt;div&gt;&lt;b&gt;Dir&lt;/b&gt;: Guillermo Ríos | &lt;b&gt;Scr&lt;/b&gt;: Guillermo Ríos | &lt;b&gt;Play&lt;/b&gt;: Guillermo Ríos | &lt;b&gt;Ph&lt;/b&gt;: Juan Bernardo Sánchez Mejía | &lt;b&gt;Prod&lt;/b&gt;: Tita Sanchez | &lt;b&gt;Mus&lt;/b&gt;: Tomás Barreiro, Pablo Chemor, &amp;amp; Daniel Hidalgo | &lt;b&gt;Ed&lt;/b&gt;: Elise DuRant, Guillermo Ríos, Tita Sanchez, Juan Bernardo Sánchez Mejía&lt;/div&gt;&lt;div&gt;&lt;b&gt;Cast&lt;/b&gt;: Claudia Zepeda, Karen de la Hoya, Scarlet Dergal, Alenka Rios, Steph Boumelcroud, Andrea Pedrero, Kariam Castro, Denis Montes, Eva Luna Marenco, Natalia Zurita&lt;/div&gt;&lt;div&gt;&lt;a href="http://4.bp.blogspot.com/-M43ta4Yo0E8/TxAz3OWtrZI/AAAAAAAAIZM/JABptbz-NNE/s1600/Perras%2B%25282011%2529.JPG"&gt;&lt;img src="http://4.bp.blogspot.com/-M43ta4Yo0E8/TxAz3OWtrZI/AAAAAAAAIZM/JABptbz-NNE/s400/Perras%2B%25282011%2529.JPG" border="0" alt="" id="BLOGGER_PHOTO_ID_5697110552462863762" style="cursor: pointer; width: 400px; height: 166px; " /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;A class-full of 14/15-year-old girls is kept back after school when it emerges that one of them has committed a heinous act. Confined to the classroom, and threatened with expulsion, they confront and accuse each other as they attempt to out the likely suspect, in Ríos’s inventive and stylish, though rather salacious and exploitative, exploration of the lives of a group of girls on the cusp of womanhood. Though often eye-opening, much of it feels designed for provocative, sensational effect, rather than as a serious examination of the various social problems that it raises. Still, as a piece of oft-dazzling teensploitation it proves guiltily pleasurable enough. &lt;a href="http://artemisnt.blogspot.com/2011/02/worth-watch.html" style="text-align: left; "&gt;&lt;b&gt;Worth a Watch&lt;/b&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-3165584036568316575?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/3165584036568316575'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/3165584036568316575'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/01/perras-2011.html' title='Perras (2011)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-M43ta4Yo0E8/TxAz3OWtrZI/AAAAAAAAIZM/JABptbz-NNE/s72-c/Perras%2B%25282011%2529.JPG' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-6158153101353782</id><published>2012-01-13T12:47:00.010Z</published><updated>2012-02-25T21:54:26.494Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='2011'/><category scheme='http://www.blogger.com/atom/ns#' term='Dreileben'/><category scheme='http://www.blogger.com/atom/ns#' term='Christoph Hochhäusler'/><title type='text'>One Minute of Darkness (2011)</title><content type='html'>&lt;div&gt;Germany&lt;/div&gt;&lt;div&gt;Television Play | Crime Drama | German | 1h29m&lt;/div&gt;&lt;div&gt;&lt;b&gt;Series/Stand Title&lt;/b&gt;: &lt;a href="http://artemisnt.blogspot.com/search/label/Dreileben"&gt;Dreileben (2011)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;Original Title&lt;/b&gt;: Eine Minute Dunkel&lt;/div&gt;&lt;div&gt;&lt;b&gt;Dir&lt;/b&gt;: Christoph Hochhäusler | &lt;b&gt;Scr&lt;/b&gt;: Christoph Hochhäusler &amp;amp; Peer Klehmet | &lt;b&gt;Ph&lt;/b&gt;: Reinhold Vorschneider | &lt;b&gt;Prod&lt;/b&gt;: Bettina Brokemper | &lt;b&gt;Mus&lt;/b&gt;: Bert Wrede | &lt;b&gt;Ed&lt;/b&gt;: Stefan Stabenow | &lt;b&gt;PD&lt;/b&gt;: Renate Schmaderer&lt;/div&gt;&lt;div&gt;&lt;b&gt;Cast&lt;/b&gt;: Stefan Kurt, Eberhard Kirchberg, Imogen Kogge, Timo Jacobs, Ioan Gyuri Pascu, Holger Doellmann, Paraschiva Dragus, Jacob Matschenz, Luna Mijovic&lt;/div&gt;&lt;div&gt;&lt;a href="http://3.bp.blogspot.com/-87QFxyTolTs/TxApi-JpHHI/AAAAAAAAIY0/6_bkCE0hp8o/s1600/One%2BMinute%2Bof%2BDarkness%2B%25282011%2529.jpg"&gt;&lt;img src="http://3.bp.blogspot.com/-87QFxyTolTs/TxApi-JpHHI/AAAAAAAAIY0/6_bkCE0hp8o/s400/One%2BMinute%2Bof%2BDarkness%2B%25282011%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5697099209399409778" style="cursor: pointer; width: 400px; height: 239px; " /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;A child-like convicted murderer goes on the run in the wooded hills that surround his home town after escaping police custody whilst paying respects to his dead mother. However, an on-sick-leave detective slowly comes to suspect that he might not even have been guilty to begin with, in Hochhäusler’s engrossing and very human television play – the final and perhaps most accomplished part of the &lt;i&gt;Dreileben &lt;/i&gt;trilogy. Kurt and Kirchberg excel, respectively, as the fugitive and the ailing detective, in the two main parts, imbuing their roles with great pathos and humanity. &lt;b style="text-align: left; "&gt;&lt;a href="http://artemisnt.blogspot.com/2011/02/recommended.html" style="text-align: left; "&gt;Recommended&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-6158153101353782?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/6158153101353782'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/6158153101353782'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/01/one-minute-of-darkness-2011.html' title='One Minute of Darkness (2011)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-87QFxyTolTs/TxApi-JpHHI/AAAAAAAAIY0/6_bkCE0hp8o/s72-c/One%2BMinute%2Bof%2BDarkness%2B%25282011%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-8132895960171923158</id><published>2012-01-12T19:35:00.009Z</published><updated>2012-02-25T21:54:42.548Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='2011'/><category scheme='http://www.blogger.com/atom/ns#' term='Dreileben'/><category scheme='http://www.blogger.com/atom/ns#' term='Dominik Graf'/><title type='text'>Don't Follow Me Around (2011)</title><content type='html'>&lt;div&gt;Germany&lt;/div&gt;&lt;div&gt;Television Play | Drama | German | 1h29m&lt;/div&gt;&lt;div&gt;&lt;b&gt;Series/Strand Title&lt;/b&gt;: &lt;a href="http://artemisnt.blogspot.com/search/label/Dreileben"&gt;Dreileben (2011)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;Original Title&lt;/b&gt;: Komm mir nicht nach&lt;/div&gt;&lt;div&gt;&lt;b&gt;Dir&lt;/b&gt;: Dominik Graf | &lt;b&gt;Scr&lt;/b&gt;: Markus Busch &amp;amp; Dominik Graf | &lt;b&gt;Ph&lt;/b&gt;: Michael Wiesweg | &lt;b&gt;Prod&lt;/b&gt;: Andreas Bareiß, Sven Burgemeister, &amp;amp; Gloria Burkert | &lt;b&gt;Ed&lt;/b&gt;: Claudia Wolscht | &lt;b&gt;PD&lt;/b&gt;: Claus-Jürgen Pfeiffer &lt;/div&gt;&lt;div&gt;&lt;b&gt;Cast&lt;/b&gt;: Jeanette Hain, Susanne Wolff, Misel Maticevic, Malou, Lisa Kreuzer, Rüdiger Vogler, Stefan Kurt&lt;/div&gt;&lt;div&gt;&lt;a href="http://1.bp.blogspot.com/-lrKttFJpcrA/Tw87z-S0oUI/AAAAAAAAIYo/ifevmwGKyww/s1600/Don%2527t%2BFollow%2BMe%2BAround%2B%25282011%2529.jpg"&gt;&lt;img src="http://1.bp.blogspot.com/-lrKttFJpcrA/Tw87z-S0oUI/AAAAAAAAIYo/ifevmwGKyww/s400/Don%2527t%2BFollow%2BMe%2BAround%2B%25282011%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5696837817728278850" style="cursor: pointer; width: 400px; height: 276px; " /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;A police psychologist is sent to a small town to aid in the search for an escaped killer and in the investigation of local police corruption, but finds more interest and intrigue in the realisation that she and an old friend, with whom she is staying, once unknowingly shared a boyfriend, in Graf’s absorbing, gently affecting chamber piece – the second part of the Dreileben trilogy. The mesmerising Hain excels in a particularly well written part, aided by decent turns from Wolff and Maticevic. &lt;b style="text-align: left; "&gt;&lt;a href="http://artemisnt.blogspot.com/2011/02/recommended.html" style="text-align: left; "&gt;Recommended&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-8132895960171923158?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/8132895960171923158'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/8132895960171923158'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/01/dont-follow-me-around-2011.html' title='Don&apos;t Follow Me Around (2011)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-lrKttFJpcrA/Tw87z-S0oUI/AAAAAAAAIYo/ifevmwGKyww/s72-c/Don%2527t%2BFollow%2BMe%2BAround%2B%25282011%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-5936392392800049046</id><published>2012-01-12T16:40:00.008Z</published><updated>2012-02-25T21:54:59.427Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Christian Petzold'/><category scheme='http://www.blogger.com/atom/ns#' term='2011'/><category scheme='http://www.blogger.com/atom/ns#' term='Dreileben'/><title type='text'>Beats Being Dead (2011)</title><content type='html'>&lt;div&gt;Germany&lt;/div&gt;&lt;div&gt;Television Play | Romantic Drama | German | 1h28m&lt;/div&gt;&lt;div&gt;&lt;b&gt;Series/Strand Title&lt;/b&gt;: &lt;a href="http://artemisnt.blogspot.com/search/label/Dreileben"&gt;Dreileben (2011)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;Original Title&lt;/b&gt;: Etwas Besseres als den Tod&lt;/div&gt;&lt;div&gt;&lt;b&gt;Dir&lt;/b&gt;: Christian Petzold | &lt;b&gt;Scr&lt;/b&gt;: Christian Petzold | &lt;b&gt;Ph&lt;/b&gt;: Hans Fromm | &lt;b&gt;Prod&lt;/b&gt;: Florian Koerner von Gustorf &amp;amp; Michael Weber | &lt;b&gt;Mus&lt;/b&gt;: Stefan Will&lt;/div&gt;&lt;div&gt;&lt;b&gt;Cast&lt;/b&gt;: Jacob Matschenz, Luna Zimic Mijovic, Vijessna Ferkic, Rainer Bock, Konstantin Frolov, Florian Bartholomäi, Stefan Kurt&lt;/div&gt;&lt;div&gt;&lt;a href="http://3.bp.blogspot.com/-8YNkpzmcsLw/Tw8UR1DerzI/AAAAAAAAIYc/zSwEb69qIOk/s1600/Beats%2BBeing%2BDead%2B%25282011%2529.jpg"&gt;&lt;img src="http://3.bp.blogspot.com/-8YNkpzmcsLw/Tw8UR1DerzI/AAAAAAAAIYc/zSwEb69qIOk/s400/Beats%2BBeing%2BDead%2B%25282011%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5696794350178971442" style="cursor: pointer; width: 400px; height: 223px; " /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;With a police search for an escaped murderer going on in the background, a duplicitous male nurse and a hot-headed hotel maid spark up a fiery relationship, in Petzold’s disquieting, creepily scored television play – the first part of the &lt;i&gt;Dreileben &lt;/i&gt;trilogy. And although the yo-yoing central romance often proves decidedly annoying, the film ultimately (just about) succeeds thanks to the gradual accumulation of socio-political subtext and allegorical detail, which greatly enrich a second viewing. The ending, if a tad predictable, also proves rather powerful. &lt;a href="http://artemisnt.blogspot.com/2011/02/worth-watch.html" style="text-align: left; "&gt;&lt;b&gt;Worth a Watch&lt;/b&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-5936392392800049046?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/5936392392800049046'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/5936392392800049046'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/01/beats-being-dead-2011.html' title='Beats Being Dead (2011)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-8YNkpzmcsLw/Tw8UR1DerzI/AAAAAAAAIYc/zSwEb69qIOk/s72-c/Beats%2BBeing%2BDead%2B%25282011%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-4675834029517865376</id><published>2012-01-12T11:51:00.006Z</published><updated>2012-02-25T21:55:25.367Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Nick Whitfield'/><category scheme='http://www.blogger.com/atom/ns#' term='2010'/><title type='text'>Skeletons (2010)</title><content type='html'>&lt;div&gt;UK&lt;/div&gt;&lt;div&gt;Feature Film | Fantasy Comedy | English and Bulgarian | 1h34m&lt;/div&gt;&lt;div&gt;&lt;b&gt;Dir&lt;/b&gt;: Nick Whitfield | &lt;b&gt;Scr&lt;/b&gt;: Nick Whitfield | &lt;b&gt;Ph&lt;/b&gt;: Zac Nicholson | &lt;b&gt;Prod&lt;/b&gt;: Tracy Brimm, Kate Myers, &amp;amp; Paul Welsh | &lt;b&gt;Mus&lt;/b&gt;: Simon Whitfield | &lt;b&gt;Ed&lt;/b&gt;: Rachel Tunnard | &lt;b&gt;PD&lt;/b&gt;: James Lapsley | &lt;b&gt;AD&lt;/b&gt;: Ruth Parker&lt;/div&gt;&lt;div&gt;&lt;b&gt;Cast&lt;/b&gt;: Will Adamsdale, Andrew Buckley, Tuppence Middleton, Paprika Steen, Jason Isaacs, Josef Whitfield&lt;/div&gt;&lt;div&gt;&lt;a href="http://4.bp.blogspot.com/_SPYL8UC1UCY/TShPzqsz2hI/AAAAAAAAE18/HG12HuRxz9M/s1600/Skeletons%2B%25282010%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://4.bp.blogspot.com/_SPYL8UC1UCY/TShPzqsz2hI/AAAAAAAAE18/HG12HuRxz9M/s400/Skeletons%2B%25282010%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5559781489043036690" style="cursor: pointer; width: 400px; height: 264px; " /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;A pair of travelling psychic detectives, who go from home to home excising the skeletons from people’s cupboards, struggles to get started on the case of a missing husband and father, when their own personal problems begin to catch up with them, and the actions of the decidedly dysfunctional family with whom they are staying begin to affect them, in Nick Whitfield’s innovative, melancholically funny, and generally quite bonkers Kaufmanesque sci-fi-comedy. The strangely touching performances of Adamsdale and Buckley, Nicholson’s muted photography, and Simon Whitfield’s outstanding, vaguely off-key score all add greatly to the film’s unique tone. &lt;b style="text-align: left; "&gt;&lt;a href="http://artemisnt.blogspot.com/2011/02/recommended.html" style="text-align: left; "&gt;Recommended&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-4675834029517865376?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/4675834029517865376'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/4675834029517865376'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/01/skeletons-2010.html' title='Skeletons (2010)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_SPYL8UC1UCY/TShPzqsz2hI/AAAAAAAAE18/HG12HuRxz9M/s72-c/Skeletons%2B%25282010%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-8396830937132064538</id><published>2012-01-12T11:18:00.006Z</published><updated>2012-02-25T21:56:00.867Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='2012'/><category scheme='http://www.blogger.com/atom/ns#' term='Charles Dickens'/><category scheme='http://www.blogger.com/atom/ns#' term='Diarmuid Lawrence'/><category scheme='http://www.blogger.com/atom/ns#' term='Gwyneth Hughes'/><title type='text'>The Mystery of Edwin Drood (2012)</title><content type='html'>&lt;div&gt;UK/USA&lt;/div&gt;&lt;div&gt;Two-Part Television Play | Mystery | English | 1h58m&lt;/div&gt;&lt;div&gt;&lt;b&gt;Dir&lt;/b&gt;: Diarmuid Lawrence | &lt;b&gt;Scr&lt;/b&gt;: Gwyneth Hughes | &lt;b&gt;Novel&lt;/b&gt;: Charles Dickens | &lt;b&gt;Ph&lt;/b&gt;: Alan Almond | &lt;b&gt;Prod&lt;/b&gt;: Lisa Osborne | &lt;b&gt;Mus&lt;/b&gt;: John Lunn | &lt;b&gt;Ed&lt;/b&gt;: David Head | &lt;b&gt;PD&lt;/b&gt;: Melanie Allen | &lt;b&gt;AD&lt;/b&gt;: James Price&lt;/div&gt;&lt;div&gt;&lt;b&gt;Cast&lt;/b&gt;: Matthew Rhys, Rory Kinnear, Freddie Fox, Tamzin Merchant, Sacha Dhawan, Amber Rose Revah, Alun Armstrong, Julia McKenzie, David Dawson, Ron Cook, Ian McNeice, Janet Dale, Ellie Haddington, Alfie Davis&lt;/div&gt;&lt;div&gt;&lt;a href="http://2.bp.blogspot.com/-tsg1148xZOI/Tw7HYz6Ch-I/AAAAAAAAIYQ/cLGa3ZahG_U/s1600/The%2BMystery%2Bof%2BEdwin%2BDrood%2B%25282012%2529.jpg"&gt;&lt;img src="http://2.bp.blogspot.com/-tsg1148xZOI/Tw7HYz6Ch-I/AAAAAAAAIYQ/cLGa3ZahG_U/s400/The%2BMystery%2Bof%2BEdwin%2BDrood%2B%25282012%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5696709807734687714" style="cursor: pointer; width: 400px; height: 240px; " /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;When his nephew (Fox) mysteriously disappears, an opium-addicted choir master (Rhys), whose coveting of the young man’s 17-year-old fiancée (Merchant) has resulted in drug-fuelled murderous fantasies, fails to remember if he has actually carried out the deadly deed, but is quick to point the finger of blame at a short-tempered Indian man (Dhawan) anyway, in Hughes’s speculative adaptation of Dickens’s unfinished novel. Decent performances and handsome production values grab the attention, but overly quick pacing and implausible plotting detract somewhat. Diverting, never the less. &lt;a href="http://artemisnt.blogspot.com/2011/02/worth-watch.html" style="text-align: left; "&gt;&lt;b&gt;Worth a Watch&lt;/b&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-8396830937132064538?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/8396830937132064538'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/8396830937132064538'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/01/mystery-of-edwin-drood-2012.html' title='The Mystery of Edwin Drood (2012)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-tsg1148xZOI/Tw7HYz6Ch-I/AAAAAAAAIYQ/cLGa3ZahG_U/s72-c/The%2BMystery%2Bof%2BEdwin%2BDrood%2B%25282012%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-9009423211299887428</id><published>2012-01-11T18:35:00.011Z</published><updated>2012-02-25T21:57:16.688Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Kris Mrksa'/><category scheme='http://www.blogger.com/atom/ns#' term='Tony Ayres'/><category scheme='http://www.blogger.com/atom/ns#' term='2011'/><category scheme='http://www.blogger.com/atom/ns#' term='Matthew Saville'/><category scheme='http://www.blogger.com/atom/ns#' term='Brendan Cowell'/><category scheme='http://www.blogger.com/atom/ns#' term='Jessica Hobbs'/><category scheme='http://www.blogger.com/atom/ns#' term='Emily Ballou'/><category scheme='http://www.blogger.com/atom/ns#' term='Alice Bell'/><category scheme='http://www.blogger.com/atom/ns#' term='Cate Shortland'/><category scheme='http://www.blogger.com/atom/ns#' term='Robert Connolly'/><title type='text'>The Slap (2011)</title><content type='html'>&lt;div&gt;Australia&lt;/div&gt;&lt;div&gt;Eight-Part Television Serial | Drama | English &amp;amp; Greek | 7h20&lt;/div&gt;&lt;div&gt;&lt;b&gt;Dir&lt;/b&gt;: Tony Ayres, Robert Connolly, Jessica Hobbs, &amp;amp; Matthew Saville | &lt;b&gt;Scr&lt;/b&gt;: Emily Ballou, Alice Bell, Brendan Cowell, Kris Mrksa, &amp;amp; Cate Shortland | &lt;b&gt;Novel&lt;/b&gt;: Christos Tsiolkas | &lt;b&gt;Ph&lt;/b&gt;: Andrew Commis | &lt;b&gt;Prod&lt;/b&gt;: Tony Ayres, Helen Bowden, &amp;amp; Michael McMahon | &lt;b&gt;Mus&lt;/b&gt;: Antony Partos | &lt;b&gt;Ed&lt;/b&gt;: Mark Atkin | &lt;b&gt;PD&lt;/b&gt;: Melinda Doring | &lt;b&gt;Narrator&lt;/b&gt;: William McInnes&lt;/div&gt;&lt;div&gt;&lt;b&gt;Cast&lt;/b&gt;: Jonathan LaPaglia, Sophie Okonedo, Alex Dimitriades, Essie Davis, Lex Marinos, Sophie Lowe, Blake Davis, Melissa George, Anthony Hayes, Diana Glenn, Toula Yianni&lt;/div&gt;&lt;div&gt;&lt;a href="http://3.bp.blogspot.com/-gM3zF1G8d68/Tw3clQOqStI/AAAAAAAAIYE/o6WVWDnkoBw/s1600/The%2BSlap%2B%25282011%2529.jpg"&gt;&lt;img src="http://3.bp.blogspot.com/-gM3zF1G8d68/Tw3clQOqStI/AAAAAAAAIYE/o6WVWDnkoBw/s400/The%2BSlap%2B%25282011%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5696451636263275218" style="cursor: pointer; width: 400px; height: 247px; " /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;The slapping of an unruly child at a 40th birthday party barbecue reverberates through the lives of all those that witnessed it, affecting them for months to come, in Matchbox Pictures’ grippingly ambitious adaptation of Tsiolkas’s acclaimed novel. Separated into eight equal parts, with each part concentrating on a different character, this well-acted serial provides a fascinatingly varied look at contemporary, suburban, multi-cultural life. &lt;b style="text-align: left; "&gt;&lt;a href="http://artemisnt.blogspot.com/2011/02/recommended.html" style="text-align: left; "&gt;Recommended&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-9009423211299887428?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/9009423211299887428'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/9009423211299887428'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/01/slap-2011.html' title='The Slap (2011)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-gM3zF1G8d68/Tw3clQOqStI/AAAAAAAAIYE/o6WVWDnkoBw/s72-c/The%2BSlap%2B%25282011%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-5751761930835526846</id><published>2012-01-10T19:53:00.016Z</published><updated>2012-02-25T21:57:30.347Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Nuri Bilge Ceylan'/><category scheme='http://www.blogger.com/atom/ns#' term='2011'/><title type='text'>Once Upon a Time in Anatolia (2011)</title><content type='html'>&lt;div&gt;Turkey/Bosnia and Herzegovina&lt;/div&gt;&lt;div&gt;Feature Film | Drama | Turkish | 2h30m&lt;/div&gt;&lt;div&gt;&lt;b&gt;Original Title&lt;/b&gt;: Bir Zamanlar Anadolu'da&lt;/div&gt;&lt;div&gt;&lt;b&gt;Dir&lt;/b&gt;: Nuri Bilge Ceylan | &lt;b&gt;Scr&lt;/b&gt;: Ebru Ceylan, Nuri Bilge Ceylan, Ercan Kesal | &lt;b&gt;Ph&lt;/b&gt;: Gökhan Tiryaki | &lt;b&gt;Prod&lt;/b&gt;: Zeynep Özbatur | &lt;b&gt;Ed&lt;/b&gt;: Bora Göksingöl &amp;amp; Nuri Bilge Ceylan | &lt;b&gt;PD&lt;/b&gt;: Dilek Yapkuöz Ayaztuna&lt;/div&gt;&lt;div&gt;&lt;b&gt;Cast&lt;/b&gt;: Muhammet Uzuner, Yılmaz Erdoğan, Taner Birsel, Ahmet Mümtaz Taylan, Firat Tanis, Ercan Kesal, Erol Eraslan, Uğur Arslanoğlu, Murat Kılıç, Şafak Karali, Emre Şen, Burhan Yildiz&lt;/div&gt;&lt;div&gt;&lt;a href="http://2.bp.blogspot.com/-55ZV4_xGvsY/TwydrF23FxI/AAAAAAAAIX4/QxzlOhxWxYY/s1600/Once%2BUpon%2Ba%2BTime%2Bin%2BAnatolia%2B%25282011%2529.jpg"&gt;&lt;img src="http://2.bp.blogspot.com/-55ZV4_xGvsY/TwydrF23FxI/AAAAAAAAIX4/QxzlOhxWxYY/s400/Once%2BUpon%2Ba%2BTime%2Bin%2BAnatolia%2B%25282011%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5696100992349050642" style="cursor: pointer; width: 400px; height: 201px; " /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Several police officers, accompanied by a public prosecutor, a doctor, and a couple of diggers, set off, under the direction of a pair of confessed killers, into the night-shrouded Anatolian steppes in search of a recently buried body, in Ceylan’s haunting, humanity-drenched police procedural drama. The performances from the entire cast are of a remarkably high standard – with the turns of Uzuner and Birsel proving particularly nuanced and affecting – and, for once, actually manage to just about outshine the Turkish director’s typical formal elegance. As a result, then, this is perhaps his most moving film to date. &lt;b style="text-align: left; "&gt;&lt;a href="http://artemisnt.blogspot.com/2011/02/essential-viewing.html" style="text-align: left; "&gt;Essential Viewing&lt;br /&gt;&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-5751761930835526846?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/5751761930835526846'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/5751761930835526846'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/01/once-upon-time-in-anatolia-2011.html' title='Once Upon a Time in Anatolia (2011)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-55ZV4_xGvsY/TwydrF23FxI/AAAAAAAAIX4/QxzlOhxWxYY/s72-c/Once%2BUpon%2Ba%2BTime%2Bin%2BAnatolia%2B%25282011%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-7463153998990177370</id><published>2012-01-10T14:59:00.011Z</published><updated>2012-02-25T21:57:50.058Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Tommy Lee Jones'/><category scheme='http://www.blogger.com/atom/ns#' term='2011'/><category scheme='http://www.blogger.com/atom/ns#' term='Cormac McCarthy'/><title type='text'>The Sunset Limited (2011)</title><content type='html'>&lt;div&gt;USA&lt;/div&gt;&lt;div&gt;Television Play | Drama | English | 1h31m&lt;/div&gt;&lt;div&gt;&lt;b&gt;Dir&lt;/b&gt;: Tommy Lee Jones | &lt;b&gt;Scr&lt;/b&gt;: Cormac McCarthy | &lt;b&gt;Play&lt;/b&gt;: Cormac McCarthy | &lt;b&gt;Ph&lt;/b&gt;: Paul Elliott | &lt;b&gt;Prod&lt;/b&gt;: Barbara A. Hall | &lt;b&gt;Mus&lt;/b&gt;: Marco Beltrami | &lt;b&gt;Ed&lt;/b&gt;: Roberto Silvi | &lt;b&gt;PD&lt;/b&gt;: Merideth Boswell&lt;/div&gt;&lt;div&gt;&lt;b&gt;Cast&lt;/b&gt;: Samuel L. Jackson, Tommy Lee Jones&lt;/div&gt;&lt;div&gt;&lt;a href="http://1.bp.blogspot.com/-8jagQmglSfI/TW5PqlIq-OI/AAAAAAAAE9E/oJIlXndqOgQ/s1600/The%2BSunset%2BLimited%2B%25282011%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://1.bp.blogspot.com/-8jagQmglSfI/TW5PqlIq-OI/AAAAAAAAE9E/oJIlXndqOgQ/s400/The%2BSunset%2BLimited%2B%25282011%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5579484581300205794" style="cursor: pointer; width: 400px; height: 266px; " /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;A devout, working-class Christian, who has done away with all of his worldly possessions – all but his bible – attempts to convince a suicidal, atheistic professor of God’s love for him, but their polarised views leave them with little to agree upon, as they match wits in the workingman’s barren apartment, in Tommy Lee Jones’s mesmerisingly uncompromising and thoughtfully challenging HBO film. Predictably, Jackson and Jones both excel with McCarthy’s intelligently written material. &lt;b style="text-align: left; "&gt;&lt;a href="http://artemisnt.blogspot.com/2011/02/recommended.html" style="text-align: left; "&gt;Recommended&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-7463153998990177370?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/7463153998990177370'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/7463153998990177370'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/01/sunset-limited-2011.html' title='The Sunset Limited (2011)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-8jagQmglSfI/TW5PqlIq-OI/AAAAAAAAE9E/oJIlXndqOgQ/s72-c/The%2BSunset%2BLimited%2B%25282011%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-6818726950401615448</id><published>2012-01-10T14:48:00.014Z</published><updated>2012-02-25T21:58:04.461Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='2011'/><category scheme='http://www.blogger.com/atom/ns#' term='Hugo Blick'/><title type='text'>The Shadow Line (2011)</title><content type='html'>&lt;div&gt;UK&lt;/div&gt;&lt;div&gt;Seven-Part Television Serial | Conspiracy Thriller | English | 6h53m&lt;/div&gt;&lt;div&gt;&lt;b&gt;Dir&lt;/b&gt;: Hugo Blick | &lt;b&gt;Scr&lt;/b&gt;: Hugo Blick | &lt;b&gt;Ph&lt;/b&gt;: Tat Radcliffe | &lt;b&gt;Prod&lt;/b&gt;: Hugo Blick &amp;amp; Johann Knobel | &lt;b&gt;Mus&lt;/b&gt;: Martin Phipps | &lt;b&gt;Ed&lt;/b&gt;: Jason Krasucki | &lt;b&gt;PD&lt;/b&gt;: Maurice Cain | &lt;b&gt;AD&lt;/b&gt;: Gareth Cousins &amp;amp; Kevin Woodhouse&lt;/div&gt;&lt;div&gt;&lt;b&gt;Cast&lt;/b&gt;: Chiwetel Ejiofor, Christopher Eccleston, Stephen Rea, Rafe Spall, Antony Sher, Richard Lintern, Kierston Wareing, Malcolm Storry, Freddie Fox, David Schofield, Sean Gilder, Lesley Sharp, Clare Calbraith&lt;/div&gt;&lt;div&gt;&lt;a href="http://2.bp.blogspot.com/-zXJwbbHNKPE/Tilth9Qjl0I/AAAAAAAAFTs/DW5vl8xlfSw/s1600/The%2BShadow%2BLine%2B%25282011%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://2.bp.blogspot.com/-zXJwbbHNKPE/Tilth9Qjl0I/AAAAAAAAFTs/DW5vl8xlfSw/s400/The%2BShadow%2BLine%2B%25282011%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5632153239150630722" style="cursor: pointer; width: 400px; height: 267px; " /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;The Murder of a just-released-from-prison gang boss impacts upon the lives of a number of people on both sides of the law, in Blick’s stylish, formally adventurous conspiracy thriller. The performances are generally impressive, with Rea’s restrained turn and Spall’s gloriously ott work proving the pick of the main cast, though Wareing seems a little earthy and naturalistic for her part, never really getting to grips with the tone of the piece. Sher and Schofield, in smaller parts, also catch the eye. A thoroughly unpredictable delight. &lt;b style="text-align: left; "&gt;&lt;a href="http://artemisnt.blogspot.com/2011/02/recommended.html" style="text-align: left; "&gt;Recommended&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-6818726950401615448?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/6818726950401615448'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/6818726950401615448'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/01/shadow-line-2011.html' title='The Shadow Line (2011)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-zXJwbbHNKPE/Tilth9Qjl0I/AAAAAAAAFTs/DW5vl8xlfSw/s72-c/The%2BShadow%2BLine%2B%25282011%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-5348779464420291471</id><published>2012-01-10T14:20:00.013Z</published><updated>2012-02-25T21:58:22.352Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Tony Roche'/><category scheme='http://www.blogger.com/atom/ns#' term='2011'/><category scheme='http://www.blogger.com/atom/ns#' term='Owen Harris'/><title type='text'>Holy Flying Circus (2011)</title><content type='html'>&lt;div&gt;UK&lt;/div&gt;&lt;div&gt;Television Play| Comedy | English | 1h30m&lt;/div&gt;&lt;div&gt;&lt;b&gt;Dir&lt;/b&gt;: Owen Harris | &lt;b&gt;Scr&lt;/b&gt;: Tony Roche | &lt;b&gt;Ph&lt;/b&gt;: Richard Mott | &lt;b&gt;Prod&lt;/b&gt;: Kate Norrish &amp;amp; Polly Leys | &lt;b&gt;Mus&lt;/b&gt;: Jack C. Arnold | &lt;b&gt;Ed&lt;/b&gt;: Billy Sneddon | &lt;b&gt;PD&lt;/b&gt;: Lisa Hall | &lt;b&gt;AD&lt;/b&gt;: Russell Daly&lt;/div&gt;&lt;div&gt;&lt;b&gt;Cast&lt;/b&gt;: Darren Boyd, Charles Edwards, Steve Punt, Rufus Jones, Tom Fisher, Phil Nichol, Simon Greenall, Jason Thorpe, Michael Cochrane, Mark Heap, James Laurenson, Tom Price, Stephen Fry&lt;/div&gt;&lt;div&gt;&lt;a href="http://4.bp.blogspot.com/-Y4ZI_rkjCn4/TrewgaENudI/AAAAAAAAGf8/8-y7vR_tBSE/s1600/Holy%2BFlying%2BCircus%2B%25282011%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://4.bp.blogspot.com/-Y4ZI_rkjCn4/TrewgaENudI/AAAAAAAAGf8/8-y7vR_tBSE/s400/Holy%2BFlying%2BCircus%2B%25282011%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5672196326495730130" style="cursor: pointer; width: 400px; height: 266px; " /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Set at the time of the release of their 1979 masterpiece &lt;i&gt;Life of Brian&lt;/i&gt;, this stitch-poppingly, trouser soilingly, and irreverently hilarious BBC4 comedy follows the attempts of the Pythons to battle against religious protest and censorship, concentrating on the differing approaches taken by the Basil Fawltyesque John Cleese (Boyd, spot on) and The Nicest Man in the World, Michael Palin (Edwards, excellent). The performances are all generally very good, with Rufus Jones, playing both Terry Jones and Terry Jones in drag as Palin’s wife, being perhaps the pick of the bunch. A madcap delight. &lt;b style="text-align: left; "&gt;&lt;a href="http://artemisnt.blogspot.com/2011/02/recommended.html" style="text-align: left; "&gt;Recommended&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-5348779464420291471?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/5348779464420291471'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/5348779464420291471'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/01/holy-flying-circus-2011.html' title='Holy Flying Circus (2011)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-Y4ZI_rkjCn4/TrewgaENudI/AAAAAAAAGf8/8-y7vR_tBSE/s72-c/Holy%2BFlying%2BCircus%2B%25282011%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-5240370656051150342</id><published>2012-01-10T14:11:00.014Z</published><updated>2012-02-25T21:58:46.979Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='2011'/><category scheme='http://www.blogger.com/atom/ns#' term='Brian Welsh'/><category scheme='http://www.blogger.com/atom/ns#' term='Jesse Armstrong'/><category scheme='http://www.blogger.com/atom/ns#' term='BlackMirror'/><title type='text'>The Entire History of You (2011)</title><content type='html'>&lt;div&gt;UK&lt;/div&gt;&lt;div&gt;Short Television Play | Sci-fi | English | 49m&lt;/div&gt;&lt;div&gt;&lt;b&gt;Series/Strand Title:&lt;/b&gt; &lt;a href="http://artemisnt.blogspot.com/search/label/BlackMirror"&gt;Black Mirror (2011)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;Dir&lt;/b&gt;: Brian Welsh | &lt;b&gt;Scr&lt;/b&gt;: Jesse Armstrong | &lt;b&gt;Ph&lt;/b&gt;: Zac Nicholson | &lt;b&gt;Prod&lt;/b&gt;: Barney Reisz | &lt;b&gt;Mus&lt;/b&gt;: Stuart Earl | &lt;b&gt;Ed&lt;/b&gt;: Alastair Reid | &lt;b&gt;PD&lt;/b&gt;: Joel Collins | &lt;b&gt;AD&lt;/b&gt;: Caroline Barclay&lt;/div&gt;&lt;div&gt;&lt;b&gt;Cast&lt;/b&gt;: Toby Kebbell, Jodie Whittaker, Tom Cullen, Amy Beth Hayes, Rebekah Staton, Rhashan Stone, Phoebe Fox, Jimi Mistry, Daniel Lapaine, Karl Collins, Elizabeth Chan, Mona Goodwin, Kemal Sylvester&lt;/div&gt;&lt;div&gt;&lt;a href="http://3.bp.blogspot.com/-ObxvNkoj4Rs/Tu9OxTisFGI/AAAAAAAAID4/AYyqr-PP8Kg/s1600/The%2BEntire%2BHistory%2Bof%2BYou%2B%25282011%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://3.bp.blogspot.com/-ObxvNkoj4Rs/Tu9OxTisFGI/AAAAAAAAID4/AYyqr-PP8Kg/s400/The%2BEntire%2BHistory%2Bof%2BYou%2B%25282011%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5687851463358551138" style="cursor: pointer; width: 400px; height: 222px; " /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;div style="text-align: left; "&gt;&lt;span style="text-align: justify; "&gt;The final episode of &lt;/span&gt;&lt;i style="text-align: justify; "&gt;Black Mirror&lt;/i&gt;&lt;span style="text-align: justify; "&gt; sees writing duties handed over from Charlie Brooker to Jesse Armstrong, co-creator of Peep Show, Fresh Meat, and The Old Guys. However, despite his comedy credentials, this is a particularly bleak affair, almost completely devoid of humour, though filled with enough pathos and insight to make it compelling, affecting, and decidedly disturbing viewing.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Set in a not so distant future, in which most people have been fitted with a chip that records and stores all that they see and hear, ready for playback and editing, both on the eyes themselves and on large television screens, this short television film depicts the final days of a spectacularly imploding marriage. The technology itself is ever present, but the central plot, driven by a husband’s all-consuming jealousy of, and suspicion about, his wife’s relationship with an old flame, whom they encounter at a dinner party, could easily, with just a couple of tweaks, be re-written as a straight drama – and one, for that matter, that would almost certainly be just as moving. However, said technology does give the piece added depth and nuance, forcing us to question the ever more dominant and intrusive part that similar technology plays in our everyday lives, with one particular social networking site – forever looking to document our every move – springing immediately to mind.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;With its thought-provoking script, discreet direction, striking photography, affecting performances, and distinctive though unobtrusive score, &lt;i&gt;The Entire History of You&lt;/i&gt; is perhaps the best of the three &lt;i&gt;Black Mirror&lt;/i&gt; films, and certainly, whatever the case, an excellent piece of decidedly plausible science-fiction. &lt;b style="text-align: left; "&gt;&lt;a href="http://artemisnt.blogspot.com/2011/02/recommended.html" style="text-align: left; "&gt;Recommended&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-5240370656051150342?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/5240370656051150342'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/5240370656051150342'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/01/entire-history-of-you-2011.html' title='The Entire History of You (2011)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-ObxvNkoj4Rs/Tu9OxTisFGI/AAAAAAAAID4/AYyqr-PP8Kg/s72-c/The%2BEntire%2BHistory%2Bof%2BYou%2B%25282011%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-1618090518331818731</id><published>2012-01-10T13:55:00.013Z</published><updated>2012-02-25T21:58:58.008Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Lynne Ramsay'/><category scheme='http://www.blogger.com/atom/ns#' term='2011'/><title type='text'>We Need to Talk About Kevin (2011)</title><content type='html'>&lt;div&gt;UK/USA&lt;/div&gt;&lt;div&gt;Feature Film | Drama | English | 1h52m&lt;/div&gt;&lt;div&gt;&lt;b&gt;Dir&lt;/b&gt;: Lynne Ramsay | &lt;b&gt;Scr&lt;/b&gt;: Lynne Ramsay &amp;amp; Rory Kinnear | &lt;b&gt;Novel&lt;/b&gt;: Lionel Shriver | &lt;b&gt;Ph&lt;/b&gt;: Seamus McGarvey | &lt;b&gt;Prod&lt;/b&gt;: Jennifer Fox, Luc Roeg, &amp;amp; Robert Salerno | &lt;b&gt;Mus&lt;/b&gt;: Jonny Greenwood | &lt;b&gt;Ed&lt;/b&gt;: Joe Bini | &lt;b&gt;PD&lt;/b&gt;: Judy Becker | &lt;b&gt;AD&lt;/b&gt;: Charles Kulsziski&lt;/div&gt;&lt;div&gt;&lt;b&gt;Cast&lt;/b&gt;: Tilda Swinton, John C. Reilly, Ezra Miller, Jasper Newell, Rock Duer, Ashley Gerasimovich&lt;/div&gt;&lt;div&gt;&lt;a href="http://1.bp.blogspot.com/-3XYd-wE4g9Y/TuIXautu-WI/AAAAAAAAH0Q/285yubvwVOs/s1600/We%2BNeed%2Bto%2BTalk%2BAbout%2BKevin%2B%25282011%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://1.bp.blogspot.com/-3XYd-wE4g9Y/TuIXautu-WI/AAAAAAAAH0Q/285yubvwVOs/s400/We%2BNeed%2Bto%2BTalk%2BAbout%2BKevin%2B%25282011%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5684131427678878050" style="cursor: pointer; width: 400px; height: 194px; " /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;A woman remembers with regret and sorrow the relationship that she shared with her troubled son, who grew up to become a mass murderer, in Ramsay’s typically lyrical adaptation of Shriver’s high school shooting novel. Swinton is, of course, excellent, and Miller proves decidedly mesmerising. However, it is Ramsay, with her ever so sensual approach to visual storytelling, here perfectly capturing the complex, abstract emotions felt by her guilt- and grief-stricken protagonist, who again, as with her previous features, delivers the most memorable contribution. &lt;b style="text-align: left; "&gt;&lt;a href="http://artemisnt.blogspot.com/2011/02/recommended.html" style="text-align: left; "&gt;Recommended&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-1618090518331818731?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/1618090518331818731'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/1618090518331818731'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/01/we-need-to-talk-about-kevin-2011.html' title='We Need to Talk About Kevin (2011)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-3XYd-wE4g9Y/TuIXautu-WI/AAAAAAAAH0Q/285yubvwVOs/s72-c/We%2BNeed%2Bto%2BTalk%2BAbout%2BKevin%2B%25282011%2529.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-1007381473645409209</id><published>2012-01-10T13:44:00.011Z</published><updated>2012-02-25T21:59:10.383Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='2011'/><category scheme='http://www.blogger.com/atom/ns#' term='Kevin Chenault'/><title type='text'>Young Islands (2011)</title><content type='html'>&lt;div&gt;USA&lt;/div&gt;&lt;div&gt;Feature Film | Drama | English | 1h22m&lt;/div&gt;&lt;div&gt;&lt;b&gt;Dir:&lt;/b&gt; Kevin Chenault | &lt;b&gt;Scr:&lt;/b&gt; Kevin Chenault | &lt;b&gt;Prod:&lt;/b&gt; Jill Nellis &amp;amp; Tabitha Timmons | &lt;b&gt;Mus:&lt;/b&gt;Jesse Gallamore&lt;/div&gt;&lt;div&gt;&lt;b&gt;Cast:&lt;/b&gt; Steven Hamilton, Joseph Dodd, Brooklyn Harper, Lisa Garrett, Sarah Beaven, Rick Kersting, Brittany Morris, Trena Morris, Jesse Gallamore, Steve Grey, Josh Gapinski&lt;/div&gt;&lt;div&gt;&lt;a href="http://4.bp.blogspot.com/-ETV2GMAgz90/Tclkl5O9JrI/AAAAAAAAFIA/zaaodU_IC2Q/s1600/Young%2BIslands%2B%25282011%2529.JPG" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://4.bp.blogspot.com/-ETV2GMAgz90/Tclkl5O9JrI/AAAAAAAAFIA/zaaodU_IC2Q/s400/Young%2BIslands%2B%25282011%2529.JPG" border="0" alt="" id="BLOGGER_PHOTO_ID_5605121813420779186" style="cursor: pointer; width: 400px; height: 225px; " /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify; "&gt;A fume-huffing, bed-wetting teenaged boy, freshly back from summer camp (and about to be shipped off to another one), wanders aimlessly around his small town neighbourhood, attempting to come to terms with the feelings that he has for his best friend, whilst also dealing with the break-up of his parents’ marriage, in Chenault’s gently affecting, lugubriously paced, and near enough plotless debut. And with mise en scène and sound design of a quality that belie both their youth and inexperience and the production’s very low budget, this is a work that sets the film-makers up as talents to watch. &lt;b style="text-align: left; "&gt;&lt;a href="http://artemisnt.blogspot.com/2011/02/recommended.html" style="text-align: left; "&gt;Recommended&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-1007381473645409209?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/1007381473645409209'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/1007381473645409209'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/01/young-islands-2011.html' title='Young Islands (2011)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-ETV2GMAgz90/Tclkl5O9JrI/AAAAAAAAFIA/zaaodU_IC2Q/s72-c/Young%2BIslands%2B%25282011%2529.JPG' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1472111324583476283.post-532443305412873130</id><published>2012-01-10T13:38:00.014Z</published><updated>2012-02-25T21:59:23.792Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='2011'/><category scheme='http://www.blogger.com/atom/ns#' term='Lars von Trier'/><title type='text'>Melancholia (2011)</title><content type='html'>&lt;div&gt;Denmark/France/Germany/Sweden&lt;/div&gt;&lt;div&gt;Feature Film | Sci-fi Drama | English | 2h16m&lt;/div&gt;&lt;div&gt;&lt;b&gt;Dir&lt;/b&gt;: Lars von Trier | &lt;b&gt;Scr&lt;/b&gt;: Lars von Trier | &lt;b&gt;Ph&lt;/b&gt;: Manuel Alberto Claro | &lt;b&gt;Prod&lt;/b&gt;: Meta Louise Foldager &amp;amp; Louise Vesth | &lt;b&gt;Mus&lt;/b&gt;: Kristian Eidnes Andersen | &lt;b&gt;Ed&lt;/b&gt;: Molly M. Stensgaard | &lt;b&gt;PD&lt;/b&gt;: Jette Lehmann | &lt;b&gt;AD&lt;/b&gt;: Simone Grau&lt;/div&gt;&lt;div&gt;&lt;b&gt;Cast&lt;/b&gt;: Kirsten Dunst, Charlotte Gainsbourg, Kiefer Sutherland, Charlotte Rampling, John Hurt, Alexander Skarsgård, Stellan Skarsgård, Brady Corbet, Udo Kier&lt;/div&gt;&lt;div&gt;&lt;a href="http://2.bp.blogspot.com/-xbAQ08F4bwM/ToS2EE7TcFI/AAAAAAAAFj4/3ur3K3QOUxQ/s1600/Melancholia%2B%25282011%2529.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://2.bp.blogspot.com/-xbAQ08F4bwM/ToS2EE7TcFI/AAAAAAAAFj4/3ur3K3QOUxQ/s400/Melancholia%2B%25282011%2529.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5657847213042397266" style="cursor: pointer; width: 400px; height: 225px; " /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;A severely depressed young woman spends the end of the world with her anxiety-ridden sister and her family, in von Trier’s beautifully and soulfully downbeat film. The performances, particularly from the excellent Dunst and Gainsbourg, are generally very good, though the clashing-accents syndrome, caused by the internationally-assembled supporting cast, sometimes threatens to irritate. However, the photography is slick, yet transporting, and the use of fragments from Wagner’s Tristan and Isolde skilled and moving. &lt;b style="text-align: left; "&gt;&lt;a href="http://artemisnt.blogspot.com/2011/02/recommended.html" style="text-align: left; "&gt;Recommended&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1472111324583476283-532443305412873130?l=artemisnt.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/532443305412873130'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1472111324583476283/posts/default/532443305412873130'/><link rel='alternate' type='text/html' href='http://artemisnt.blogspot.com/2012/01/melancholia-2011.html' title='Melancholia (2011)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-xbAQ08F4bwM/ToS2EE7TcFI/AAAAAAAAFj4/3ur3K3QOUxQ/s72-c/Melancholia%2B%25282011%2529.jpg' height='72' width='72'/></entry></feed>
